Give Wonder, Give CHANEL

I think all I want for Christmas is CHANEL when I saw the Maison’s latest watches & fine jewelry creations.

Actress and House ambassador Alma Jodorowsky, actor Djebril Zonga, Giedre Dukauskaite, Amar Akway, Mika Schneider and musician Sébastien Telllier wear an exceptional select of Coco Crush, Camélia, Sous le Signe du Lion, J12, Première and Boy-Friend pieces, where beige gold, yellow hold or white gold and diamonds meet.

Give wonder, give CHANEL. Gentlemen, no more excuses. The choice is yours now. You cannot go wrong, promised!

LoL, Sandra

Photos: © CHANEL
#GiveWonderGiveCHANEL #CHANELFineJewelry #CHANELWatches
#COCOCRUSH #CameliaCollection #J12 #CHANELBoyfriend #CHANELPremiere #CHANELJoaillerie #CHANELHorlogerie

24 Days of Tiffany

Tiffany & Co. has released its new Advent Calendar – the second-ever – celebrating Jean Michel Basquiat’s Equals Pi which was most recently seen in the House’s About Love campaign.

Transforming the traditional holiday countdown into a canvas spotlighting the same masterpiece featured in About Love, Basquiat’s 1892 painting, Equals Pi (1982) is the centerpiece of Tiffany’s latest Advent Calendar which includes 24 blue boxes filled with the most extraordinary Tiffany jewelry and objects and will be available worldwide now. Each Tiffany Blue Box® in the Advent Calendar features a custom-numbered hangtag.

As part of its ongoing efforts to bring art to more communities in its founding city, Tiffany & Co. is proud to announce a new partnership with Free Arts NYC. The House will donate $250,000 from purchases of the 2021 Advent Calendar to the organization and the funds will support a series of programs that will give children from underserved communities in New York City greater exposure to the creative arts.

Limited edition. Priced at $150.000.

LoL, Sandra

Photos: © Tiffany & Co.

Imperio Necklace by Cartier

The new Sixième Sens par Cartier collection showcases that extra touch of soul unique to High Jewellery, an expression of art that inspires like no other.

Trompe-l’oeil or graphic games, optical effects or evocative power, the compositions play with Earth’s gravity. Disrupting our perceptions, this collection draws us into a world where our senses are stimulated and awakened. Even our sixth sense, that exhilarating rush of emotion that touches the heart.

With the Imperio necklace, Cartier continues its reflection on movement: how do you give rhythm to a composition and create a sense of speed? To answer these questions, Cartier borrows from the codes of kinetic art. Lines of tension, brisk strokes, geometric shapes and mirrored construction.

Graphic patterns are further accentuated by colour contrasts such as the black of the onyx and the green of the emeralds.  A chromatic combination that has been part of the Maison’s stylistic repertoire since 1910 and which accentuates the effect of perspective. It all combines to confuse the gaze that converges on the central stone: an exceptional 23.55-carat Colombian emerald with no inclusions. This octagonal stone has a perfectly homogeneous green colour with bluish undertones that harmonise with the other emeralds. Since my visit to an emerald mine in Muzo, Colombia in 2015, I have so much appreciation and love for those amazing, powerful green stones.

Like every piece of Cartier High Jewellery, the choice of stones pays tribute to their beauty. All must meet the highest standards of excellence and quality set by the Maison’s experts. A duty and a responsibility, both social and environmental that Cartier has pioneered, by being committed from the very beginning in terms of sourcing coloured stones. Therefore the Maison is a founding member of the Responsible Jewellery council (RJC), an organisation created in 2005 that sets standards in the areas of social and environmental responsibility for the jewellery and watchmaking industry.

With almost thirty different ways to wear it, this was the challenge the Cartier design studio and workshops had to face. This approach to jewellery has been part of the Maison’s history since the appearance of the first headbands that could be transformed into necklaces and, around the 1920s, bracelets that could be dismantled into brooches. Each new High Jewellery collection is an opportunity for Cartier to push the boundaries of innovation and ingenuity.

This necklace allows itself to transform. It can be worn short, long, split in two to be worn either together or separately. Opt for the diamond or emerald alone as a pendant, multiple combinations further increased by the possibility of unfastening the triangular motif that can be worn as a brooch… When worn, the jewellery piece reinvents itself, divides its charms and multiplies its appearances.

