Louis Vuitton Artycapucines Collection

After last year’s first collection of six Capucines bags created by contemporary artists, Louis Vuitton unveiled a new edition of its Artycapucines project.

Beatriz Milhazes, Jean-Michel Othoniel, Josh Smith, Henry Taylor, Liu Wei and Zhao Zhao have all created beautifully imagined and stunningly worked versions of the iconic Capucines bag.

From the 30th October, each bag in the Artycapucines collection will be released in a limited edition of 200 in selected stores worldwide. Price per bag: CHF 7900.

Louis Vuitton Capucines by Beatriz Milhazes
Based upon a new work created by Brazilian artist Beatriz Milhazes for the Artycapucines project, Milhazes’ bag is a technical and artisanal achievement. 18 different types of leather are worked to the same thickness and then inlaid onto the bag’s lambskin base using innovative and novel marquetry techniques. To complete the kaleidoscopic variety of the different textures and aspects, the bag also has two areas of gold leaf and an inlaid, injected silicone gel peace sign. The LV logo uses enamel marquetry and gel to match the exact colours of the design over which it is placed.

Louis Vuitton Capucines by Jean-Michel Othoniel
Jean-Michel Othoniel’s Artycapucines is a graceful and joyous object. The bag’s main body is intricately hand-woven in raffia, while along the top edge of the bag is a hand-embroidered trim that uses a type of black satin silk more generally used in haute couture. The bag’s handle is made of large black resin beads that echo the French artist’s best-known large-scale works, such as his Le Kiosque des Noctambules Palais Royal Métro entrance in Paris. The bag is completed by a striking charm whose three resin beads act as an exclusive and portable Othoniel sculpture.

Louis Vuitton Capucines by Josh Smith
New York-based artist Josh Smith’s design is based upon one of his signature «name» paintings. To recreate the work, the bag’s cotton canvas exterior is first embroidered with white-coloured stitches to replicate brushstrokes, creating a sensation of depth. The fabric and stitches are then painstakingly printed, before the letters of Smith’s name are embroidered across the entire bag. The LV signature is in metal inlaid with wood, while the handle is made of pure pear wood. Its silk inner lining is printed with Palm #3, another of Smith’s striking and brightly coloured paintings.

Louis Vuitton Capucines by Henry Taylor
Henry Taylor’s Artycapucines brings together the Californian artist’s striking and expressive 2017 portrait A young master – a portrait of the late Noah Davis, the Black American artist and founder of LA’s Underground Museum – with the latest cutting-edge laser printing and traditional marquetry. Reproducing the painting on leather to replicate its original brushstrokes and varied textures required over 100 experiments to test different methods of 2D and 3D printing. The bag’s taupe Taurillon leather background was then used as a «blank canvas» into which this tactile portrait on leather was inserted using precise and demanding marquetry techniques. The result is a portrait that is also a remarkable sculptural bas-relief.

Louis Vuitton Capucines by Liu Wei
Beijing-based artist Liu Wei is renowned for provocative, unclassifiable work that jumps between media. His Artycapucines is based upon Microworld, a large-scale sculptural installation shown at the 2019 Venice Biennale. Variously sized aluminium petals from this sculpture are recreated for the bag using five different types of silver-coloured leather that are meticulously thermo-moulded and inserted directly into the bag’s exterior or attached using Louis Vuitton-engraved rivets. The bag’s handle is made in black Plexiglas, which brings a retro-futuristic touch, and is held in place by rings covered in metal spheres, each individually attached and with a different finish to match those in the original artwork.

Louis Vuitton Capucines by Zhao Zhao
Chinese artist Zhao Zhao’s Artycapucines is based on his 2018 sculpture, In Extremis No.3. For his bag, the artwork’s metal components are transformed into 353 individual laser-cut patches made of 5 different types of leather, which are either hand-embroidered, machine-embroidered, printed – with seven different patterns – or worked into relief. They are then assembled and meticulously sewn together into a single panel that follows the precise design layout that Zhao created. The resulting pattern covers the entire surface of the finished bag to create the impression that the original work has been moulded to fit precisely around the Capucines.

