Sole-Mates

Sole-Mates

Update your warm-weather wardrobe with this amazing footwear. You can elevate your summer ensembles instantly with a statement pair of sandals.

Here are some of my favourites:

1 Bobbie Twist suede sandals by Sophia Webster
Latin Lover studded fringed suede and leather sandals by Aquazzura
3 Leopard-print calf hair lace-up sandals iconby Saint Laurent
Halley color-block suede sandals by Jimmy Choo
Embellished glittered leather platform sandals by Lanvin
Otrot 120 fringed suede sandals by Christian Louboutin
Vreeland lamé platform sandals by Charlotte Olympia
icon8 Glittered suede platform sandals by Miu Miu
iconEmbellished silk-satin and cork platform sandals by Nicholas Kirkwood

Sophia-Webster-Shoe designer Sophia Webster

If you are looking for the most eye-catching footwear ever. Have a look at the designs of Sophia Webster, a former assistant to celebrated cordwainer Nicholas Kirkwood. She is turning fashionable heads with her fabulous sandals:
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sophia-webstericonHeaven Tempest Orchid satin and suede sandals by Sophia Webster

sophia-webster-flamingo

Flamingo Frill leather, satin and suede sandals by Sophia Webster

Sophia Webster_ShelliconUnderwater Lilico appliquéd leather slingback sandals by Sophia Webster
iconsophia webster wings

Evangeline suede and laser-cut metallic leather sandals by Sophia Webster
iconSophia Webster palm

Malibu Sunset vinyl-trimmed patent-leather, suede and satin sandals by Sophia Webster

Which one is your sole-mate?

LoL, Sandra

Photos: Courtesy of the Brands and via Vogue.com

Edgardo Osorio for Salvatore Ferragamo

Edgardo_osorio_for_Salvatore_Ferragamo

Edgardo Osorio for Salvatore Ferragamo sees Aquazzura’s creative director lend his talents to an iconic Italian brand. Let’s be honest, Edgardo is not only extremely handsome, he is probably one of the most talented shoe designers on this planet. I first met the Colombian-born genius a few years ago at his Paris showroom during fashion week and was immediately taken by his charm.

Last year, I was not only able to fly to Colombia but also to visit the House of Ferragamo during its 100th anniversary. This amazing collaboration between Aquazzuraicon’s mastermind and the Florentine fashion brand is very special as Edgardo kick-started his career working at Salvatore Ferragamo ten years ago. This capsule collection of crazy-covetable collectibles combines the best of both brands, bringing together the utmost elegance with wearability and enduring chic.

Edgardo Osorio for Ferragamo colourful sandalsAmber lace-up suede peep-toe ankle boots by Edgardo Osorio for Salvatore Ferragamo

I am obsessing over the brightly coloured printed sandals and feather-embellished beauties that strike the perfect balance of old-school Hollywood glamour and contemporary cool.

Edgardo_osorio_ferragamo_12_Sandra_Bauknecht

So you can imagine my level of happiness holding this surprise in my hand: the feather-winged suede sandals by Edgardo Osorio for Salvatore Ferragamo.

EdgardoOsorio for Ferragamo Feather Shoes

SHOP THE AMAZING COLLABORATION HERE ONLINE.

LoL, Sandra

Photos: © Sandra Bauknecht, Stills: Courtesy of Salvatore Ferragamo

Paying Tribute to the Late André Courrèges

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«Where do his tennis dresses, his sailor dresses come from? Where did he find them? On the steps of Delphi. In the wardrobe of Electra. They are modern and they are antique
Violette Leduc ‘Is Courrèges Wearable?’ Vogue, 1965.

_MON0779_1280x1920Courrèges S/S 2016

September marked Courrèges‘ first runway show in 13 years, and the House’s new designers Sébastien Meyer and Arnaud Vaillant offered a fresh take on the iconic «Space Age» classics. The LVMH Prize finalists got down to the basics, a great start to revive André Courrèges’ famous label of the ’60s. Unfortunately, Monsieur Courrèges, who retired from his vocation in the mid-1990s, won’t experience this relaunch to the fullest. Last week, he lost his 30 year battle with Parkinson’s disease at the age of 92.

courreges2André Courrèges

Born in 1923 in France, Courrèges was a major force in ’60s fashion and helped define a generation. After graduating in engineering, he studied fashion and textile design which got him a job at . He Balenciaga for ten years, where he developped his great skills in cutting garments. In 1961 he launched his own eponymous fashion house.

Courreges0Space Age coat by Courrèges, 1964

His breakthrough came with his 1964 «Space Age» collection. Stars such as Brigitte Bardot and Catherine Deneuve loved the designer’s ground-breaking geometry, plastic miniskirts and futuristic textiles.

Courreges7Moschino’s S/S 2013 show was a copy of Courrèges’s 1965 collection (here seen at Audrey Hepburn).

Courreges9Courrèges left, Moschino S/S 2013 right

His favorite silhouette was known as «Moon Girl» look, that he embellished with oddities such as googles and astronaut helmets.

Courreges1His famous miniskirts

Courrèges was also known for his extremely short angular mini skirts and trouser suits in black-and-white. Over many years, there was a dispute with Mary Quant, who claimed to have first popularized the miniskirt. Regardless of who came first, his skirts were definitely the shortest and his creations came to symbolize the Swinging Sixties.

Courreges121968: Models pose in red and white looks

Courreges3Andre Courreges at his S/S 1973 fashion show.