LoL, Sandra

Photos: © Cartier

Join THE FLOOR Glasswing Charity Raffle

Today, I would like to introduce you to a wonderful charily raffle by Glasswing International on THE FLOORR to win a pair of earrings worth $14,250 donated by Loree Rodkin.

The exquisite open pavé leaf earrings feature shield tops and are made in 18k white gold with a black rhodium finish; the pavé contains 2.30 ct multi-coloured diamonds and .40 ct brown diamonds. They truly are a joy to behold and a beautiful statement piece to add to your jewelry collection.

The raffle tickets start at $100 (£73/86€) and the money will be used to transform the lives of children and youth born into cycles of poverty and violence throughout Latin America, the Caribbean and in New York City.
Over the past fourteen years, Glasswing’s work has impacted the lives of over 1.5 million people, transformed over 100 schools into safe and stimulating environments, and engaged over 20,000 students a week with after-school programs.

The Seventh Annual Glasswing International Benefit Gala honors their dear friend and champion Carmen Busquets.

«I learnt a lot from the courage and gratitude of the children and youth we spent time with, and from their honest and fearless way of expressing how they feel. Raising money for them is incredibly rewarding but it doesn’t come close to spending time with these kids!» – Carmen Busquets

You can learn more about Glasswing and how to enter in the raffle here.

THE FLOORR Charity Raffle closes at 11.59am on September 23rd, 2021.
THE FLOORR will email the winner directly by September 25th, 2021. All non-winners will be notified via RallyUp. The winner will be randomly selected by RallyUp, using a certified algorithm to draw the winner from all entries purchased via the RallyUp platform. 100% of the proceeds of THE FLOORR Charity Raffle will benefit Glasswing International.

I already entered the raffle and hope you will, too.

LoL, Sandra

Photos: © Sandra Bauknecht and Courtesy of Glasswing International, Loree Rodkin and THE FLOOR
This raffle «THE FLOORR Charity Raffle, Supporting Glasswing International» is organised by Glasswing International of 199 Water Street, 34th Floor, New York, NY 11038; and conducted by RallyUp of Tucson, Arizona. THE FLOORR Ltd and Sandra’s Closet have no role in and accepts no responsibility for the same.

CHANEL Camélia – New Jewelry Pieces

Gabrielle Chanel was seduced by the camellia. With no fragrance or thorns, it is a flower of simplicity and purity, much akin to the ethos of Coco Chanel. Compared to the opulence of a rose, she preferred the camellia’s sobriety and geometric roundedness, with classic and consistent ordering of the petals, intelligible yet beautiful, like the woman that she was.

It is also a flower of duality, for dandies and courtesans. Androgynous and ambiguous, the camellia has an image of a forbidden flower that resonates with Mademoiselle Chanel’s taste for provocation and seduction. I am a huge fan of the CHANEL Camélia jewelry collection, that is the promise of a unique look for all the women who wear it.

This fall, CHANEL offers new interpretations of the camellia flower on rings, brooches, chokers, bracelets and more, that are available in store from this month. The emblematic flower is reinterpreted through a selection that opens access to the fascinating universe of the Maison’s symbols. Please enjoy your exclusive preview of dream pieces… I already put some on my wish list.

LoL, Sandra

Photos: © CHANEL

Louis Vuitton – Vivienne Travellers Collection

The delicate figurine named Vivienne arrived at Louis Vuitton as if by magic in 2018. Initially a decorative object, she has proven capable of adapting to any environment, occasion or style to become the Maison’s beloved contemporary mascot.

Her family has expanded to include 11 unprecedented jewellery creationsVivienne pendants pay homage to the cultures that are dear to Louis Vuitton, and these precious globetrotters know no borders.

Here the romantic Vivienne Plum is adorned with poetic pink gold plum blossoms, diamonds and red lacquer, and features a delicate bow on her back. There, transformed into a furry black and white animal who loves fresh bamboo, the adorable Vivienne Panda in white and yellow gold, diamonds, onyx and lacquer symbolises luck, peace and friendship. Korea’s ancestral embroidered garment, known as Hanbok, is enhanced by the carved and polished pink and white gold, diamonds and blazing lacquer of Vivienne Hanbok. As powerful, protective and brave as a Japanese samurai, Vivienne Samurai, dressed in yellow and white gold, diamonds and red and black lacquer, skilfully wields a Katana, the emblematic sword of those venerable warriors.