Aren’t they all very special! I love when fashion meets art…

LoL, Sandra

Photos: © Louis Vuitton 

Baur’s Private Art Collection

«Impeccably imperfect» – that is the new catchy slogan that the new Baur’s plays with. Imagined by Andrea Kracht and created by trendsetting interior designer Martin Brudnizki, who designed the elite nightclub «Annabel’s» in London as well as the «Beekman Hotel» in New York City and «Fortum & Mason» in Hong Kong, this hot spot in Zurich will finally reopen its doors in September this year.

I had the opportunity to enjoy the beautiful interior during a guided art tour as guest of Gigi Kracht followed by a beautiful intimate ladies lunch on the terrace of the Baur au Lac.

Gigi Kracht (center with green jacket) surrounded by her girlfriends.

«Take a set, grab a treat» – the classic brasserie concept is elevated to a whole new level, blending contemporary chic with international grace in an artful, inviting ambience. The colors blend in perfectly, the retro vibe delivers a certain twist. I adore the interior design of the Baur’s. It gives me this international flair that we are sometimes missing in Zurich.

As I am at the moment designing my new home, color is also a must for me along with stunning wallpapers to create the perfect ambiance. The Baur’s has it all. I am not a minimalist and white rooms don’t make me feel at home. I couldn’t agree more with Brudnizki who says: «When I enter a white space, I feel like I’m being deprived of something. Color infuses my life

The best is yet to come. The green color combined with the coral red of the armchairs serves as the perfect backdrop for the highlight of the restaurant: the private art collection. Drawing on the expertise of Gigi Kracht, Andrea Kracht’s wife, that my avid readers know well from her Art in the Park events, the room is filled with selected works from the world’s most popular painters: thirty-three originals by artists such as Rashid Johnson, Rita Ackermann, and Martin Creed to photographs by the iconic Annie Leibovitz, to intimate art work by Louise Bourgeois who shares a raw look at female pain.

Painting by Louise Bourgeois

Even that these simple yet cruel images contain a sensual sense of loss and the often unspoken sorrow of miscarriage, they seem to belong there, to this place of happiness and relaxation among dear friends or business partners, providing the bar area with a certain coziness.

Photographs by Annie Leibovitz

Cigar aficionados will enjoy the cigar lounge that is decked out from top to toe in Baur’s green and decorated with artwork by Swiss artist Dieter Roth, who took tablecloths, or even the floor as his canvas to scribble on.

Painting by Dieter Roth 

Playing all together, the new Baur’s is a feast for all senses. Vive la Brasserie! Vive le Baur’s!

LoL, Sandra

Artwork by Martin Creed

Painting by Rita Ackermann

Photos: © Sandra Bauknecht

Hermès x Jay Ahr

This is perfect way to sustainably update your Hermès bag, consider having an artist take a brush or needle and thread to them. Or have a look at the amazing work of Hong Kong based designer Jonathan Riss who has a passion of giving iconic bags a second life. His brand Jay Ahr (phonetic spelling of his initials) takes luxury bags to the next level.

Jonathan Riss with one of his works @jay_ahr_
« 1969 » Vintage Hermès Kelly bag, size 28

An array of pristine condition pre-loved Hermès bags presents the perfect canvas for this ancient yet modern artwork making every piece sustainable in product and process with a story to tell. Custom embroideries are layered and interwoven into each bag, with the art piece looking like they were part of the original leather design. Riss and his team deconstruct every bag before sending each separate piece of leather to the embroiderers. Once they are finished, the bag is sewn back together using the original yarn.

This vintage Hermès Birkin bag with Shunga embroidery was especially created on behalf of Maxfield LA’s 50th anniversary. Available for $55.000. To shop, click here.

There are so many amazing pieces, see below for more:

Bandana Brown – Hermes Birkin 35

This bag is a vintage Hermès Birkin 35 in brown epsom leather first produced in 1999. The stamped- grain lightweight leather gives a structured relaxed contour. Featuring round top handles and a fold-over top with twist-lock closure.

Detailed with palladium hardware it comes with a detachable clochette with two encased keys and a padlock. From the Sanskrit word for «a bond», the bandana is inspired by the colourful Indian kerchiefs. The Bandana collection is paired with Jay Ahr’s tongue-in-cheek twist on the Hermès Twilly, in a matching bandana pattern.

$38.500 – To shop, click here.