Courreges11New owners: Frédéric Torloting and Jacques Bungert

In 1967, Courrèges married his assistant, Coqueline Barriere who took over artistic direction of the company upon his retirement. In 2011, the couple sold a majority stake of their company to two Frédéric Torloting and Jacques Bungert, the two former co-presidents of the Paris branch of Young & Rubicam.

Courreges10Courrèges x Estée Lauder make-up collection

Last Spring, Estée Lauder and Courrèges collaborated and launched a 12-piece make-up, including the first false lashes for the beauty giant, and added Kendall Jenner as their face. To shop, please click here.

French President Francois Hollande paid tribute in a statement that described Courrèges as a “revolutionary designer” who “made his mark on French haute couture.”

Another fashion icon has left our planet. Rest in peace, Monsieur Courrèges and thank you!

TO SHOP THE NEWEST DESIGNS BY COURRÈGES ONLINE, PLEASE CLICK HERE.
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LoL, Sandra

Photos: Courtesy of Courrèges, Estée Lauder, via Vogue, AGIP/RDA/EVERETT COLLECTION, Getty Images 

Fashion Before and In 100 Years

Fashion 100 Years

This week’s publication about the project «100 YEARS: THE MOVIE YOU WILL NEVER SEE» that will be released in November 2115 has inspired me to today’s post.

How will fashion probably be in 100 years? Will there be an innovation that will revolutionize the future that we don’t know about yet? Will women rule this world?

100 Years Louis XIIIThe movie with John Malkovich in the leading role was inspired by the legacy of hundred years of craftsmanship it takes to create LOUIS XIII Cognac.

Before thinking of 2115, let’s move back in time 100 years to the year 1915.

HobbleSkirtPostcardThe Hobble Skirt (1911) – the speed-limit skirt

from a 1915 Pictoral Review1915 Pictoral Review

In 1915, women’s fashion was affected by the war in Europe in many ways, necessity was more important than style. The need to be able to move faster as well as the new independence of women also asked for a looser, more comfortable models. The rich opulence that the century had started with slowly disappeared. Hobble skirts that were widest at the hips and very narrow at the ankle transformed from floor length into styles above the ankle that opened up at the bottom, allowing for freer movement.

Theda Bara in the 1915 film SinTheda Bara in the 1915 film «Sin»

In 1915, makeup started to become more popular, literally, as the term itself was considered vulgar, “cosmetics” was the more common expression but applying beauty products was still nothing chic and done only by people in the theater or of dubious reputation and not something for the high society.

Rubinstein 5th avenue salonRubinstein’s Fifth Avenue Salon

A big milestone for the beauty industry took actually place in 1915, when two major forces opened salons on Fifth Avenue — Elizabeth Arden and Helena Rubenstein. By then, Max Factor, who was going to invent the first lipstick just a bit later had already perfected his first cosmetic product, the «pancake makeup» for sale. And 1915 marked another milestone, Tom Lyle Williams, who was only 19 at that time, founded one of today’s most successful beauty giants: The Maybelline Company.

max factor 1915Max Factor in 1915

Personally speaking, when I started to research about what happened one hundred years ago in fashion and beauty, I was utterly impressed about how much we still profit from those inventions and changes in the world. I learnt about all of that during my fashion design studies, but most of the knowledge fades away…

Chanel Store BiarritzChanel’s Biarritz store 1915

… but one designer that has always interested me the most, Coco Chanel, started to really influence the fashion world in the mid 1910’s. With her reputation firmly established, she opened her first couture house in Biarritz, France in 1915, followed only three years later by the opening of the famous 31, rue Cambon store in Paris.

coco_chanel_Biarritz2Just after 1915, it became popular to wear a knitted sweater that pulled over the head (yes, a pullover!), with long sleeves, belted at the hip that left a no discernible waist as seen here at Gabrielle “Coco” Chanel in Biarritz around 1920.

Just try to imagine the world now 100 years later if Coco Chanel had never been born, we might still be wearing corsets. This amazing woman redefined womanhood in fashion and gave us freedom. She gave us pants, the little black dress, costume jewelry and elegance in general.

Gabrielle_Chanel

“I don’t understand how a woman can leave the house without fixing herself up a little – if only out of politeness. And then, you never know, maybe that’s the day she has a date with destiny. And it’s best to be as pretty as possible for destiny.” Gabrielle Coco Chanel

If we start to think forward now, who might be the designer pioneer of today about whom the world in 2115 will still be speaking? And especially how will fashion change?

 Personally speaking, for me it is very interesting to see that in 2015 trends are fading, everything is possible and that we are reviving previous eras constantly. There is nothing really new.

Today, we are constantly challenged by the limitation of our resources on our planet. Returning to nature will and has to play an important factor. Organic fabrics will mostly be extremely common in 2115. The improvement of technology makes everything from impossible to possible.

slide_223561_923452_freeAlready very innovative in 2015: Studio Roosegarde has developped a fabric that undresses you. ‘Intimacy‘ is a curious material made from opaque e-foils which turn transparent during personal encounters thanks to a sensitivity to the wearers heart rate.

If I imagine the world in fashion in 100 years, I could think of very innovative materials that will show their impact as they might not stain anymore and have a self-cleaning effect. In an Huffington Post article from 2012, Mingce Long and Deyong Wu from Donghua University are mentioned “who have developed a fabric which could see washing machines replaced by a stint in the sun. The fabric makes use of a titanium dioxide and nitrogen coating which decomposes stains and kills microbes using light from the visible spectrum.”