Now meet Vivienne Surfer, the most athletic of all, sporting blue lacquer and a long board adorned with the LV Monogram signature. And look who’s back: Vivienne Casino, reinvented in white and yellow gold, platinum, diamonds and lacquer. Bedecked in hearts, spades, diamond shapes and LV initials, an engraved deck of playing cards in hand, she is a champion of blackjack, poker and roulette. The magnificent Vivienne Rainbow radiates joy, emotion and hope thanks to an exquisite pavé gradation of 154 multicoloured gems. The astonishing Vivienne Royal, wearing a crown of yellow gold and diamonds and dressed in a blue lacquer robe punctuated with fleur-de-lys, pays homage to Paris’s Place Vendôme – the worldwide epicentre of jewellery and home to one of the most majestic Louis Vuitton stores.

The vivacious Vivienne Petite Malle featuring yellow and pink gold, diamonds and lacquer is never without her miniature handbag, whose shape recalls the Maison’s original trunks. Framing the face of Vivienne Monogram, petals of mother-of-pearl engraved with Monogram canvas motifs beautifully complement her eye of sculpted wood and her body shimmering with pink gold and diamonds. This piece elegantly evokes the Maison’s century-old trunk-making heritage. Lastly, Vivienne Celebration, in white and yellow gold set with 36 coloured stones and 124 diamonds, conveys a festive atmosphere. Specially created to celebrate Mr Louis Vuitton’s bicentennial birthday, she masterfully combines a mix of materials with traditional jewellery-making expertise.

Forever mischievous, each of these fetish figures pushes the boundaries of her mysterious aura by hiding a secret: the pendant can be converted into a brooch.

A trunk, exclusively designed for these precious mascots, opens like a treasure chest to reveal an array of miniature stages, drawers, trays and mirrors. Nodding to the origins of the Maison, this unique jewellery box offers a home for each limited edition Vivienne, thus perpetuating the excellence of Louis Vuitton, which makes the Art of Travel a true art of living.

LoL, Sandra

Photos: © Louis Vuitton / © Piotr Stoklosa
DISCLOSURE: This post is not sponsored. I am loving it!

Tiffany & Co. About Love Campaign

Tiffany & Co. announced today that powerhouse couple Beyoncé and JAY-Z will star in its latest campaign celebrating modern love. This is how LVMH is bringing its playbook to its largest-ever acquisition and the advantages and challenges of marketing brands rooted in the 19th century in today’s world.

Synonymous with the world’s greatest love stories since 1837, Tiffany’s debut of «ABOUT LOVE» marks the latest evolution of the luxury jeweler’s new creative direction. The campaign is the result of a close collaboration and a shared vision between both the Carters and Tiffany & Co.

«Beyoncé and JAY-Z are the epitome of the modern love story. As a brand that has always stood for love, strength and self-expression, we could not think of a more iconic couple that better represents Tiffany’s values. We are honored to have the Carters as a part of the Tiffany family.» —Alexandre Arnault, Executive Vice President of Product & Communications

As the first time the couple has appeared in a campaign together, «ABOUT LOVE» is an exploration of connection and vulnerability. The Carters’ love story is illuminated by the iconic Tiffany Diamond and set against the backdrop of Jean-Michel Basquiat’s Equals Pi (1982).*

As part of a private collection from its creation until now, this campaign marks the work of art’s first public appearance, propelling Tiffany’s long-standing tradition of working with New York creatives forward. Ushering in a new brand identity, this campaign embodies the beauty of love through time and all its diverse facets, forging a new vision of love today.


Worn in a campaign for the first time in history, the Tiffany Diamond weighs 128.54 carats and boasts an unprecedented 82 facets. Seen on Beyoncé throughout “ABOUT LOVE,” it is considered among the most important gemstone discoveries of the 19th century. Unearthed in 1877 in the Kimberley Mines of South Africa, founder Charles Lewis Tiffany purchased the rough diamond in 1878, solidifying the brand’s reputation as a diamond authority. House icons including designs from Jean Schlumberger and the Tiffany T collection are also featured throughout. Most notably, JAY-Z wears Jean Schlumberger’s legendary Bird on a Rock brooch, reconstructed as a pair of one-of-a-kind cuff links. Jean Schlumberger was best known for dressing high society’s elite in the 1960s and ’70s, so it is appropriate that his unmistakable designs live out his legacy on one of today’s greatest creative forces.