Thangka Snake – Act 2 – Hermes Constance 24

A vintage Hermès Constance 24 in black box calf leather with gold plated metal hardware. The smooth box calf leather gives a glossy finish yet firm hold creating the bag’s structural lines. The bag features a versatile two-way shoulder strap and gilded ‘H’ front clasp closure.

Using this vintage Constance as a canvas, Jay Ahr presents a special interpretation of the Thangka, a Tibetan Buddhist painting on cotton or silk appliqué. The central motif features an embroidered interpretation of the snake depicted in the Raktayamari Thangka, one of the world’s great textile treasures. One of the major landmarks of early Ming dynasty textile arts, the eight snakes represent the subjugation of various obstacles and the accomplishment of skillful activities.

US$28,600 – To shop, click here.

Welcome to the Jungle Hermès Birkin 35

This bag is a vintage Hermès Birkin 35 in white canvas with a green trim first produced in 1996. Featuring round top handles and a fold-over top with twist-lock closure. Detailed with palladium hardware it comes with a detachable clochette with two encased keys and a padlock.

On this seemingly light hearted beauty the exotic green plays host to the lyrics of Guns & Roses’ «Welcome to the Jungle». Shrouded by Jungle palm leaves creating a sense of mystery and voyeurism. The song exposes the dark side of Los Angeles many people encounter when they go there to pursue fame. The embroidered print is not contained to the canvas but carried across the bag onto the soft Ebène calf leather hiding the underworld conveyed by the song.

$38.500 – To shop, click here.

Nessun Dorma – Hermès Kelly Sellier 28

This bag is a vintage Hermès Kelly Sellier 28 first produced in 1973. Detailed with palladium plated hardware it comes with a detachable clochette with two encased keys and a padlock. The bag stands tall on protective feet and is carried by a single padded top handle.

Marrying musical classics with vintage classics Jay Ahr has woven the lyrics to operas, ballads and anthems.  This piece is an ode to the Italian Opera. The lyrics to «Nessun Dorma» (None shall sleep), an aria from the final act of Giacomo Puccini’s Turandot – one of the best known tenor arias in opera – grace this stunning and rare Kelly, in an embroidered interpretation of wood block stamping.

$35.200 – To shop, click here.

Aren’t those bags so beautiful, when fashion meets art … masterpieces can be created.

LoL, Sandra

Photos: © Jay Ahr and via Marie Van Damme
DISCLOSURE: This post DOES NOT include affiliate links and is not sponsored. I am just a fan of the products.

En Passant


Graceful, fluid, En Passant is a luminous, mobile and charming perfume. It was born of Frédéric Malle’s collaboration with Olivia Giacobetti, who, in 2000, was the first woman to enter the exclusive circle of the world’s best perfumers chosen by the Perfume Publisher to compose the classics of tomorrow. Frédéric Malle chose her for the qualities of her perfume writing: a modern writing style that doesn’t follow fashions. A feminine, youthful, free and very personal writing. According to Malle, «Olivia has that rare ability to create an ambiance, to capture an atmosphere, like a great photographer.»

In the collection of Editions de Parfums Frédéric Malle, En Passant is one of the soliflores, perfumes built around a single flower—here, lilac. But an idealized, reworked lilac, cleansed of its dusty, slightly honeyed notes. A purified, aerated lilac, as if it had transcended itself. Evocative of spring, the fleeting moments of childhood, youth and innocence, the lilac of En Passant naturally leads us into the green gardens of the Île de France region.

With En Passant, Frédéric Malle chose to add to his perfume collection a fresh, pure, transparent feminine composition, as light and elusive as a breeze. But a persistent breeze, bursting with the scent of lilac beneath the soft rays of the spring sun. A breeze that caresses although signaling its presence. A breeze that passes through at the same time as its trace renders it indelible.

Photo: Henri Cartier-Bresson

En Passant is a vegetal perfume both airy and architectural. Imagine the implacable lines of a minimalist sculpture by Donald Judd, or a repetitive musical loop by Philip Glass.
When Frédéric Malle speaks of En Passant, he first refers to the photographs of Henri Cartier-Bresson. Which is to say that, beneath the lightness of the breeze, in this apparently weightless air that can only be that of spring, is concealed the idea of the passage of time and the decisive moment that immortalizes the instant.