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UK-based BioCouture, the world’s first biocreative design consultancy, is already investigating the use of microbial-cellulose to produce lab-grown clothing. New materials that could be used in clothing production might include fibers that can produce heat in winter and coolness in summer, so that you might be able to wear shorts in the cold season. Probably to go one step further and imagine the beauty industry, there might be clothes that have the ability to constantly speed up your metabolism so that just by wearing them you are loosing weight or have a treatment included that can cure skin problems or fight aging. That is a nice idea, don’t you think?

There might be machines in which we put our faces inside in the morning that will apply makeup by themselves. I would miss the fun of putting on my favorite beauty products in the morning though, but I know a gazillion of my girlfriends who would be in heaven with a machine like that.

But who could be the Coco Chanel of today, meaning a designer that will be remembered for his or her changes?

Sandra Bauknecht-Stella McCartneyStella McCartney with me

First to my mind came Stella McCartney who helped to pioneer the vegan leather movement and made environmentally-conscious fashion stylish.

Sandra Bauknecht with Mary Katrantzou at Dinner at BlakesMary Katrantzou with me

Another designer I thought of is my beloved Mary Katrantzou who made digital prints popular. As you might now printing uses a lot of energy but “with digital printing, prints are directly applied to fabrics with printers, reducing water usage by 95 percent, energy reduction of 75 percent, and minimizing textile waste“*.

Coco Chanel, Stella McCartney, Mary Katrantzou, all women that have changed our thinking. Women are key to improving the well-being of children and achieving lasting change in society. We have the power to make this world a better place. And I am sure that in 100 years, Mr. Georges Clot, a former LOUIS XIII Cellar Master, who used to say: “When you discover LOUIS XIII, you become a different man“, would have said:”… you become a different woman.”

LoL, Sandra

Photos: Courtesy of LOUIS XIII, © Sandra Bauknecht, via Huffington Post, New York Sun, © Chanel*via gbnews

Visiting Azzedine Alaïa in Paris

Visiting Azzedine Alaia in Paris

Today, my thoughts are with the people of Paris. Standing in solidarity with the French, I am appalled by yesterday’s heinous and immoral acts. So many amazing people live in the City of Lights and I am wishing all of them lots of strength. One of them is Azzedine Alaïa whom I met recently.

“It is Alaïa or not Alaïa! If it is not, you cannot negotiate.”

Sandra_Bauknecht_Azzedine_Alaia

Rue de Moussy in the Marais district of Paris, a very unlikely location for a high end fashion store. This has been the address of Azzedine Alaïa’s Maison since over 20 years. It is home to the ateliers, the showroom, the store, an art gallery, his apartment, a hotel with three rooms and the famous kitchen where he eats together with his employees every day and where he welcomed my humble self for dinner. Famous artist and longtime friend Julian Schnabel designed some furniture for the space, such as a massive cashiers’ desk, embellished with the initials, “A.A.”.

Moussy - Photos Andrea Aversa(8)The Alaïa store at Rue de Moussy

Marignan - Photos Ilvio Gallo (1)Housed in an 18th-century mansion, the new Alaïa store at 5 Rue de Marignan.

Before I arrive at the Alaïa temple, I had visited the second store on Rue Marignan which has been open since September 2013. It is quite the opposite on three floors, white, majestic, very artsy and clean, filled with the iconic pieces Azzedine is known for. You might say that he is one of the last couturiers. He is the master of tailoring. I haven’t seen one woman in my life that hasn’t looked good in an Alaïa dress and a pair of Alaïa shoes.

Azzedine-Alaia-12-Vogue-2Oct13-Patrick-Demarchelier_b© Patrick Demarchelier

It is an amazing success story: born in February 1940 as the son of Tunisian farmers, he got inspired for his love of couture by his twin sister. He attended the École des Beaux-Arts in Tunis and studied sculpture which helped him define the silhouette of the modern woman. He had worked at Christian Dior, Guy Laroche and Thierry Mugler before opening his first own atelier in the late 1970s. There is no doubt, Azzedine Alaïa has made the sexiest clothes for the most stunning women on the planet, has rejected corporate fashion and become highly acclaimed among critics, designers – even first ladies. For me, it is a story of someone who has always stayed true to himself and has never given up on his own dreams and values, no matter how much more difficult it got because of this attitude. Being particularly successful since the 1980s, he is mostly famous for his tight fitting curve-hugging clothes and second-skin styles with complex seams and snaking zippers. Thanks to him, leather and Lycra have been elevated to the world of high fashion.

Azzedine-Alaia-2-Vogue-2Oct13-Paolo-Roversi_bLong sheath dress known as the “powder puff” from the S/S 1994 collection.
© Paolo Roversi

Mr. Alaïa once said: “A woman is like an actress, she’s always onstage. She has to look great to feel good. If she’s going to wear clothes by a designer, … then the clothes should make something happen, something unexpected. The dress has to be part of her, she has to feel it on her body. … I prefer the woman to be seen rather than the outfit. Her head, her body, her hands — the garment is there to cover her, to underline something, and make her beautiful.

Alaïa’s ability to flatter a woman’s body is unparalleled, his creations are timeless. I have been collecting his designs for over twenty years and not one of my pieces seems outdated.