A film by acclaimed director Emmanuel Adjei has also been created and features a musical
performance of the classic song «Moon River.» Made famous in the 1961 film Breakfast at Tiffany’s, the iconic tune is reimagined with vocals by Beyoncé, captured by JAY-Z on a Super 8 camera. The couple selected the Orum House in Los Angeles to serve as the setting for the film, in which nostalgic flashbacks are interwoven with cinematic, dreamlike visuals. Basquiat’s Equals Pi appears once again as a common Tiffany Blue® thread throughout the narrative. The accompanying «ABOUT LOVE» print campaign was shot by Mason Poole and styled by June Ambrose and Marni Senofonte.

«ABOUT LOVE» reflects Tiffany’s continued support of underrepresented communities. As a part of
the house’s partnership with the Carters, Tiffany & Co. is proud to pledge a USD $2 million
commitment towards scholarship and internship programs for Historically Black Colleges and
Universities (HBCUs). Additional details on this initiative are forthcoming.
«ABOUT LOVE» launches globally in print on September 2. The accompanying film will launch on
Tiffany.com September 15 and will be amplified through global media activations. The campaign will further unfold later this year with additional films created by acclaimed director Dikayl Rimmasch and second unit director, Derek Milton.

LoL, Sandra

Photos: © Tiffany & Co. – @TIFFANYANDCO
*Partnership done in collaboration with Artestar, a global licensing agency and creative consultancy representing high-profile artists, photographers, designers and creatives.

New Watch Addiction: Maillon de Cartier

Time is the most valuable asset, which is not the only reason I am investing in watches. I am such a watch aficionado. Even with the rise of iPhones and other digital devices that are better suited to record time, I prefer wearing analogue watches and their sales continue to spike year over year.

Watches were originally seen as a status symbol for men, a way to express their personal style. Now that gender tropes have become passé, women are breaking down the doors of the all-boys club. And I am loving it! When it comes to watches, I like buying across sectors, from diamond-encrusted smaller-case sizes, to mechanical masculine watches. I think of them as investments for every day: wearing beautiful outfits plus the kind of timeless-with-a-twist watch that goes wherever you do.

My newest addition to my watch wardrobe is this beautiful Maillon de Cartier 16mm 18-karat white gold diamond watchicon that I ordered at Net-à-Porter. Subtly feminine, the beautiful watch bracelet is like a piece of jewelry lending modern edge to just about anything you wear them it. I love to combine it with the Clash de Cartier bracelet MM in white gold which is finally available in size 14. It is all about duality, contradictions, and when it comes to the best timepiece, remember it is always time to invest.

More watches to come soon …

LoL, Sandra

iconPhotos: © David Biedert Photography, © Rian Davidson and © DaydreamStudio
DISCLOSURE: We may earn commission from links on this page, but I only recommend products I love. Promise.

Sixième Sens Collection by Cartier

The new SIXIÈME SENS COLLECTION by CARTIER illustrates the soulfulness particular to high jewelry, an expression of art with the power to move like no other.

With a stylised feline interpretation, organic textures and shards of coloured light, shimmering gems electrify while stones in flavoursome hues of ripe fruits summon up scents of distant paradises.
Using trompe-l’œil and graphic patterns, optical illusions and the power of evocation, compositions play with earthly gravity in radiant transfigurations of reality. Quivering in the light, jewels come to life upon contact with the skin.

Accomplished actress, singer and musician, Golshifteh Farahani, is the ambassador of this amazing high jewelry collection. This multi-hyphenate creative moves with ease between arthouse films and Hollywood productions, spanning the course of her 20-year career. She has made her mark on the red carpet, where she is known for her style and elegance.

PHAAN RING

How do you add to the beauty of an 8.20 carat ruby? How do you enhance that which is already exceptional? Behind the architecture of this ring is a tiered construction that allows a 4.01 carat rose-cut diamond to be inserted directly below the magnificent stone that sits at the top. When the light hits the diamond after first passing through the ruby, its rich red hue is intensified.

The structure integrates groups of triangular diamonds while maintaining the ring’s airy appearance. Along with tiny ruby balls, diamonds surround the central stone, arranged with subtle openings to allow them to catch the light, illuminating the ruby.