«Olivia Giacobetti possesses the special ability to create an ambiance, to capture an atmosphere, like a great photographer
Publisher & Founder, Frédéric Malle

Olivia Giacobetti has an uncanny ability to create an atmosphere. Having completed her training at Robertet, she founded her own perfume laboratory, Iskia, and dedicated her career to doing precisely that. She is the brains and the nose behind the fig accords that have been present in home scents for years. The perfumes that move her most are «echoes of everyday life and nature: fleeting emotions, moods, details, attitudes… the many small fragments of life that bear new images». Her compositions capture the authenticity of a single moment. They are, in other words, odes to transience.

Perfume 100ml: 210€, $290, £175 – Perfume 50ml: 140€, $205, £123
Perfume 30ml: 115€, $145, £88 – Perfume 10ml: 42€, $57, £35
Body Wash 200ml: 50€, $65, £40

TO SHOP EN PASSANT ONLINE, CLICK HERE PLEASE.
And to all my Swiss readers, Happy 1st of August!
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LoL, Sandra

Photos: © Frédéric Malle and © Sandra Bauknecht
© Henri Cartier-Bresson

Masterpiece London x Net-à-Porter

First of all, congrats to Net-à-Portericon, my favorite shopping destination turns 20 this month and it never stops to amaze me. Last Thursday, I had the privilege too attend a very exclusive zoom meeting hosted by Net-à-Porter for their top clients to explore Masterpiece London, the world’s leading cross-collecting fair, before the official launch date today.

With Alison Loehnis to the right and Charlotte Olympia in the middle at another amazing Net-à-Porter event in London.

Our lovely host, Alison Loehnis, president of Net-à-Porter, was joined by experts from the art world for a virtual discussion on «Voyages of Discovery: journey, legacy and connection in art & design.»

Philip Hewat-Jaboor gave us some great insight into Masterpiece London.

Philip Hewat-Jaboor, chairman of Masterpiece and a distinguished collector himself of exceptional pieces from every category imaginable, including 18th-century and early-19th-century ceramics, marbles, furniture and antiquities, gave us a great introduction. What sets Masterpiece London apart from other art fairs is the juxtaposition of art and design from all periods and origins. It is the unmissable art fair at which visitors can view and buy the finest works of art, design, furniture and jewellery – from antiquity to the present day.

Emma Ward during the meeting in front of a Picasso painting.

«Art is incredibly subjective.» – Emma Ward

With almost 400 years of collective art world experience, Dickinson specialises in privately and discreetly handling rare Old Masters through to Impressionist, Modern and Contemporary masterpieces. Emma Ward, Managing Director, who runs the company, explained us how to navigate through today’s complex and fast-moving art world.

Stunning necklace by Fabio Salini

«I couldn’t find the perfect color combination. Therefore I divided the gems in two rows, into warm and cold colors.» – Fabio Salini

Gemologist and jewelry designer Fabio Salini worked for Bvlgari and Cartier before launching his own brand, creates original jewelry and events around the world. In 2004 he opened his Atelier in Rome, an elegant shop and design studio that has become the focal point of his work, representing the quintessence of his style. His keen interest in contemporary art as a form of expression and a source of inspiration has led to brilliant collaborations, like that with Fernando and Humberto Campana, rooted in a tantalizing mélange of jewelry, design and art. He sees himself as a contemporary artist, very much related to his emotions. He is a pisces, very moody, feelings change every single day.

Image of Rockefeller’s salon designed by Jean-Michel Frank in 1939, showing the Léger mural and Giacometti andirons.

«I believe that a less severe principle can be found—the mixing of styles. The noble frames that came to us from the past can receive today’s creations. The house that we build now can welcome ancient things of beauty.» – Jean-Michel Frank

Such a source of inspiration: Helena Rubinstein’s apartment.

«Re-editions can be problematic.» – Daniel Malarkey

Daniel Malarkey, art advisor, specialized in contemporary art and important design for collectors. I loved his advice and speech. He spoke about provenance and the designer’s work; how proportion, materials and form inspire contemporary design today: how then one commissions site-specific design for interiors and mixing 20th century with contemporary.