6a00e5523a6edd8833013488290b1a970c-800wiAlaïa leopard love (F/W 1992), © Jean-Baptiste Mondino

He likes swimming against the tide. Whereas all designers follow the fashion week schedules, Mr. Alaïa premieres his collections at his own rhythm, in private défilés since over a decade now. He is openly not a fan of Karl Lagerfeld and had a big fall out with Anna Wintour who hadn’t included the designer’s work in the 2009 Met’s Model As Muse exhibition – which she had organized.

Azzedine Alaïa plays by his own rules. The tiny designer is used to make all the decisions himself. For him, being independent and putting all the effort in his creativity is the key to success. “It’s ready, when it’s ready.” Now, after over 30 years in business, he takes his kingdom to new heights with the launch of his first fragrance «Alaïa». Like an iconic dress of him, he wanted it to be like a second skin. Timeless, for the Alaïa woman, discreet and not vulgar. He created a team of four people to come up with the perfect scent. His longtime friend Carla Sozzani, founder of 10 Corso Como in Milan, famous fashion photographer Paolo Roversi, the French designer Martin Szekely, who created the bottle and last but not least Marie Salamagne, the nose behind it.

Sandra_Bauknecht_Marie_SalamangneMarie Salamagne with me

For her it was an unusual encounter with a designer. Marie explains to me: “Once a month we met and discussed what was going to be the fragrance. Mr. Alaïa was were interested to interpret his childhood memories that he had of the smell of fresh water. He had this clear souvenir in mind of cold water running down the hot walls of his family house. Therefore he wanted the fragrance to show exactly this contrast, a mix of cool and warm notes at one.” He was very clear about his vision: “It is Alaïa or not Alaïa! If it is not, you cannot negotiate.

Sandra_Bauknecht_Smelling_alaiaExploring the new Alaïa scent

Marie Salamagne used very fresh airy top notes to give this watery feeling that is transparent and pure. The idea to use pink pepper to add more lightness came from Mr. Alaïa himself. The second impression is floral, but in an abstract and not invasive way, built on peony and freesia. The base notes are warm and all about bare skin created through animal notes and musk.

08_AA EDP 2015_PACKSHOT WITH BOX_BLACK BG

The bottle is all about the same contrasting elements. Built like a sculpture, it resembles the iconic perforated cut used for his leather pieces. It is opaque black but when you hold it into the light, it becomes see-through. The packaging itself plays with the famous nude color, the color of skin that Azzedine Alaïa loves to work with. Personally speaking, I had a clear idea in mind of how «Alaïa» would smell like and the new fragrance has totally surpassed all of my expectations. It is different like the house of Alaïa is, yet timeless and unexpected. The designer was very clear about his vision: “It is Alaïa or not Alaïa! If it is not, you cannot negotiate.

It was an amazing experience meeting Mr Alaïa himself. He is such a sweetheart!
Below are some more impressions of my time with him.

LoL, Sandra

Sandra_Bauknecht_AlaiaHeading to dinner in head to toe Alaïa

Moussy - Photos Andrea Aversa(7)Inside the Rue de Moussy store.

Rossy-De_palma_Sandra_BauknechtWith Alaïa’s muse, actress Rossy de Palma, at dinner.

IMG_3439The famous Alaïa kitchen

Hotel 3 Rooms - 5 Rue de Moussy- Photos Christoph Kicherer (1)One of the three hotel rooms

Rue-de-Moussy_Sandra_Bauknecht_alaiaTrying the amazing gown that I wore to my friend’s wedding in Capri.

Gift AlaiaA lovely gift from Mr Alaïa: the laser-cut leather clutch.icon

Marignan - Photos Ilvio Gallo (14)The stairs inside the Rue de Marignan store.

Marignan - Photos Ilvio Gallo (10)

Photos: Courtesy of Alaïa, © Sandra Bauknecht, © Paolo Roversi, © Jean-Baptiste Mondino and © Patrick Demarchelier

10 Years of Longchamp & Jeremy Scott

Sandra_bauknecht_Jeremy_ScottJeremy Scott with me

 Ten years of creative freedom. Ten years of explosive, ravishing humor. Happy Birthday to one of the most fun collaborations: Longchamp and Jeremy Scott celebrate their 10th anniversary.

Jeremy Scott 10 Years Longchamp10 years of pure creativity

His irreverence is applauded, his audacity hailed. Jeremy Scott is part of a closed circle of designers who have no fear. A lover of Pop prints and bold colors, he is known for shaking up the catwalk with his extravagant designs. It is with this “enfant terrible” of the fashion world that Longchamp chose to team up in 2006. The unusual alliance between the legendary French leather craftsman and the turbulent designer came as a surprise to more than a few. Yet the partnership is perfectly in line with the label’s style.

Jeremy Scott Longchamp 15Limited edition for the 10th anniversary “Greetings from Hollywood”

Scott was given the challenge to rework the legendary Le Pliage® bag. Every season, the designer takes inspiration from his favorite pattern in his ready-to-wear collection and adds it to the label’s flagship bag. I am so in love with his newest limited edition and of course his Barbie® collection for Moschino!

LoL, Sandra

Photos: Courtesy of Longchamp

Interview with Olivier Rousteing

Interview_Olivier_Rousteing

At the age of 30, Olivier Rousteing, the creative director of Balmain, is H&M‘s latest designer collaborator. Since five years , he has been at the helmet of the French fashion house and is one of the youngest creative directors in the world. He has shot to fame in the succeeding thanks to his glamorous designs and also his groundbreaking sense for social media. His vision is to combine pop culture, music and fashion.