MERIDE NECKLACE

The purity of the motif is also its strength. The stones appear to multiply ad infinitum an optical illusion that is made all the more striking by the relief of the piece as each element is mounted at a different level. Movement, rhythm, and all spatial and temporal references are lost in a precious mosaic of gemstones. The blurring of perspective is complemented by a play of materials and light between mirror-polished metal and graphic black onyx.

As always with Cartier, particular attention has been paid to the back of the piece, which reveals the exact reverse of the front.

PIXELAGE NECKLACE

This necklace conjures up the familiar image of the panther, so dear to Cartier, borrowing both its markings and symbolic power. A stylised play on the feline’s coat has been part of Cartier’s artistic bestiary since 1914. Faithful to the original stylisation, here, motifs make up the panther’s spots. Polished onyxes evoke the marbling of the fur, while white, yellow and orange diamonds represent the thickness of the pelt, with its golden reflections highlighted by three captivating golden topazes for a total of 27.34 carats.

Attention to the volume and articulation of the sides allows the construction to respect the vertical geometry of the collar, while preserving its flexibility.

PARHELIA RING

At its centre lies a 21.51-carat sapphire cabochon, with an intense blue hue which seems to glow from within. Around it, five parentheses of radiant diamonds and emeralds reflect the light, fanning out like the surface of a lake. Black lacquer creates shadow effects to reinforce the impression of movement, supported by the original width of the ring, which spans three fingers, with slightly mobile tips.

As an ultimate refinement, the motif can be detached and worn as a brooch.
Created at the very beginning of the 20th century, this combination of sapphires and emeralds, named the «peacock motif» by Louis Cartier, is part of the Maison’s emblematic colour palette.

ALAXOA NECKLACE

The captivating texture and chromatic intensity of this necklace belie the rigorous and precise approach of its inception.
After selecting the emeralds according to their colour and diameter, artisan jewellers carefully considered harmony, symmetry and correct placement in the composition, before assembling using the threading technique—an expertise rooted in the Maison’s savoir- faire which consists of threading the stones on a wire to form strands and fringes. Finally, the strands are linked together by tiny metal bridges, maintaining a fan shape while allowing the fringes to remain mobile.

SHARKARA NECKLACE

With a balance of straight lines and curves, the design of this piece highlights its ample and generous volume. Considered as a whole, the necklace evokes an organic shape, ripe with succulent berries.
Elaborating a colour palette as such requires total gemological mastery, while the discreet tourmaline settings and attention to detail—right down to the shape of the garnets cut to reflect curves of the piece— reveal the workshop’s expertise.

CORUSCANT NECKLACE
A vibrant testament to the enchanting power of diamonds, this necklace features six different cuts—kite, octagonal, emerald, triangle, baguette and brilliant— certified D IF and E IF, each of which reflects light from a unique angle. Characterised by rigorous geometry, the necklace is entirely structured by an interplay of lines, with three stones—a kite of 3.00 carats, an octagon of 1.62 carats, and an emerald of 1.54 carats—emerging from brilliant interlacing to catch the eye.
The chain resembles a tight braid of gemstones, creating a path of light leading to the trio of diamonds. On the outside, brilliant-cut diamonds appear to slip underneath the inclination of the baguette- cut diamonds, radiating from the top thanks to the graphical effect of motif repetition.

LoL, Sandra

Photos: © Cartier

The Udyana Necklace by Cartier

A colour combination emblematic of the style of the Maison since the 1920s, Tutti Frutti brings the Udyana necklace alive.

Created in the High Jewellery ateliers of the Maison, this one-of-a-kind piece takes its name from the Sanskrit word for garden. It celebrates nature at its most luxuriant and colourful, through a profusion of motifs and precious stones including sapphires, rubies and engraved emeralds. For Cartier, the necklace not only represents a continuation of expertise, but also the Maison’s tradition for transformable jewellery that can be worn in multiple ways.

THE UDYANA NECKLACE AND ITS EXCEPTIONAL CENTRAL STONE

The Udyana necklace forms a balls studded with rubies and 67.7-carat engraved ruby rich canopy of ribbed emerald topped with an impressive pendant from Mozambique.

In addition to its impressive weight, the stone is a fascinating pinkish red colour with a touch of orange. Its uniqueness lies in the hexagonal shape which provides an ideal space for the carved floral motif. This engraving is entirely carried out by hand, using a technique developed by the Mughals in
the 17th century.

