An Apple That Seduces Paris

Some artworks fill a space. Others transform it. With New York Apple, Claude Lalanne achieves exactly that, a poetic, monumental gesture now on view at Le Bristol Paris. Presented by Christie’s, the sculpture has already emerged as a standout highlight of the upcoming 20/21 Century Art Evening Sale.

Standing nearly 2.5 meters tall, New York Apple is Lalanne’s most ambitious interpretation of a motif she has explored since the 1960s. What began as an intimate study evolves here into a striking balance of surreal transformation and organic elegance. This edition (7/8, 2008), estimated at €5–7 million, embodies the unique blend of imagination and formal precision that defines her work.

Its placement at Le Bristol is more than curatorial, it’s cultural. Set within the hotel’s refined salons and iconic garden, the sculpture engages in a dialogue with a space synonymous with Parisian art de vivre.

No stranger to prestigious stages, New York Apple has appeared from Park Avenue in New York to the gardens of Versailles. Its current presentation in Paris marks yet another sophisticated chapter in its journey.

LoL, Sandra

Photos: © Le Bristol Paris / Anna Buklovska © Christie’s Images Limited 2026 
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Fondation Louis Vuitton Showing Calder’s Work

One of the most important exhibitions ever dedicated to Alexander Calder, «Calder. Rêver en Équilibre» has been conceived in close collaboration with the Calder Foundation, its principal lender. The display also features loans from international institutions and leading private collectors, bringing together nearly 300 works: stabiles and mobilesto use the Calderian terminology for static and kinetic abstractions – as well as wire portraits, carved wooden figures, paintings, drawings, and even jewelry, designed as unique sculptures.

Apple Monster, 1938. Wood, wire, and paint, 66″ x 55 1/2″ x 32 1/2″. Calder Foundation, New York; Gift of Alexander S. C. Rower in memory of Mary Calder Rower, 2015. Photograph by Tom Powel Imaging © Calder Foundation, New York.

Throughout the chronological journey spanning more than 3,000 m2, the exhibition at Fondation Louis Vuitton will highlight Calder’s fundamental artistic concerns: movement above all, but also light, reflection, humble materials, sound, the ephemeral, gravity, performance, and the interplay of positive and negative space.

Devil Fish, 1937. Sheet metal, bolts, and paint. 68″ x 64″ x 47″. Photograph by David Heald © Calder Foundation, New York.

The anniversary exhibition is enriched by contributions from Calder’s contemporaries. Works by the artist’s friends Jean Arp, Barbara Hepworth, Jean Hélion, and Piet Mondrian, as well as Paul Klee and Pablo Picasso, will situate Calder’s radical inventiveness within the avant- garde movement. 34 photographs taken by some of the most important photographers of the 20th century – Henri Cartier-Bresson, André Kertész, Gordon Parks, Man Ray, Irving Penn, and Agnès Varda, among others – will show an artist walking a tightrope between art and life. «Calder. Rêver en Équilibre» will also feature focused presentations dedicated to key bodies of Calder’s work, including his beloved Constellation series and his dynamic jewelry.

Calder with Mobile (1941) in his Roxbury studio, 1941. Photograph by Herbert Matter © Calder Foundation, New York.

In line with previous monographic exhibitions dedicated to major 20th and 21st century figures – such as Jean-Michel Basquiat, Joan Mitchell, Charlotte Perriand, Mark Rothko, David Hockney, Gerhard Richterthe Fondation Louis Vuitton is dedicating all of its exhibition spaces, and for the first time its adjoining lawn, to Calder’s work. In doing so, the exhibition initiates a dialogue between Calder’s volumes, planes and movements and those of Frank Gehry’s architecture.

Fondation Louis Vuitton in Paris – from April 15th to August 18th – Calder. Rêver En Equilibre.

LoL, Sandra

La Grande vitesse (1:5 intermediate maquette). 1969. Sheet metal, bolts, and paint, 102″ x 135″ x 93″ (259.1 x 342.9 x 236.2 cm).

The Brass Family. 1929. Brass wire and painted wood. Overall: 67 × 41 1/8 × 8 7/8in. (170.2 × 104.5 × 22.5 cm). Gift of the artist. Inv. N.: 69.255 – Artwork Location: Whitney Museum of American Art, New York, USA – Permission for usage must be provided in writing from Scala.

