My Look: Kinky Boots

Red leather, knee-high. Lola knew what she was doing. A boot like this changes your posture before it changes anything else, and you feel it the moment you stand. I wore mine at L’Oscar London, which runs a Kinky Boots package until July 11, 2026 and which looks like a stage that has been waiting all day for an entrance.

Then the coat. Embroidered, a showpiece that could headline on its own. The rule says pick one hero piece. I wore two –  including the clutch, it actually makes three.

My look: Renata embellished maxi coat by Alice + Olivia, cotton-poplin and jersey bodysuit by Valentino, vintage red leather boots by Prada, rushed logo belt by CHANEL, hedgehog clutch by JW Anderson, and crystal heart clip-on earrings in gold-tone brass by Alessandra Rich.

LoL, Sandra

Photos: © Sandra Bauknecht / @georgiashane
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My Look: Break The Stigma

I’ve never believed that style should come with an expiration date. If you feel good in something, wear it. If it gives you confidence, even better. Fashion isn’t about age. It’s about attitude. That’s why I called this post Break the Stigma. We spend far too much time discussing what women should or shouldn’t wear at a certain age. I’ve never followed those rules and I’m not about to start now as you can see.

One of my favorite places in Saint-Tropez is Le Café. You can have dinner, dance, step outside for a quick game of pétanque, and then go straight back to the party. Effortless, joyful, and completely fun.

Wear the sparkles. Dance a little longer.

Also worn in Episode 71 of MY STYLE ROCKS SEASON 1.

My look: Crystal-embellished lace jumpsuit by Stella McCartney, feather-detail double-breasted blazer by Valentino, Hourglass crystal-embellished suede shoulder bagicon by Balenciaga, metal crystal CC long drop earrings by CHANEL, and beige leather Angel T-strap platform sandals by Gucci.

LoL, Sandra

Photos: © Sandra Bauknecht / David Biedert Photography and @kazmva0
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Celebrating the English Summer at Annabel’s

Where Fashion Meets Wallpaper:
A Morning at Annabel’s with Martin Brudnizki and de Gournay

Few interiors in London stop me the way Annabel’s does. As a member of the Membership Committee at the club, I spend a fair amount of time on Berkeley Square, and yet Martin Brudnizki’s work hits differently every single time. His studio MBDS created something genuinely unique here: a universe of controlled fantasy, English eccentricity and absolute attention to detail. The kind of space that makes you want to dress up just to be worthy of it.

Last Tuesday, I was at the club for breakfast with Martin Brudnizki and Hannah Cecil Gurney of de Gournay to see a new installation celebrating the English summer, which London, with its characteristic sense of humour, chose to mark with a day of horizontal rain. Inside, none of that mattered. The new de Gournay panels are breathtaking: a sweeping floral composition alive with birds, painted in that unmistakable hand that de Gournay has made its signature. Lush, layered, luminous. The moment I saw them, my mind went immediately to the Erdem collaboration, and for very personal reasons.

Those who have followed my interiors journey over the years will know that my previous home was conceived as a love letter to fashion. I dedicated each room to a different designer, with de Gournay as the connective thread running throughout. My study was entirely devoted to the Erdem x de Gournay collection: chinoiserie of birds and blossoms, handpainted in watercolour, in a design that Erdem Moralioglu and Hannah Cecil Gurney brought into being with a shared obsession for the handmade, the romantic and the rare. I lived inside that collaboration, quite literally. And I dressed to match it.

So when I sat down for breakfast last week, I wore my Erdem x de Gournay Giudita tie-neck belted floral-print silk-voile dress. The only possible choice. It felt like a small homage, and it was received as such.

Over breakfast, Martin and Hannah spoke about something that I think many people do not fully understand about the de Gournay design process: the role of the client. The vision, when it is strong and specific, is not a constraint. It is the starting point from which something truly singular can be made. My own vision for that home was fashion, always fashion. With de Gournay, we translated it into walls, into rooms, into an entire way of inhabiting a space. A collaboration in the truest sense of the word, unfolding slowly, with intention.

I will write more about this process another time, because it deserves the space to be explored properly. For now: a dress that was exactly where it needed to be, a room that understood it completely, and a conversation at the table as beautiful as everything else around it.

LoL, Sandra

With my beautiful girlfriends Marijana Matthäus and Monica Perlman.

Photos: Courtesy of Annabel’s / © Sandra Bauknecht 
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My Look: Social Butterfly

Some backdrops are simply made for fashion. And L’oscar London, with its theatrical baroque interiors and that extraordinary butterfly wall, happens to be one of them. Before heading out to celebrate my dear friend Monica’s birthday, I took a moment in my hotel to capture this look, and honestly, the setting did half the work.