Van Cleef and Arpels Œillet handbag mirror. Unique piece, High Jewelry Collection, 2019
Yellow gold, rose gold, white gold, pink sapphires, rubies, diamonds. £300.000

If this preview has whet your appetite, you can go even further with this online. Navigate on your own, you can do this from every corner of the globe. However, without the conversation with the exhibitors, you might be stuck. If you find something you like, make a telephone call, talk to the dealer, get engaged and learn more about the respective piece. Masterpiece’s exhibitors span all eras and disciplines and include many of the world’s most distinguished art dealerships.

Shopping art and design is actually similar to shopping at Net-à-Porter, do your homework. Understand the fabrics and materials, buy books and learn about iconic pieces. Buy the best you can afford, instead of buying 25 pieces, invest in THE one. You should feel comfortable in spending money so that you would like to do it again.

Chairs, ca. 1930, by Jean-Michel Frank (1895-1941), Galerie Marcilhac

If you commission a piece, find a gallery, an artist or designer. Talk about the feeling of the house, work on the discussion and have an eye on proportion.

Invest in something you like. It might become an iconic piece. I am a collector myself, my collection of high end fashion pieces is my biggest passion that I have followed since over 25 years now. I buy what I personally adore and this is in general the best advice! In the meantime, my collection includes many museum-quality objects.

Do you remember the auction sale of the art collection put together by Yves Saint Laurent and Pierre Bergé that was held from February 21-25 2009? Yves Saint Laurent was a tastemaker of his own who also got inspired by art, as you can see perfectly in the creation of the famous «Mondrian dress». It was the first ever auction sale to be staged in the Nave of the Grand Palais. The event turned out to be memorable with even 34.000 visitors. Record-breaking items were: the Brancusi sculpture, Madame L.R. which fetched 28.1 million euros. The Matisse Cuckoos went for a spectacular 32 million, smashing the estimated figure of 12 to 18 million euros. Marcel Duchamp’s Belle haleine, eau de voilette fragrance bottle fetched 7.9 million euros.

Yves Saint Laurent and Pierre Bergé in their apartment with the famous dragon armchair.

Last but not least, a legendary item in the collection, Eileen Gray’s «dragon» armchair, defied all expectations, the sale price of 21.90 M€ being ten times the pre-sale estimate. This chair was absolutely different from her usual style, but you see how things can turn out surprisingly well.

Join Masterpiece Online (22 – 28 June 2020) for live panel discussions with leading cultural institutions, watch interviews and learn from experts, expert-led virtual tours or arrange a tailor-made private view for you and your friends.

Have a great start into the week.

LoL, Sandra

Photos: © Sandra Bauknecht, Courtesy of Rockefeller Foundation, Net-à-Porter and Masterpiece

Hublot x Marc Ferrero Part 2

For its second artistic collaboration with the master of Storytelling Art, Hublot invites «Lipstick», Marc Ferrero’s most emblematic work, back onto the dial of its Big Bang One Click 39mm. In white or black, symbolising inseparable complementarity, it illustrates the universal duality of day and night. An essential white that is subtle and minimalist, seductive without being a seducer. A deep black that is audacious and magnetic. Two watches to remind us that the day without the night is not a day, and that the night without the day is not a night.

«I love the power of black and white. Shade and light. Yin and Yang. One is profound, unclassifiable, eternal. The other is subtle, ethereal, timeless. They symbolise antitheses and complementarity. Choosing black and white means getting straight to the point without an excess of tonalities. The black and white make ‘Lipstick’ even more graphic and its red lipstick more magnetic.» – Marc Ferrero

This time, the artist known for his typically colourful palette tells a story in black and white, in the form of two limited-edition numbered models in a run of 100 pieces. One, in satin-finish polished steel and resin, with a lacquered dial and calf and rubber strap, all in white. The other, in black ceramic with a lacquered dial and calf and rubber strap, in a pairing of black and white. Two opposites that attract and complement each other. Marc Ferrero conveys the message of a free woman in this iconic duo of watches, by affixing his work from the dial and extending to the strap.

Playing with contrasts, only the lipstick asserts itself in colour, in a flashy red, a reminder that, underneath the large black glasses, «Lipstick» is paying tribute to the woman of the 21st century. A heroine of modern times, multifaceted, assured and enigmatic. A woman who dares to do anything, directly, and without subterfuge.