Harps and Heart, c. 1937. Brass wire, loop: 40″; element: 6 1/4″ x 4″. Photograph by Maria Robledo © Calder Foundation, New York.

Photos: © Louis Vuitton
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Art and Female Voices at Villa Igiea

To mark International Women’s Day, Villa Igiea in Palermo presents «We Are All Whatever Singularities,» an exhibition by the conceptual feminist artist collective Claire Fontaine, on view from 7 March to 10 May 2026.

Inspired by philosopher Giorgio Agamben’s idea of the «singularity,» the exhibition reflects on the human condition and our potential to become many different things. Claire Fontaine presents three silkscreens referencing Andy Warhol’s iconic Marilyn Monroe portraits, reinterpreted with varying colours and overlaid phrases that question identity, authorship, and the ways digital networks connect and divide us. The exhibition also includes the sculpture Brickbat, transforming a book on Selinunte into a solid stone block, and the luminous installation Luminous Fountain, symbolizing the continuous cycle of life and memory.

Alongside the exhibition, Villa Igiea introduces the cultural program «Sicilian Matriarchy,» curated by Rocco Forte Hotels. Inspired by the legendary Sicilian icon Donna Franca Florio, the program invites guests to explore Palermo through experiences led by remarkable women.

These encounters include a visit to Claire Fontaine’s studio, a guided exploration of the Norman Palace and Cappella Palatina through the stories of four historical queens named Constance, a meeting with artisan Carolina Guthman dedicated to preserving traditional Sicilian embroidery, and an intimate chamber concert performed by young female musicians in a Liberty-style palazzo.

Through art, history, and craftsmanship, Villa Igiea continues to position itself as a cultural meeting point where contemporary creativity and the spirit of Sicily come together.

LoL, Sandra

Photos: Courtesy of Rocco Forte Hotels
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Swatch x Guggenheim Collection

SWATCH x GUGGENHEIM COLLECTION

Pulsing with the creativity of legendary artists, the Swatch x Guggenheim Collection brings art to everyday life. Discover the four masterpieces captured as vibrant art-inspired watches and turn time into a captivating art journey.

MONET’S PALAZZO DUCALE
Inspired by Claude Monet’s The Palazzo Ducale, Seen from San Giorgio Maggiore (1908), this watch features Venice’s iconic palace on the dial. When exposed to UV light, the dial glows vibrant orange, evoking the city’s radiant beauty.

Monet’s The Palazzo Ducale CHF 100 – Monet’s The Palazzo Ducale Pay CHF 110

KLEE’S BAVARIAN DON GIOVANNI
Paul Klee’s whimsical geometry and symbolic forms from The Bavarian Don Giovanni (1919) are playfully displayed on this timepiece. A special calendar wheel changes color daily reflecting the artist’s ever-changing inspirations.

Klee’s Bavarian Don Giovanni CHF 90

POLLOCK’S ALCHEMY
Pollock’s revolutionary poured technique from Alchemy (1947) is captured in details printed across this watch’s dial and strap. A raw expression of freedom, it reflects the artist’s bold, avant-garde spirit.

Pollock’s Alchemy CHF 100

DEGAS’S DANCERS
A tribute to Edgar Degas’s masterpiece Dancers in Green and Yellow (1903), this art-inspired timepiece echoes the artist’s focus on the ballet dancers’ body language. Luminous hues infuse the watch with a sense of fluid motion.

Degas’s Dancers CHF 90

Swatch was a true collector’s icon when I was young, and I still own many of those pieces today. Seeing collaborations like the Guggenheim collection makes me believe the next Swatch revival is already on its way.

The Swatch x Guggenheim Collection is now available online and in Swatch stores worldwide.

LoL, Sandra

Photos: © Swatch
DISCLOSURE: We may earn commission from links on this page, but I only recommend products I love. Promise! Four masters. One collection. Paul Klee, The Bavarian Don Giovanni, 1919. © 2025 Artists Rights Society (ARS), New York ​- Jackson Pollock, Alchemy, 1947. © Pollock-Krasner Foundation / 2024, ProLitteris, Zurich​ – Edgar Degas, Dancers in Green and Yellow, ca. 1903​ – Claude Monet, The Palazzo Ducale, Seen from San Giorgio Maggiore, 1908​

MILF – Museum I Like to Finance

Last weekend Kunsthalle Zürich celebrated its 40th anniversary and what a celebration it was. The evening felt less like a retrospective and more like a time machine, sending us simultaneously back into the institution’s rich history and forward into its exciting future.