         Together with Ann‑Sofie Johansson, the creative advisor at H&M, he answered some questions regarding his upcoming collaboration with H&M that will hit the stores worldwide tomorrow, November 5, 2015.

H&M-BalmainOlivier Rousteing and Ann-Sofie Johansson

            Olivier, how did you feel when H&M called you and asked you to be their newest collaborator?

       OR: It was just something amazing like «Oh, my God, it’s happening to me..». It was a dream come true because I’m H&M generation boy. For me being part of the H&M story, it’s an honor, it’s a privilege, it’s something that celebrates a vision and aesthetic.

            10 years ago I was part of the Cavalli collaboration. I was an assistant and now 10 years later I’m with Balmain, the creative director, and am building that amazing story. When H&M calls to ask for your aesthetic and vision, it’s a big achievement for a designer. I’m very proud to be part of it.

         Ann-Sofie, why did H&M want to work with Balmain and Olivier?

            ASJOlivier is a fantastic designer, of course. He achieved so many great things at Balmain. WE at H&M have a wish list of designers we would like to collaborate with. Olivier was on it. We also get a lot of questions from our customers, demands really, who to collaborate with next. Olivier was also one of the top names there.

            We were super happy when Olivier and Balmain said yes. It’s also fun to have a collaboration that is opposite to what we did last year with Wang, that was really sporty and streety. This time, it is opulent, glamorous and sexy. 

Olivier_Rousteing_Balmain

            Olivier, we all know about the #BalmainArmy. The hashtag for this collaboration is #HMBalmaination. It is like a message of unity, something that is very important to you. Talk a little bit please about why is that so integral to Balmain and H&M.

            OR: I think I love fashion for two reasons. Because I love to do clothes and to deliver a vision of diversity and unity the same time. With H&M it was literally expressing the diversity.

            Also, why ‘nation’? In this nation I could have so many different people. First because obviously this line is more affordable than my own line. Building the Balmain Army means creating a nation that believes in my universe, the DNA of Balmain. With this collaboration, I can reach more people, different ages, also different continents because Balmain has not so many stores as H&M.

Kylie Jenner wearing H&M x Balmain

 Olivier, can you explain please why you decided to remake and sort of revise some of the greatest hits from your past four years?

OR: Because I still remember around 10 years ago when I was in the line to actually get the pieces from different collaborations for myself. I loved watching the runway shows and thought so many times, I wished I could afford this jacket or those pants. I remember my feeling of frustration.

            So now I can see with my Instagram, my followers, dreaming of some pearls, some different craftsmanship. Once in my life I want to make it up. Thanks to H&M, we can make it happen.

         Ann‑Sofie, like you said, this collection is very different than last year’s, which was Alexander Wang, really sporty. What was the process like for H&M? It obviously has a lot of lux detailing. Was that a new experience for everyone?

            ASJ: It was a challenge. Of course, there are different challenges with different collaborations. This time, it was the handcrafted details. We were I have to say a little bit scared if we were able to pull it off or not and now we’re super happy with the result. I know that Olivier is, as well. We work with really skilled suppliers that we’ve been working with for many, many years. They are also super proud of being part of this collaboration.

Balmain_HM-Dress_Sandra_Bauknecht

  Was there a specific piece that was the most challenging?

            ASJ: All the pieces, but definitely the black and white dress, which is fully beaded. 250,000 pearls are on that dress.

          Olivier, how about you, how did you experience the collaboration?

OR: Drama (laughter). Working with H&M, it’s a big achievement because as a designer you push yourself so much more. You know the price range and it’s obvious that you can’t use some techniques, but you want to make sure it looks the best. I wanted to bring affordable couture and that’s why I’m really, really proud of the result.

Balmain HM Shop

            To see the collection on the racks over there, there is a mix of embellished pieces, but you put some simpler things, like the sweater that Ann‑Sofie is wearing.

            OR: I think it’s important. When H&M contacted me, I asked myself: what is the Balmain DNA, what do we want to bring to the store? I said there are two pillars, the couture, but also the tailoring. Even for the simplest pieces, the fit is amazing, the fabric is good. I think we managed to find a real good balance for this collection. You can get a dress to party all night long and be really glamourous or you can opt for a jacket with buttons which you can wear during daytime.

         That’s why I talked about diversity. I think it was important to reach different kind of women.

_73A9065Olivier’s three muses: Jourdan Dunn, Gigi Hadid and Kendall Jenner

            You are an Instagram star with 1.6 million followers now. I don’t think many other designers come close. Obviously your fans get a lot from you through social media. They learn about you and your life. What do you get as a designer and also what does Balmain and H&M get as brands from Instagram?

            OR: I think the most important part is that you get feedback from the people that love you and also from the ones that hate you. Social media today is a really nice way of advertising and showing who you are, what is your vision, what is your aesthetic.
 What is amazing with Instagram, if you want to know it, you can follow me. If you don’t want to, you can unfollow me. I think it’s a more honest way to actually share with people. You’re not really advertising, you’re just being yourself, taking selfies in the morning after showing what’s happening in your studio, showing the clothes, showing also how it could be hard work to make it up. I think people love to see the process.

  Personally speaking, it’s also a way to keep my feet on the ground because I find a way to keep contact with reality. I can read some comments, I can see how hard life can be for some people. It’s a good balance for my glamorous life.