If you are interested in the first collaboration from last year, click here please.

LoL, Sandra

Photos: © Hublot

Rest in Peace Peter Beard

Called the «last of the adventurers», New York photographer Peter Beard was an artist and a naturalist to whom the word «wild» was roundly applied, both for his death-defying photos as well as his crazy playboy-esque lifestyle. He photographed African fauna at great personal risk, and well into old age could party until dawn. He had been missing for 19 days when he was found dead yesterday in Montauk at the age of 82.

In a statement shared on social media, his family states: «We are all heartbroken by the confirmation of our beloved Peter’s death. We want to express our deep gratitude to the East Hampton police and all who aided them in their search, and also to thank the many friends of Peter and our family who have sent messages of love and support during these dark days.  Peter was an extraordinary man who led an exceptional life. He lived life to the fullest; he squeezed every drop out of every day. He was relentless in his passion for nature, unvarnished and unsentimental but utterly authentic always. He was an intrepid explorer, unfailingly generous, charismatic, and discerning. Peter defined what it means to be open: open to new ideas, new encounters, new people, new ways of living and being. Always insatiably curious, he pursued his passions without restraints and perceived reality through a unique lens. Anyone who spent time in his company was swept up by his enthusiasm and his energy. He was a pioneering contemporary artist who was decades ahead of his time in his efforts to sound the alarm about environmental damage. His visual acuity and elemental understanding of the natural environment was fostered by his long stays in the bush and the ‘wild-deer-ness’ he loved and defended. He died where he lived: in nature. We will miss him every day.»

PETER BEARD
I’ll Write Whenever I Can, Koobi Fora, Lake Rudolf, Kenya, 1965
It went for £55.200 at a Christie’s auction in 2008.

Peter Beard was world-renown for his beautiful and intimate images of Africa and African wildlife, and rose to fame for keeping diaries, filled with drawings, blood, and other materials, that were considered works of art unto themselves.

Young Peter Beard and Salvador Dalí

Born into privilege of railroad and tobacco fortunes, the extremely handsome young man led a bon vivant’s life, partying around the world, but always returning to his retreats in New York, including Montauk, as well as Kenya, where some of his most iconic wildlife photography was taken.
After studying at Yale University he went to Africa and documented the deaths of thousands of elephants and other wildlife in Tsavo National Park, which became the basis of his 1965 book «The End of the Game», which influenced a generation of artists as well as wildlife conservationists.

Sketches from the book «Peter Beard» that showcase how meticulously he kept his diaries.

In 1996, he was injured by a charging elephant that crushed him with its head. The incident left him with fractures in his pelvis and massive internal bleeding. After almost dying, he was put back together by Kenyan surgeons and eventually recovered.

Peter Beard & and his wife Cheryl Tiegs in the early ’80s

He was married three times, first briefly to Minnie Cushing Beard Coleman in 1967, then to supermodel Cheryl Tiegs from 1982 to 1986. He had affairs with Candice Bergen and Jackie Onassis‘s sister Lee Radziwill, babysat for John Kennedy Jr. and his sister Caroline, and was the man who discovered Somali model Iman, who went on to marry rocker David Bowie. He married his current wife, Nejma Khanum Beard, in 1986. They have a daughter, Zara Beard, who is 31.

PETER BEARD
Orphan Cheetah Triptych, 1968
It went for $662.500 at a Christie’s auction in 2012.

«I thought of Africa as a place where there was still plenty of room, where you could actually live life rather than have your life run by a world where you wake up in the morning to a traffic jam, rush to catch a bus, struggle to get to the office.» Peter Beard

Iman through the lens of Peter Beard

One of Beard’s most iconic photographs was of naked model Maureen Gallagher handfeeding a giraffe at his 45-acre Hog Ranch outside of Nairobi. He had wanted to use Iman but she bailed on him. One print sold for $662.500 in 2012.

Gallagher said she had a long affair with Beard, following the trip to Kenya. «I went there for three weeks and stayed there for three months,» she said. «I cancelled all my bookings. I was 22 and I was in love.»

PETER BEARD
Maureen Gallagher, Hog Ranch, 1987
It went for $43.750 at a Christie’s auction in 2013. 