There is something deliciously dramatic about L’oscar London. The décor is bold, layered, and unapologetically opulent, the kind of place where every corner feels like a stage set. That butterfly wall in particular is pure magic, both whimsical and grand at once. The perfect mirror for a night that was about to unfold in equally spectacular fashion.

My Chicago girl chose The Berkeley for her London birthday celebration, and what a celebration it was. The kind of evening that reminds you why dressing up matters, why effort has its own reward, and why the best friendships are the ones that make you fly across cities without a second thought.

So yes, a social butterfly in every sense. Not the restless kind who flits from surface to surface, but the kind who transforms, who shows up, who makes the moment.

And the outfit? Very much part of the story.

My look: Rachel black jumpsuit by Nadine Merabi, Angel platform sandals by Gucci, VSLING mini top handle handbag in black with sparkling embroidery by Valentino, silver-tone crystal clip earrings and crystal-embellished snake necklace, both by Alessandra Rich.

LoL, Sandra

Photos: © Sandra Bauknecht / @georgiashane
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My Look: Dots

There is something about a great hotel entrance that sets the tone for everything that follows. Leaving L’oscar London for a morning appointment, dressed in a look punctuated by dots in all sizes, that just add the right amount of decadent drama.

L’oscar, London’s intimate jewel on Southampton Row and part of the Swiss Michel Reybier Hotel Group, was a first for me. It will not be the last. More on this very soon.

My look: Bow-embellished polka-dot silk-shantung jacket, matching polka-dot silk head scarf, polka-dot grain de poudre flared pants, Crasher VLogo sequined leather sandals, VLogo chain necklace, matching VLogo chain bracelet, all by Valentino, Brixton stretch-jersey camisole by The Row, walnut clutch by JW Anderson, Linda sunglasses by Tom Ford, and Mitza ring by Dior Fine Jewellery.

LoL, Sandra

Photos: © Sandra Bauknecht / @georgiashane
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My Look: Yellow Majolica

Hotel Cala di Volpe is wearing Dolce & Gabbana’s Majolica Gialla this summer. I have been wearing it longer. The sun chose yellow first. So did I.

My look: Majolica pleated printed cotton-poplin midi dressicon, Majolica leather and twill-trimmed raffia tote bagicon, and Keira printed leather platform sandalsicon, all by Dolce & Gabbana, Bronte gold-plated earrings by Jennifer Behr, Mitza ring by Dior Fine Jewellery, and Tank Américaine in yellow gold with diamonds by Cartier, and Lisa square-frame metal sunglassesicon by Saint Laurent.

LoL, Sandra

Photos: © Sandra Bauknecht
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My Look: News Update

Sparkle and oversized denim. With a broken heart.

These photos were taken on my daughter Anouk‘s terrace in Boston, a place she called home for six years and is now leaving behind. Moving back to Europe is the right decision. It is also an emotional one. And sometimes the only answer to big feelings is an even bigger look.

And yes, oversized is not exactly the silhouette I reach for first. But that is precisely the point. Because the moment you stop reinventing yourself is the moment you start standing still. In fashion as in life: keep moving forward. That is the real secret to staying young.

My look: Oversized crystal-embellished denim shirt, and matching crystal-embellished wide-leg jeans, both by Stella McCartney, Cassandre cotton T-shirt by Saint Laurent, silver-tone faux pearl necklace, and faux pearl-embellished silver-tone charm, both by Simone Rocha, Hourglass crystal-embellished suede shoulder bagicon, logo baseball cap, and kit charm key ring, all by Balenciaga, Triple S sneakers in white with black stripes by Balenciaga x adidas.

LoL, Sandra

Photos: © Sandra Bauknecht
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Ladies First

DRESSED FOR THE TOP: What «Ladies First» Gets Brilliantly Right

Sometimes the most important things happen when you slow down. Over the Whitsun weekend in the English countryside, I made a conscious decision to step away from the noise of social media and work obligations and simply breathe. I read, I rested, and I watched a film that has been dividing audiences since it landed on Netflix: «Ladies First«, starring Rosamund Pike and Sacha Baron Cohen, directed by Thea Sharrock.

Let me say this clearly: I loved it.

I loved Rosamunde Pike’s performance in «Ladies First».

Yes, the critics have been ruthless. The reviews have been unkind. But I found myself completely charmed, not despite the film’s unapologetic playfulness, but because of it. «Ladies First» reminds me of the romantic comedies of the nineties and early two-thousands, films that dared to be funny and warm and utterly unashamed of themselves. In a landscape of relentlessly self-serious cinema, there is something genuinely refreshing about a film that winks at you and then makes you think.