     Let’s talk about the menswear, too as there’s a big selection. Did you approach that the same way with the idea of keeping the tailoring central but also the embellishments and embroideries?

            ORThis men’s collection is like an access to my closet. I love my double‑breasted jacket, I love my coats, my leather pants, my T‑shirts, my embroidered jackets. It’s like my personal wardrobe. Reminiscent of Instagram where I like to share, I wanted to give the exact same clothes to those who can’t afford what I’m doing. I’m really, really proud.

          Moreover, I am so happy that this menswear collection is something that a lot of women like and could actually wear. Balmain DNA is when a woman can also get the menswear jacket and everything. This is really interesting. I wouldn’t be surprised if a lot of women are going to go for the menswear line also.

          Androgyny is very of much in the current vogue. People are talking about it a lot in fashion. Considering that Balmain’s DNA is so opulent and glamorous, it seems like it perhaps doesn’t really fit with this new trend. Like you say, it actually does.

            OR: Completely. I think Balmain is not only flamboyant and rich, because it has 200,000 beads on a dress. It’s because you can wear a menswear jacket and feel really strong, confident, not  afraid. That’s what I’m building with my Balmain Army, the H&M Balmain Nation. You know who you are with a menswear jacket, with a really short beaded dress. It’s about confidence and about believing in yourself.

What will this collaboration do for Balmain as a brand?

            OR: I think as a brand, is going to open the doors to our stores because Balmain is not known in some countries. It’s a great access to understand the Balmain world better, that it’s not only about the embroidery dress, but more about the tailoring. And it’s a great way to give younger people an access to Balmain.

Alessandra Ambrosia wearing the must-have jacket on the runway.

       Speaking about the clothes, do you both have favorites, any predictions on what you think will be the top sellers?

            OR: Yes, I have my favorite, it’s the double‑breasted jacket with the pearls and velvet that Kendall was wearing at the Billboards when we announced the collaboration. I love the pearls because it’s part of my first season. It’s kind of emotional for me, but I’m really proud that this jacket is going to be in stores.

Sandra_Bauknecht_Jacket_HM_BalmainMe wearing the black jacket with gold buttons.

What are a the key pieces of this collection that you can recommend that you can start a great closet with?

            OR: The black jacket with gold buttons is a perfect start. You can wear it as a dress if you want to or you can wear it as a jacket. Thanks to Ann‑Sofie who made it slightly longer.

            This jacket in particular is really iconic for me because it’s really Balmain. It’s black, simple with six gold buttons. Wear it like a tuxedo jacket with pants, or as a dress with the high boots that we also sell. It’s a real statement jacket.

Thank you, Olivier and Ann-Sofie for this lovely interview!

Don’t forget tomorrow the Balmain x H&M collection will hit the shelves…

LoL, Sandra

Photos: Courtesy of H&M, Balmain and © Sandra Bauknecht

Alber Elbaz Leaves Lanvin

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It’s been a crazy week in fashion. Those who have been following me on instagram @sandrascloset got the breaking news already this afternoon. After Raf Simons another designer is joining the fashion carrousel: Alber Elbaz leaves Lanvin after 14 years. It is said that his exit was based on a decision made by Lanvin owner Shaw-Lan ​Wang.​

No word so far on Alber’s next move, but one thing is for sure after Simons it’s another high-profile fashion departure in a week and it puts Elbaz in a premium position to be considered for the Dior post. I think that it would be a perfect match!

Sandra Bauknecht and Alber Elbaz in ParisAlber Elbaz with me in Paris a few weeks ago.

Lanvin Fall 2009Lanvin F/W 2009

Lanvin Fall 2015 AdLanvin Ad Campaign F/W 2015

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Now, it is a good time to shop the latest designs by Alber Elbaz for Lanvin. I put a great outfit together for you.

Get the look: Embellished velvet and wool-gabardine jacket, cutout metallic fil coupé chiffon mini dress, metallic suede brogues, Sugar medium quilted suede shoulder bagicon, tasseled gold-tone crystal necklace and snake chain-trimmed rabbit-felt hat, all by Lanvin.

LoL, Sandra
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Photos: Courtesy of Lanvin, © Getty Images and © Sandra Bauknecht

Raf Simons Leaves Dior

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This is one of those days. I am totally jet-lagged as I just got back from New York City and in between travels which means emptying one suitcase and filling the next one. I hoped for an relaxing evening on the couch when I heard the big and very unexpected news that I had to get out to you in case you haven’t read it yet.

After three and a half years as Creative Director at Christian Dior, fashion designer Raf Simons has announced today that he will be leaving the French Maison. His S/S 2016 collection he showed during Paris Fashion Week in the beginning of October will be his last.
Here some of the beautiful looks:

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Here is a statement that Simons released  to ​WWD: «It is after careful and long consideration that I have decided to leave my position as creative director of Christian Dior’s women’s collection. It is a decision based entirely and equally on my desire to focus on other interests in my life, including my own brand, and the passions that drive me outside my work. Christian Dior is an extraordinary company, and it has been an immense privilege to write a few pages of this magnificent book. I want to thank Mr. Bernard Arnault for the trust he has put in me, giving me the incredible opportunity to work at this beautiful house surrounded by the most amazing team one could ever dream of. I have also had the chance over the last few years to benefit from the leadership of Sidney Toledano. His thoughtful, heartfelt and inspired management will also remain as one of the most important experiences of my professional career.»