PETER BEARD
Veruschka von Lehndorff and Galo Galo Guyn, Hunting Block 29, Capturing Rhino for ‘Starvo’ National Park, 1963-1964
It went for $27.500 at a Christie’s auction in 2012. 

Peter and Nejma Beard in Montauk in 2003. Photo: Mary Ellen Mark

One funny anecdote that only happened in 2017, when his third wife, Nejma, had him placed in a psych ward at St. Luke’s-Roosevelt Hospital after he brought two Russian prostitutes to their home at the age of 79. She claimed he was suicidal when he stumbled back to their Manhattan apartment at 6am after a night partying in the city’s Meatpacking District. I have to admit this is quite a move to educate your husband!

Young Peter Beard – Half Byron, half Tarzan (1950s)

Despite his vibrant character, he will always be remembered for his extraordinary works of art, from his well-known images of threatened African animals to his fashion photographs and elaborate diary pages. He leaves a legacy and will be missed.

Rest in Peace, Peter Beard!

LoL, Sandra

Photos: Via Getty, Wire, and Courtesy of the Beard Family 

Blossom: Prada’s New Store Windows

Prada presents images created by Thomas Demand for the new window displays for its stores across the world, a radically beautiful and colourful sequence of blossoming cherry trees that celebrates the arrival of spring.

Hanami – which means ‘flower viewing’ – is the centuries-old Japanese art of enjoying the beauty of flowers. The cherry blossom season, a highpoint in the year, marks the end of winter and represents the youth, zest for life and emotion embodied by spring, a truly universal image and a powerful symbol of energy.

Spread seamlessly across the shop’s windows, Demand’s floral images, entitled Blossom, give rise to a vibrant narrative which, inserted into the real world, creates a new dialogue with passers-by in cities around the world.

This work fits perfectly into the German artist’s oeuvre, which has the concept of photography as a global language at its heart. Demand is known for making photographs of three-dimensional models that look like real images of rooms and other spaces, often sites loaded with social and political meanings. He thus describes himself not as a photographer, but as a conceptual artist for whom photography is an intrinsic part of his creative process. Having studied sculpture under Fritz Schwegler at the Kunstakademie Düsseldorf alongside Katharina Fritsch and Thomas Schütte, Demand began his career as a sculptor. In 1993, he began to use photography to record his elaborate, life-sized paper-and-cardboard constructions of actually or formerly existing environments and interior spaces, and soon started to create constructions for the sole purpose of photographing them. The photograph he takes of this model with a large-format-camera is the final stage of his work, and it is only this image, most often executed in an edition of six, that is exhibited unframed behind Plexiglas, not the models. On the contrary, Demand destroys his «life-size environments» after he has photographed them.

In this series for Prada, Demand once again rebuilds existing images and replaces them with an artificial version of themselves. In his collaboration with Prada, his work encounters and enters into a fruitful exchange with the world of fashion.

The installations, with a curved or box-shaped illuminated backdrop, are rounded off by steel display stands with a matte pink Perspex surface, or illuminated cylinders with the same floral pattern as the scenery.

Te display can be admired at Prada’s stores in New York, Milan, Paris, London, Tokyo, Singapore, Los Angeles and other selected cities starting this month.

LoL, Sandra

Photos: © Prada – © Thomas Demand

Miu Miu S/S 2020 Collection & Ad Campaign


I truly adore the Miu Miu S/S 2020 collection, one of my favorites this season. Therefore I couldn’t resist this beautiful shearling-lined appliquéd suede vest below.


iconThe ad campaign captures the sophisticated and playful mood of the runway perfectly. Imagine an artists’ colony. The colony is all female. The claustrophobic dramas of this colony take place within a sprawling, labyrinthine property; part stage set, part installation, part gallery, part home. Here, the events are hinted at, intimated and obliquely observed in the S/S 2020 Miu Miu campaign.

The house of Xavier Corberó: Casa Corberó

The mythology of the artists’ colony and its place within the past, present and future, is conjured at the Casa Corberó. Built by the Catalan artist Xavier Corberó, situated in Esplugues, close to the outskirts of Barcelona, his ‘casa sublim’ is characterised by elaborate, playful forms that still adhere to a certain strictness, discipline and utility.

