Sandra‘s Closet

It is the end of an era! After 10 years, Jeremy Scott is leaving his role as creative director of Moschino. The Kansas City-native, 47, has been at the helm of the Italian luxury brand since 2013, carrying on the important legacy Franco Moschino left behind. Scott reignited the late designer’s tongue-in-cheek, humorous take on high fashion with his fantastical collections that I have been a huge fan of since decades!

Jeremy Scott’s first collection for Moschino was F/W 2014 (click here, to see the outfit post).

His first collection was for F/W 2014. It launched a thousand debates on the role of fashion in the annals of art, consumerism, and social commentary. Scott has penned a fundamental chapter in the legacy of the brand with his fearless and show stopping pop-camp style and incisive humor – true to the renowned codes of the House.

With Massimo Ferretti last month at the Moschino F/W 2023 show.

«I am fortunate to have had the opportunity of working with the creative force that is Jeremy Scott,» said Massimo Ferretti, executive chairman of Moschino’s parent company Aeffe in the official statement. «I would like to thank him for his 10 years of commitment to Franco Moschino’s legacy house and for ushering in a distinct and joyful vision that will forever be a part of Moschino history.»

With Jeremy backstage at his last show for Moschino in February.

Jeremy Scott said: «These past 10 years at Moschino have been a wonderful celebration of creativity and imagination. I am so proud of the legacy I am leaving behind. I would like to thank Massimo Ferretti for the honor of leading this iconic house. I would also like to thank all my fans around the world who celebrated me, my collections, and my vision for without you none of this would have been possible.»

I am really sad seeing Jeremy leave Moschino. I have been such a huge fan of his work and can only wish him the best. Thank you for all these dreams you have created for me.

LoL, Sandra

Photos: Courtesy of Moschino, © Sandra Bauknecht / Nadia Krawiecka
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From New York to London, Milan and Paris, in this post I round up the biggest trends of the summer season. Color is very important, worn in a mostly monochrome way, from shades of beige, to magenta, red, lilac and baby blue. For the more daring, neon hues and cutouts are leading the way.

Cargo pants, biker jackets and fringes are absolute must-haves! Enjoy those beautiful collections.

LoL, Sandra

If you buy one thing for spring, make it a pair of multi-pocketed cargo pants. From their origins in the British army in the late 1930s to today, cargo pants have not aged a bit. This season they are elevated to fashion essentials.

Flannel shirts are an object of desire courtesy of Bottega Veneta and Dr Martens are still holding strong. Enjoy this ’90s grunge.

Denim takes up the Y2K mantle for spring, which means waistlines are down, bellies are exposed, and knee-high boots haven’t been spared either. Begin by reacquainting yourself with Alexander McQueen’s Bumsters, first debuted as part of his Taxi Driver collection for F/W 1993.

Fluorescent shades of blue, green and yellow boosted the summery allure of the silhouettes, which came with a futuristic aesthetic at Balenciaga or Miu Miu.

The baby blues, a soft chromatic mood tinted the second skin silhouettes, which were resolutely fluid and innocent.

For seasons on end, pops of purple have given way to sweeping, head-to-toe lilac looks. You better get used to it!

Magenta is the Pantone Color of the Year 2023, so no wonder shades of red are all over the runways. But it is nothing for the shy, the trend expects you to sport the vibrant shade head-to-toe. My favorite? Ferragamo’s all over sparkles.

The monochromatic silhouette came only in shades of beige. Miu Miu, Max Mara and Dior case fashion staples rather than statement pieces, daring to layer up classic basics in varying hues.

Blending craftsmanship and ’70s charm, crochet remains a failsafe option for summer.

The latest take on fringing is a far cry from its bohemian aesthetic, with the detail adorning even the most sophisticated pieces in your wardrobe.

Hints of fringing feathers and glitter details are bringing back the Roaring Twenties! However the ’20s glamour got a minimalist makeover, without compromising on elegance.

Let’s ride! From the street to the runway, the biker trend is showing no sign of slowing down.

Literal interpretations of the gothic style were replaced by a soft grunge talk on the aesthetic. Black dominates the goth girl look. Complete the vibe by playing on volume and transparency.