Sandra_Bauknecht_Raf_SimonsRaf Simons with me in 2014

It will be interesting who will succeed Simons as ​Dior’s sales increased dramatically under him. I truly loved what he did.

Tomorrow I will be on a trip with Dior ​so let’s see if I can get some insights.

LoL, Sandra

Photos: © Chloé Le Drezen, © Yannis Vlamos / Indigitalimages.com, © Sandra Bauknecht

Interview with Viktor & Rolf

Viktor&Rolf Portrait ∏ HyungsikKim

THE INSEPARABLES
MEET FASHION’S BOMBASTIC DUO

Ten years ago, Viktor Horsting & Rolf Snoeren wished upon a star. Their wish was to create a fragrance that would make the world a better place. Their wish came true and with Flowerbomb another success story of the avant-garde Dutch fashion house was born.

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The sun is shining in Paris. It is the morning after the 10-year anniversary party of Viktor & Rolf’s highly succesful fragrance «Flowerbomb» and the day after their latest Haute Couture fashion show. Even I feel a little tired because of all the great impressions from yesterday. Yet, I am full of energy and excited to meet the designer duo in person.

I wear a silk top and skirt with bow embellishments from one of their previous collections (for the outfit post, click here please) and when I enter the suite at the Peninsula hotel, they recognize it in a second and I am greeted with two big smiles.

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«REALITY IS BORING. WHAT IF WE MAKE IT UP?»

My first impression? As trivial as it sounds, I like them immediately. Fashion and fragrances, both are about fantasy and the designer duo knows exactly how to cater to that. In an intellectual, yet theatrical way, I am immeditaley transported into their world.

But who are those two Dutch men that would like to make the world a better place with their creations? Their vita reads like a bedtime story, like twins who were seperated by birth and found themselves at a later stage in life. Both were born in 1969 not far away from each other. They met during their studies at the Arnhem Academy of Art and Design and began working together upon graduation. In 1993, they won a talent contest and launched their namesake label.

d9b18c5e736113cbcac8109253affb4aViktor & Rolf x H&M (2006)

First, their creations were presented in art galleries until they showed their first Haute Couture show in 1998, followed by their ready-to-wear collections in 2000. In 2006, H&M worked with the avant-garde pair for the at that point only third of the mass-retailers designer collaborations. Many more were about to follow, such as a luggage range for Samsonite, a reinterpretation of the Piper-Heidsieck champagne bottle (they turned it upside down and labeled it pink) and a line of false couture lashes for Shu Uemura. Just to name a few.

1Viktor & Rolf x Piper-Heidsieck (2007)

In 2008 Italian clothing magnate Renzo Rosso, President of OTB Group, the holding group of Maison Martin Margiela,, Marni and Diesel, bought a controlling interest in the company which gave Horsting & Snoeren the possibilty to create pre-collections and catwalk shows that kept the label on everyone’s lips.

Viktor&Rolf FW15 Haute CoutureViktor & Rolf Haute Couture F/W 2015

This fall, Viktor & Rolf will take a break from the ready-to wear schedule after their F/W 2015 presentation to focus on their couture line which is every season a creative atomic bomb.

«WE SEE OURSELVES AS FASHION ARTISTS»

The day before the interview, they had presented their so-called «Wearable Art» F/W 2015 Haute Couture collection at the mezzanine space of Palais de Tokyo. During the show, the designer duo interacted on stage by taking broken picture frames filled with fabric of a wall and transforming them into gowns that they draped over the models.

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Ten years ago, another artistic runway presentation had taken place. With three whispering words at the mid-point of the S/S 2015 ready-to-wear show featuring a collection rendered in black and dark tones – «Flowerbomb, Flowerbomb, Flowerbomb» – the stage revolved, revealing a completely transformed tableau vivant of models in a palette of pinks, roses and creams. It was a defining moment for Viktor & Rolf to launch their first female fragrance and intricately linking it to their powerful fashion collections – both a symbol of transformation and empowerment.

«WE FEEL A STRONG NEED TO REFOCUS ON OUR ARTISTIC ROOTS.»

F/W 2015 will be your last ready-to-wear collection because you would like to concentrate on couture. Why is that?

V&R: It was an artistic decision. We started to show couture in the beginning of our career and we returned to it for our twentieth anniversary two and a half years ago. This is what we really love so we want to focus on it. The great thing about couture is that you can take it to the extreme. It is like poetry for ideas. It gives us more freedom as the fashion system can be very demanding.

Will couture influence your fragrance line? It seems rather obvious that you would enter the world of Haute Perfumery as a next step.

V&R(Both smile): Kind of the next project. It is too early now to speak about it.

How did the «Flowerbomb» project get started? Were you approached by L’Oréal or vice versa?

V&R: L’Oréal came to us. They recognized the storyteller in us. We dreamt of a fragrance that had the power to spread a positive message.

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«Flowerbomb», that is very innovative in its gourmand approach, was created by Oliver Polge, Carlos Benaim and Domitille Bertier. How were you involved in the process of making your first fragrance?

V&R: Well, it started with the word «Flowerbomb». That was our idea because we are very drawn to flowers. It becomes easily just pretty. The name is about opposites that attract. Opposites that create something new when put together in an unexpected way. A perfumer is an artist in its own. When we smelled it first, we knew that is it.

In 1996, we already had done an art project in a gallery. At that time, we didn’t have a career yet just big dreams so we visualized our ambitions in small installations with dolls. There was for instance a doll in a photo studio or a shop.