These notions are reflected in the S/S 2020 Miu Miu collection itself, where creative freedom and expression – at times spattered and hand-painted, with mismatched buttons, ‘collaged’ ruffles, done and yet undone – is contrasted with the discipline of form, silhouette and utility found in the examples of workwear and the uniform, motifs Miuccia Prada turns to once again. Here it is ‘woman’s work’ that is reflected, both domestic and artistic, in the shape of pinafores, aprons and overalls.

TO SHOP MIU MIU ONLINE, CLICK HERE PLEASE.
iconI hope you like it as much as I do…

LoL, Sandra

CREDITS: Photos by Call This Number, Liz Collins, Lynette Garland
Creative Direction and Styling by Katie Grand
Models: Tomiwa Adeshina, Pia Ekman, Bo Gebruers, Bella Hadid, Tang He, Lea Julian, Jordan Leftwich, Lila Moss, Patrycja Piekarska, Alexis Sundman, Xiao Wen Ju, Kaila Wyatt
DISCLOSURE: This post may contain affiliate links, meaning when you click the links and make a purchase, we receive a commission.

Dior Lady Art #4

A timeless icon, the Lady Dior never ceases to reinvent itself, like today’s woman. For the fourth edition of Dior Lady Art, eleven artists from around the world have participated in the game of metamorphosis by rendering the iconic Lady Dior as a unique piece of art.

Below you can explore the amazing eleven artists and their breathtaking designs. Honestly, I love every single bag… true pieces of art!

LoL, Sandra

LADY DIOR ART BAG, JOANA VASCONCELOS

Joana Vasconcelos delivers a resolutely futuristic ode to love with her interpretation of the Lady Dior, featuring a beating heart illuminated by 300 LEDs.

€5000

LADY DIOR ART BAG, KOHEI NAWA

Like bubbling magma, Japanese sculptor Kohei Nawa’s kinetic creations for Dior Lady Art change in function of temperature and light. 

€6000

LADY DIOR ART BAG, WANG GUANGLE

Inspired by his ‘Coffin Paint’ series, Chinese conceptual artist Wang Guangle creates relief effects and textured movement in rainbow stripes on leather for Dior Lady Art.

€5500

LADY DIOR ART BAG, RINA BANERJEE

Sculptor Rina Banerjee transforms the Lady Dior into a spiritual message evoking universal peace. Her designs bring together organic materials to create a “cabinet of curiosities” for the fourth edition of Lady Dior Art.

€10.000

LADY DIOR ART BAG, JIA LEE

Korean painter Jia Lee transforms the Lady Dior into a pristine canvas imbued with her poetic, emotional vision of nature.

€6000

LADY DIOR ART BAG, RAQIB SHAW

The melancholic beauty of London-based Indian artist Raqib Shaw’s imaginary paradise is transposed onto leather and embellished with dazzling enamel charms for Lady Dior Art. 

€7000

LADY DIOR ART BAG, EDUARDO TERRAZAS

Eduardo Terrazas offers up a precious tribute to Christian Dior, who dreamed of being an architect before becoming a couturier. The Mexican architect drew on Amerindian folk art techniques for his intricate, graphic reinterpretation of the Lady Dior.

€ 4000

LADY DIOR ART BAG, ATHI-PATRA RUGA

African artist Athi-Patra Ruga explores society through the prism of art, crafts and pop culture. In this video, see how he transformed the Lady Dior into a self-portrait, with a spectacular play of embroidery and textured beading.

€12.000

LADY DIOR ART BAG, MARIA NEPOMUCENO

Evoking the joyful atmosphere of Carnival, Brazil-born artist Maria Nepomuceno painstakingly embroidered a heady mix of flowers and mouths on her sensual creation for Lady Dior Art. 

€ 8000

LADY DIOR ART BAG, MICKALENE THOMAS

For Lady Dior Art, American artist Mickalene Thomas creates a graphic landscape evoking Monet’s garden at Giverny. Take a closer look at her vibrant collage and discover how she conceived this dazzling patchwork of embroidered leather and intricate beadwork.

€14.000

LADY DIOR ART BAG, MARGUERITE HUMEAU

French contemporary artist Marguerite Humeau merges hi-tech and tradition with her 3D-printed interpretation of the Lady Dior for her sensual, wave-like work.

€5500

Photos: © Dior