The festivities began with a spirited auction led by Sandra Nedvetskaia, whose energy and elegance turned bidding into a performance of its own. The room buzzed with collectors, artists, and friends of the Kunsthalle, each eager to support the next chapter of this storied institution.

Michael Ringier in front of Kerstin Brätsch, MƎTA, 2021

One of the most memorable moments came from Michael Ringier, who coined a playful new acronym: MILF – Museum I Like to Finance. It was cheeky, clever, and perfectly captured the spirit of the night, art should be taken seriously, but never too seriously. Personally, as someone who dreams of opening a museum one day, I found this both hilarious and inspiring.

Part of the auction: Kerim Seiler, Maintenant, 2010

The art itself was just as remarkable as the guests. Works from some of today’s most compelling artists graced the auction and the halls, reminding us that Kunsthalle Zürich has always been a place where ideas, experimentation, and vision come alive.

I was lucky to be hosted by my dear friend Martina Vondruska, who is part of the Kunsthalle’s gala committee. She did an incredible job orchestrating the evening, and I’m so grateful to her for inviting me to be part of this unforgettable night.

On our way to the event with jewelry designer Angelo De Luca., Co-Founder of Super Mountain in St. Moritz.

Wearing futuristic Cyber Dots by Jean Paul Gaultier and carrying a Moschino masterpiece, quite literally framed for the night.

The dress code playfully spanned the decades, from the 80s, 90s, and 2000s all the way into the future, a living timeline that mirrored the Kunsthalle’s past forty years and its vision ahead.

When fashion meets art: two friends, two Moschino bags, proof that style can be as much a masterpiece as the canvas.

Fittingly, the evening’s motto «Back to the Future» echoed not only the Kunsthalle’s 40th anniversary, but also the 40th birthday of the cult film itself, a double celebration of art, time, and imagination. And yes, the iconic DeLorean car from the movie was parked right in the hall, to everyone’s delight.

Just like the «Not A Celebrity Tequila,» which cares less about the name on the bottle and more about what’s inside, the night itself focused on what truly matters: the essence of art and the people who love it. (Thank you, Gerd Schepers, for the drinks!)

And then came the after-party. DJs «from the future (Zukunft, a former nightclub in Zurich)» transformed the Kunsthalle into a dance floor that stretched through time and space. The night’s theme wasn’t just symbolic, it was experienced, embodied, and danced into the early hours.

Forty years on, Kunsthalle Zürich remains a beacon of artistic energy and cultural curiosity. Here’s to the past, present, and – most importantly – the future.

LoL, Sandra

Part of the auction: Pippa Garner, I’D BE MORE BEAUTIFUL BUT I RAN OUT OF MONEY, 2022

Photos: © Sandra Bauknecht
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Jean Paul Gaultier – Cyber Dots

Jean Paul Gaultier’s «Cyber Dots» motif first appeared in his F/W 1995 collection, drawing inspiration from the Op Art movement, particularly the works of Victor Vasarely. The design featured polka-dot patterns on form-fitting garments, creating optical illusions that accentuated the body’s contours. This collection was emblematic of Gaultier’s innovative approach, blending art and fashion to challenge conventional aesthetics.

I wore this dotted jumpsuit from Jean Paul Gaultier during a live performance in 1995 and needless to say I kept it until today.


 27 years in between my cyber dots jumpsuits.

In November 2022, the house revisited this iconic motif with the «Cyber» collection. This ready-to-wear line reimagined the original designs, introducing vibrant neon colors and contemporary silhouettes while maintaining the signature dot patterns. The collection encompassed a range of pieces, from catsuits to micro bikinis, reflecting a fusion of ’90s nostalgia and modern fashion sensibilities.

The enduring appeal of the «Cyber Dots» design lies in its timeless ability to merge art with fashion, continually resonating with new generations and solidifying its status as a hallmark of Jean Paul Gaultier’s visionary legacy.

The reason why I am showing you this is to emphasize that it is really good to keep special pieces. They will always their time again. I wore this outfit on a recent episode of MY STYLE ROCKS. Stay tuned!

LoL, Sandra

Photos: © Sandra Bauknecht and Courtesy of Jean Paul Gaultier
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City of Dreamlight Collection

CLÉ DE PEAU BEAUTÉ‘s limited-edition City of Dreamlight collection make the perfect holiday gifts inspired by the magic of Paris. The packaging, designed by Mr. Dalin, is so beautiful and adds magic to the display on your bathroom shelf.