Transparency create a silhouette that is sexier than ever. The must-have black dresses of the season hinted at glimpses at several designers.

In what was an ingenious display of creativity, fashion played with optical illusions, unveiling troupe-l’oeil pieces that transformed the ordinary into the extraordinary.

Whether with a new twist on a bouquet or with lifelike tropical flowers, designers transformed simple garments into blossoming works of art.

Living out our costume-drama dreams has never been so easy, thanks to the return of 16th-century farthingales, 17th-century panniers and 19th-century crinolines.

Hoods are the strangely sexy accessory taking over the summer runways. Totally reminiscent of the most renowned Alaïa muse, Grace Jones, who triumphed this look in the ’80s.

Cutouts have moved to a very daring spot. Nothing for the shy…

As the world gets more inclusive, fashion is a welcome way to express your current mood. That means you can dress up as much as you like to get all the attention. References from previous decades are a welcome source of inspiration. Even the poodle skirt is back!

Photos: Courtesy of the Brands

Ladies, are you ready for a high-watchmaking novelty. Meet the other side of sweetness as Louis Vuitton demonstrates its advanced mastery in horological automata with a new feminine timepiece.
Introducing the first in-house self-winding automaton movement, the Tambour Fiery Heart Automata is a distillation of high-watchmaking savoir-faire, enacted by Louis Vuitton’s specialist movement workshop La Fabrique du Temps Louis Vuitton in Geneva. Under the candy-bright hues and alluring textures of an engraved grand feu enamel dial, the Louis Vuitton Tambour Fiery Heart Automata bears a movement of formidable ingenuity and pin-sharp precision. The aesthetic of Louis Vuitton’s latest creation hides a piercing intellect, reminding us that nulla rosa sine spini; there is no rose without its thorn.

A Mechanism In Full Bloom
High watchmaking at Louis Vuitton flowered at the beginning of the 21st century, leading up to the creation of a small handful of bespoke automaton timepieces
for special clients. In 2021, the Maison communicated about this side of the brand’s in-house watchmaking expertise for the first time. Louis Vuitton’s next stride in the realm of automaton timepieces continues to explore the theme of blended passion and savoir-faire.

The motif of a rose and its entwined thorny vines has been taken further than the Maison initially broached in the enamel-dial Escale Spin Time Only Watch (2019). Motion and dynamism define the Tambour Fiery Heart Automata, but even more provocative is the revelation that lies beneath the lush petals and glossy heart of its dial, the first in-house enamel dial from Louis Vuitton. At the push of a button at the 8 o’clock position, the Tambour Fiery Heart Automata blooms under the touch of its wearer, in a lush profusion of dial animations.

Beware Of Thorns
Time can be dangerous, according to the Tambour Fiery Heart Automata, where the hours and minutes are told by thorn-armoured hands on a subdial encircled by inward-facing briars. Those who take time for granted, or let their attention wander, the Tambour Fiery Heart Automata seems to say, may soon find themselves in a prickly situation. The flying tourbillon at 6 o’clock provides the rhythmic pulse of the watch, marking out the seconds over the course of its one- minute rotation.
At 9 o’clock, a flaming heart, symbol of piety, is emblazoned with the word «SWEET» and crowned with a golden circlet of Louis Vuitton Monogram flowers. A hidden power throbs within the heart, revealed when the pusher at 8 o’clock, set with adamantine gems, is actuated.

Around the hours-and-minutes subdial, an external halo of thorns emerges and extends radially outwards. The enamel roses (one at 12 o’clock and another
at 4 o’clock) are not the demure botanicals they first appeared to be; they have found new vitality, with spinning Monogram flowers at their centers, diamond pistils firing rays of refracted light. The blazing heart roars to life, its flames dancing as if fanned by an invisible gale. The heart cracks open, a jagged fissure revealing that the soothing legend engraved on the heart now comes with a bold caveat: «SWEET BUT FIERCE».