A fake perfume was also part of the exhibition because we thought it would be great to have our own scent. It was made in a limited edition of 250 and you couldn’t open the bottle. It was sealed so that its smell stayed a mystery. Everything showed our desire and ambition to be a designer.

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What does perfume mean to you?

V&R: It’s a very direct and tangible way to express an emotion. And that is the challenge to create a perfume, to do it in a good way. To be clear. You have a name, an image, a bottle, a fragrance, a message you sent. So you have to get all those factors right in the beginning.

When you smell a woman wearing «Flowerbomb», how is that for you?

Viktor: Sometimes it is weird when you see somebody in the street wearing «Flowerbomb» or «Spicebomb», our male fragrance. It almost feels like borderline and inappropriate as if you know something about this person you shouldn’t know.

Rolf: I always want to see who wears it when I smell it.

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The ad campaign was created together with your friends, the famous photographer duo Inez van Lambsweerde & Vinoodh Matadin. It hasn’t been changed for a decade. Couldn’t you imagine a famous face for «Flowerbomb» as most of the fragrance houses do?

Not so easily. What we like about the ad is that it is a mystery. It is about the story of «Flowerbomb», the emotion, the feeling and not about one woman. It is about an idea, not about a celebrity and wanting to be that celebrity. It is aspirational in a different way.

Tori-Amos-3-600x399Tori Amos on stage at the 10-year anniversary party of Flowerbomb.

Do you have a woman in mind you would love to dress?

Rolf: Yesterday, hearing Tori Amos sing «Wishing Upon a Star» in our couture cape from the Zen collection a few years ago was a dream come true. She is a real «Flowerbomb».

Would you agree, Viktor?

Viktor: I would agree, we dressed many celebrities. But with Tori a personal relationship has evolved over the years and that adds a meaning to the dressing.

How can I imagine your creative process?

It is a constant discussion. We whats up from the moment we wake up. It is very continious, one thing informs the other. Right from the start already, we felt that our work flow went really well. We had a conversation 23 years ago and it is still ongoing. Literally we start with words, then come up with ideas. We have to make it very clear and visualize it before actually getting started.

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You always seem to be in line. Do you ever fight or argue?

V&R (Both laugh): Not so much. It is very easy. If we disagree in work, we talk about it and it means to us it is not finished.

What do you admire about each other?

Rolf: He is my best friend. I cannot really decribe it and I don’t want to because he means everything to me.

Viktor: That is very sweet. Thank you! It would be diminishing to put it into words but Rolf you are a genius. That is it for starters.

If you are in a relationship. How do your partners cope with the strong bond you are having?

V&R: If there is a partner, it is a given. They know from the beginning how close we are.

IMG_8082Viktor & Rolf’s Paris store is located at 370 rue Saint-Honoré.

You seem to wear similiar outfits a lot of times. Do you whats up each other in the morning what you are going to wear?

V&R (Both laugh): It used to be but not so much anymore. It is more about the same style.

Do you wear other designers?

V&R: Not really other designers. Mainly our own things or things that we don’t make like a Nike sneakers.

Which scent are you both wearing?

V&R: Spicebomb in the extreme version.

How do you get creative?

V&R: We talk a lot, it doesn’t always come easily. Sometimes you have to force yourself to sit down. just work and pull it out of yourself. Getting a deadline helps a lot though.

IMG_8092Viktor & Rolf sweets during the interview.

In our times, being in business for 10 years is an amazing success for a scent. Do you see your fragrance line in collaboration with L’Oréal as a marketing tool?

V&R: Oh yes, in our times, when everything is so disposable, it is amazing to have something that has a meaning. Especially considering the fact that when we started making it, we weren’t thinking of other people. We wanted something that we are prone to, that is important to us. That it became such a success, is just amazing.

What do you think about social media and its fastness?

We are very ambivalent. Thinking of how we grew up in the Netherlands, there was not a lot of fashion. It is great how up-to-date and connected the kids of today are. At the same time it looses mystery, and it becomes so disposible, but we use for example Instagram. For our last couture show we tried to make images that didn’t exist before.

Do you manage your own instagram account?

We have an assistant with whom we do it together but we look at it as well.

viktor_and_rolf_caw15_0069Viktor & Rolf Haute Couture F/W 2015

What are you most proud of in terms of your career?

Our friendship.

Is there a collection that you are most proud of?

V&R: Several ones, but the last couture show was for us an achievement, as we tried to get to the essence of our work, who we really are.

Viktor & Rolf. The brand in 3 words.

Viktor(smiles): Can it be six?

Provocative couture. Unexpected elegance. Conceptual glamour.
These are the creative pillars that define the avant-garde house of Viktor & Rolf.

Thank you, Viktor & Rolf for this amazing interview!

A lovely surprise waited for me upon my arrival in my hotel room: the Mini Bombette bag. 

Viktor & Rolf surely cannot be pigeonholed. They are like the magicians of fashion for me and I am very curious to see their future projects and collections now that they can concentrate on their artistic skills. «Flowerbomb» is still growing a stronger audience and for the designer duo a good base to make most out of their business. Trust your heart, and success will come to you. In case of Viktor & Rolf, it absolutely seems to be true.

LoL, Sandra

Photos: Courtesy of Viktor & Rolf, © Sandra Bauknecht
Illustrations: Franáois Berthoud