A TALE OF ARTISTRY UNVEILED
At the outset of his medical school studies, Mr. Dalin discovered his true passion for illustration. Opting to leave medical school, he pursued a comprehensive path, including a preparatory course, a diploma in narrative drawing, engraving courses and studies in plastic arts. He also founded the association, Un Fanzine par Mois, which publishes and distributes micro-published books.

Mr. Dalin’s artistic style in boldly modern, unconventional, and distinctly contemporary. His confident strokes bring forth dense compositions with intricate details, showcasing his expertise in architectural mastery that unfolds in graphic landscapes, playing with a juxtapositionof intimate and grandiloquent spaces.

Influenced by the ligne claire movement, Mr. Dalin draws inspiration from luminaries such as Winsor McCay, Schuiten, Moebius, and Pierre Clement, crafting his own unique universe.

LoL, Sandra

Photos: © Sandra Bauknecht and Clé de Peau Beauté
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My Look: Montreux

Greetings from Montreux where fashion meets art at the lake. Ken Price (1935 – 2012) was a Californian artist, born and raised in Los Angeles, whose esoteric style defied categorization. Calling on eclectic influences from Mexican folk art to erotica and surf culture, his output included vibrant landscapes that have become the focus of Loewe’s capsule collection – a selection of limited edition ready-to-wear, iconic bags and accessories.

When Price died in 2012, his obituaries universally acknowledged the scale of his impact on modern and contemporary art. The New York Times described him as «one of the outstanding artists of postwar America», while the Washington Post noted his role in «expanding orthodox definitions of American and European sculpture.»

My look: Cropped asymmetric denim jacketicon, and Tread Slick canvas and rubber exaggerated-sole ankle bootsicon, both by Alexander McQueen, printed cotton hoodieicon, and matching small La Palme Heel bagicon, both by Loewe x Ken Price, track pants in salmon by Moschino, wide bow hair clip by Jennifer Behr, and crystal-embellished sunglasses by Gucci.

LoL, Sandra

Photos: © Sandra Bauknecht / David Biedert Photography
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Alaïa x Homo Faber 2024

Alaïa is participating to Homo Faber 2024: The Journey of Life, taking place from September 1st to September 30th, at the Fondazione Giorgio Cini, in Venice.

This renowned event, curated by Michelangelo Foundation (a non-profit institution based in Switzerland, which champions craftspeople worldwide with the aim of promoting a more human, inclusive and sustainable future) under the art direction of Luca Guadagnino and Nicolò Rosmarini, showcases the finest in contemporary craftsmanship. In immersive exhibitions staged across the magnificent spaces of Fondazione Giorgio Cini, you can discover hundreds of handcrafted objects made by talented craftspeople from all over the world. Meaningful milestones will be celebrated with special objects handcrafted by skilled artisans according to specific techniques. From childhood to travel, romance to dreams, Homo Faber 2024 will showcase the craftsmanship behind the objects that accompany life’s most precious moments. Enjoy exceptional scenography, live artisan demonstrations and unique experiences from culinary ones to special tours. This year, Alaïa will present 30 knitted dresses that embody the Maison’s devotion to femininity.

Knitting is one of the essences of the House of Alaïa. Born from the savoir-faire of its ateliers, developed with its historical suppliers, Alaïa’s meticulous craftsmanship transforms knitted fabric is transformed into a prestigious source of pure beauty.

To book your private visit, click here please.

LoL, Sandra

 

Photos: © Sandra Bauknecht / Alaïa / Homo Faber 2024
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LV Art Silk Squares

An exciting new collaboration, LV Art Silk Squares sees five artists bring their unique visions to the lustrous blank canvas of the Louis Vuitton silk square – or carré, in French. The creatives – German pixel-art collective, eBoy; Franco-Japanese-Spanish design duo, Icinori; Italian artist and illustrator, Lorenzo Mattotti; French graphic novelist and illustrator, Nicolas de Crécy, and Swiss artist, Thomas Ott – have all previously collaborated with Louis Vuitton, notably on the Maison’s illustrated «Travel Book» series. For LV Art Silk Square, each explores the theme of the flower within the context of Louis Vuitton. By inventively reinterpreting the four-petal bloom that graces the Louis Vuitton Monogram, the artists bring new perspectives to the Maison’s iconic codes and rich heritage.