The premise is deceptively simple: a swaggering male chauvinist, played with wonderfully committed physicality by Baron Cohen, wakes up in a parallel world where women hold all the power, and men occupy every diminished, overlooked, and underestimated role that women have quietly endured for centuries. It sounds like a comedy setup. And it is. But beneath the laughs lies something that is, when you sit with it, genuinely sobering.

Because the joke only lands if we recognise the truth it is built on.

The film earns those laughs honestly. When the men are womensplained to in board meetings, when someone is called testerical, when the power lunch happens at Burger Queen, when he has to shop at Cockette, and when, in perhaps the film’s most quotable moment, someone declares «he got us by the ovaries.» I laughed out loud. Genuinely. The kind of laugh that reminds you why great comedy, however cheesy, is never a small thing.

The reality is that women remain startlingly underrepresented at the top of almost every major industry. What «Ladies First» does, wrapped in all its glorious cheesiness, is hold a mirror up to a dynamic most of us encounter on a regular basis and simply accept. The question the film poses, the one that stayed with me long after the credits rolled, is whether women would behave differently if we truly held that power. My honest answer: yes, I believe we would. And I think that is something worth celebrating.

But there is another conversation the film opens up, and it is one I find especially compelling as someone who lives and breathes fashion. In this reimagined world, the visual language of power shifts entirely. Clothes become a different kind of currency, and the film understands, perhaps more than it is given credit for, that what you wear is never simply what you wear.

The power of a good jacket: Power Shoulders

Fashion has always been a form of communication that requires no words. Research has consistently reinforced what those of us who dress with intention already know instinctively. A 2019 Harvard Business Review study found that 85 percent of professionals perceive well-dressed individuals as more competent, regardless of gender. Psychologists describe this through the concept of «enclothed cognition,» the idea that clothing does not merely reflect our state of mind but actively shapes it. When you dress with authority, you think and move with authority. The two are inseparable.

Nothing beats a well cut suit in a great hue: Never Seen Together 

This does not mean we need to borrow from a masculine wardrobe. That conversation belongs to another era. True power dressing today is about intention. It is a sharp, beautifully cut blazer worn with a silk slip skirt. It is a confident colour when the room expects beige. It is structure and precision and the quiet, undeniable statement of a woman who knows exactly what she is doing before she has said a single word. And let us not forget: we also look incredible in a men’s suit. That is our advantage, and it always has been. We can wear everything. Femininity is not the opposite of power. It is, when wielded deliberately, one of its most potent expressions.

One of my favorite suits in my closet that is inspired by menswear: Istanbul Memories

Ladies First may not be the film the critics wanted. But it might just be the film we needed. It is funny, it is generous, and hidden inside its warm, crowd-pleasing exterior is a question that is anything but trivial.

It is powerful to mix female and male elements: Dream More

What would the world look like if we dressed, and led, on our own terms?

I think we already know the answer.

LoL, Sandra

An unexpected combination of color and cut: Oversized Cool

Changing your appearance is a powerful thing to do: Bang

Photos: © Sandra Bauknecht and Netflix
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My Look: Hambleden

Charming beyond words. Nestled in the rolling hills of Buckinghamshire, Hambleden might just be England’s most picture-perfect village, and honestly, it felt like stepping straight onto a film set. The flint stone church, the honey-coloured cottages, the quiet village green, a more beautiful backdrop for an outfit post simply does not exist.

My look: Printed cotton-jersey T-shirt, and Rockstud leather and satin-trimmed crystal-embellished tulle ballet flats, both by Valentino, Wanderlust cropped wide-leg jeans by Zimmermann, My LV Chain pilot sunglasses by Louis Vuitton, Trunk hand-painted leather shoulder bag by Marni, and hoop-drop clip earringsicon by Saint Laurent.

Wishing you all a wonderful Whitsun weekend!

LoL, Sandra

Photos: © Sandra Bauknecht
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My Look: Stay Wild & Free

London has a way of making you feel anything is possible. Standing in front of the Corinthia Hotel, one of the city’s most iconic addresses, I chose to show up in full bloom: a floral dress, an oversized studded denim jacket, and zero apologies.

Yes, it is a young look. And why ever not? Age is not a dress code. The only rule that matters is whether you feel alive in what you wear. Wear the dress. Add the jacket. Own it completely.

My look: Grizzo oversized studded denim jacket by Khaite, floral dress with white collar by Miu Miu, Cherry leather platform ankle boots, and Niki mini studded quilted textured-leather shoulder bag, both by Saint Laurent, Aquanaut Luce in khaki green by Patek Philippe, and My Monogram square sunglasses by Louis Vuitton.

Stay wild. Stay free.

LoL, Sandra

Photos: © Sandra Bauknecht@georgiashane
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