The choice of stones lies at the heart of the creative process for the Udyana necklace, as for every piece of Cartier high jewellery, in a tribute to their beauty, as well as to the beauty of nature.
When it comes to selecting coloured stones, a quest for excellence dictates Cartier’s choices each time. The jeweller is looking for an extra something that will allow for a dialogue between the stone and the creator. What story does it tell; where does it come from; what does this emerald cut into a ribbed ball, this sapphire or this flowered ruby evoke? The stones inspire Cartier, which in turn offers them an appropriate setting for their beauty.

Each of them must meet the highest standards of excellence and quality set by the Maison’s experts. It’s a duty and a responsibility, both social and environmental, pioneered by Cartier as an early adopter of responsible commitment in terms of sourcing coloured stones.

Cartier is a founding member of the Responsible Jewellery Council (RJC), an organisation created in 2005 that sets the standard in social and environmental responsibility for the jewellery and watchmaking industry. Gold, diamonds, platinum, silver and coloured stones are all included in its scope of certification. The commitment to continually evolve industry practices is ongoing, and ten years later the Coloured Gemstone Working Group (CGWG) was founded.

The initiative brings together the world’s leading luxury brands and mining companies to strengthen research, tools and training for those in the Coloured Gemstone supply chain. As a responsible, RJC-certified jeweller, Cartier develops long-term relationships with its suppliers, who are encouraged and supported in their efforts to achieve RJC certification themselves, in order to adhere to the best responsible practices and strengthen trust in the jewellery industry.

TUTTI FRUTTI: THE STORY OF A STYLE

In 1911, Jacques Cartier boarded the Polynesia and set sail for India, to see the stones that had been worked there for centuries.

Ribbed and gadrooned balls, rubies and emeralds engraved in the shape of leaves, flowers and berries all bear witness to the Mughal dynasty that ruled northern India until the 18th century. Great lovers of ornaments and precious stones, the Mughals employed the expertise of Indian artists,
the only ones who knew how to cut emeralds, sapphires and spinels in relief and engrave them in the imperial workshops of Rajasthan. All these stones, emblematic of traditional Indian jewellery, inspired Cartier to create colour combinations that had never been seen before, using red, green and blue.

Enthusiasm for the jewels spread throughout the world to conquer a refined clientele that
enjoyed art and fashion, such as Lady Mountbatten (1901 – 1960) and Daisy Fellowes (1890 – 1962), each considered the most elegant woman in the world, in her day.

In the 1970s, the creative genre took on the name Tutti Frutti and became so closely associated with Cartier, that the Maison patented it in 1989.

In 2016, the Maison created a Tutti Frutti style High Jewellery necklace named Rajasthan for one of the most opulent states of Mughal India, featuring a 136.97-carat engraved emerald from the mines of Colombia. It was followed in 2019 by a new set, the Maharajah necklace, which pays tribute to the great ceremonial necklaces of Indian princes, with an exceptional set of emeralds. In 2021, came the Udyana necklace, characterised by its intense colours and engraved ruby.

THE UDYANA NECKLACE: A QUESTION OF SAVOIR-FAIRE

Harmony of composition and the naturalness of the branches and buds was a priority for the workshops that created the Udyana necklace.

The challenge began with the design, and how to associate the cut and engraved stones. Each stone then required a jeweller to make a bezel to size by hand, for insertion into the veins of the leaves. The leaves themselves were linked by a tree of diamond-set stems, each of which is different, to maximise the naturalness of the whole.

Added to this jewellery prowess, is the complexity inherent in any transformable piece, designed to be worn in several different ways. A pendant to be worn alone, a brooch, and necklace all in one, the piece is designed to be changed as desired without any visible engineering, whilst the whole remains secure. The pendant can be detached and fixed on a chain, while the main necklace can be worn as is, and the back pendant can be worn as a brooch.

HOW TO WEAR UDYANA

Two variations are available for each of these two versions. The necklace can be worn with or without the central ruby, and with or without the pendant to the back, which itself can also be worn as a brooch.

Chain necklace version, with or without the pendant and central ruby.

Pendant earrings with two engraved pear-shaped totalling 10.84 carats.
Watch bracelet with 19.53-carat engraved ruby.
Ring with 9.04-carat engraved hexagonal ruby.

Such a stunning piece of jewelry and the story itself reads like a fairytale…

LoL, Sandra

Photos: © Cartier