The artists’ stunning works are then meticulously transferred onto Louis Vuitton silk squares in Como, Italy, a world centre of silk craft and home to centuries of silk-working expertise. Thanks to a continuous dialogue between the artists, the Louis Vuitton studio in Paris, and the Italian artisans with their remarkable mastery of both traditional and cutting-edge techniques, each stunning carré faithfully recreates the original artwork, a process that often requires multiple layers of colours to be printed onto the finest white silk. The squares are then washed and dried, before their edges are hand-sewn using a time-honoured technique known as roulottage. The rich, lustrous colours of the finished silk squares – designed to be worn in versatile ways or indeed framed – are alive with creative energy, and pay testament to Louis Vuitton’s longstanding commitment to blending art and savoir-faire.

Indeed, the silk square collection is the latest in a rich history of collaborative projects that have seen celebrated artists creating work for Louis Vuitton’s silk squares. Beginning in 1987, leading artists Arman, Sandro Chia, Arata Isozaki, Sol LeWitt, and James Rosenquist were invited to express their talent on a carré for a project entitled The Silk Road. Over the following years, silk squares were designed by, among others, Andrée Putman, César Baldaccini, and Philippe Starck. A new vision for Louis Vuitton silk squares was launched in 2013 with Foulards d’Artistes, two collections of work by famous names in street art, including Os Gemeos and Retna. Today, the full collection of artist-designed silk squares from across the decades is on show in LV Dream, the exhibition at Louis Vuitton’s headquarters in Paris.

Maze of Precious by eBoy
Founded in 1997 by Kai Vermehr, Steffen Sauerteig and Svend Smital, eBoy’s pixel-art aesthetic has become instantly recognizable thanks to its widely acclaimed Pixorama cityscape series. In «Maze of Precious», its Louis Vuitton carré, an LV logo is set in the centre of a labyrinth whose borders represent different fabric weaves, from twill to satin, and which is filled with elements from the Louis Vuitton Monogram pattern, including the rounded flower and quatrefoil, as well as brightly coloured pixellated vegetation, and playful, geometric insects.

Malles Monde by Icinori
The work of Icinori’s Mayumi Otero and Raphaël Urwiller, which blends traditional artistic techniques and modern storytelling, has been published in international newspapers, including Le Monde and the New York Times, and shown in galleries and museums such as the Pompidou Centre Metz. For Louis Vuitton, the duo’s intensely coloured and visually rich «Malles Monde» silk square celebrates the Maison’s trunkmaking heritage and its Art of Travel with malles that blossom with plant life and Monogram symbols to embody the perpetual renewal and ongoing journey of life.

Iris Spring by Lorenzo Mattotti
Artist Lorenzo Mattotti uses coloured pencils and pastels to create dreamlike visions for celebrated comic books, such as Fires and Murmur, and in illustrations published by, among others, the New Yorker and Süddeutsche Zeitung. «Iris Spring», his Louis Vuitton carré, is a tribute to a flower found in the beautiful Art Nouveaustained glass at the Vuitton family’s historic home, which sits within the Maison’s Asnières ateliers. Perfectly framed by multihued trees and a waterfall, the iris’s fluid forms become the centrepiece of a stunning, kaleidoscopic fantasy.

Parfums de Méditerranée by Nicolas de Crécy
For «Parfums de Méditerranée», French graphic novelist and illustrator Nicolas de Crécy – known for his pioneering and narratively surreal works Foligatto and Salvatore – travels to the olfactory paradise of Provence. Inspired by the gardens in Grasse where Louis Vuitton scents are born and blended, his Louis Vuitton carré is an enchanting panorama in his signature whimsical style that combines majestic mountains, intricate representations of scent-filled flowers, and playful inventions based upon the Monogram pattern.

Urban Flowers by Thomas Ott
In his dark and striking graphic novels, such as The Number 73304-23-4153-6-96-8, Swiss artist Thomas Ott uses scratchboards to fashion stark black-and-white, purely visual narratives. «Urban Flowers», his Louis Vuitton carré, employs this labour-intensive artistic method for a delicately surreal, chiaroscuro image that illustrates nature’s ability to transform our urban existences, transfiguring flowers into symbols of the unquenchable human spirit.

Each limited-edition design from the LV Art Silk Squares collection will be available in Louis Vuitton stores and online from 30 August 2024.

LoL, Sandra

Photos: © Louis Vuitton
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