A World Of Mechanical Expression
If knowledge is power, then knowledge (or know-how) that only you have becomes the most powerful thing of all. The unique savoir-faire of La Fabrique du Temps Louis Vuitton in innovative horological automata is expressed in one of the most mechanically impressive creations of the Maison to date: the Tambour Fiery Heart Automata. Five separate dial elements form the automaton array of the watch, leaping simultaneously into action when the pusher at 8 o’clock is actuated. The radially extruding thorns surrounding the outer circumference of the hours-and- minutes subdial. The two Monogram flowers at the center of the enamel roses at 4 and 12 o’clock rotate simultaneously. One starts its course clockwise while the other moves in the opposite direction. After a short pause, the two flowers perform the opposite dance. The articulated heart that cracks open to reveal the full message «SWEET BUT FIERCE». Lastly, the gold tongues of fire at the top of the heart that undulate in simulation of real flames.

This unprecedented display of horological virtuosity is the result of three years of research and development within Louis Vuitton’s high-watchmaking atelier. Subtle signs in the movement design and finish indicate that the calibre LFT 325 has been constructed expressly for the Louis Vuitton Tambour Fiery Heart Automata — a dedicated movement being a time-honoured indication of horological prestige. The micro-blasted movement bridges are decorated with thorny rose stems in pink-gold, sinuously embracing the exposed wheels visible through openworked sections. The 18K pink-gold rotor is also engraved and openworked with Monogram Flowers, as is the automaton regulator bridge at 12 o’clock. The history of the dial continues, sculpting the shapes of the movement. The dance
of colors and the seductive play of textures continue, requiring long hours of research and development to achieve the softness of the gray contrasting with the brilliance of the pink gold. The search for colors, the work on materials and the attention to detail testify to the precision and extreme meticulousness necessary to achieve such a level of finish.

The flying tourbillon frequently makes an appearance in the fine-watchmaking segment of Louis Vuitton timepieces, but the Tambour Fiery Heart Automata
is the first time this mechanism has been combined with a self-winding movement with dial-side automata. As the automaton is driven by its own dedicated mainspring, the flying tourbillon is able to maintain high levels of chronometric performance throughout the 65 hours of movement power reserve. The challenge of synchronising the dial animations of the Tambour Fiery Heart Automata has been answered by the cumulative expertise and experience of the movement development team at La Fabrique du Temps Louis Vuitton, led by master watchmakers Enrico Barbasini and Michel Navas. While the dial springs into action as if by magic, a glimpse behind the curtain is afforded by the open caseback.

In the upper right quadrant of the movement, an openworked bridge allows a tantalising view of the automaton mainspring, driving wheels and regulator. This complex assembly feeds energy to the seven dial automata, coordinates their running times and also controls the speed at which they operate. On the dial, each graceful motion of the automata, from the opening of the heart and revelation of the secret message, to the spinning Monogram Flowers, the dancing flames and the emerging thorns, is precisely calibrated to produce a 13-second symphony of mechanical excellence, seen nowhere else in the world except on the Louis Vuitton Tambour Fiery Heart Automata.

Art, Glass, Fire
The grand feu enamel dial of the Louis Vuitton Tambour Fiery Heart Automata represents an important step for the Maison in terms of in-house savoir-faire — the integration of a millennia-old artisanal craft. The alchemy of grand feu enamel starts with the powdered silica, finely ground by hand and combined with various metal oxides that impart colour to the final result. After the enamel powder is applied to a prepared surface, it is fired in a kiln at temperatures between 700°C and 1,200°C, vitrifying the enamel. This brings out the intense and durable colours that have made grand feu enamel the decorative technique of choice for timepieces over the centuries.

On the dial of the Louis Vuitton Tambour Fiery Heart Automata, a combination of champlevé and cloisonné enamel is used to illustrate the various aesthetic elements. The former involves removing material from the dial surface, creating a space where enamel powder can be deposited. The latter requires the use of thin gold wires, meticulously shaped by hand and fixed onto the dial surface, creating closed cells which can then be filled with enamel. The art of grand feu enamel requires a delicate touch, years of experience and a highly disciplined — and, indeed, technical — approach. After working with some of the most revered enamel artists today, such as the legendary Anita Porchet, who created the dial of the Louis Vuitton Escale Spin Time Only Watch, the Maison now counts this rare craft as part of its in- house savoir-faire, under the expert hand of its master enameller.

Beauty emerges, refined and transcendent, from the crucible of horological knowledge and combined expertise at Louis Vuitton. The Tambour Fiery Heart Automata is the multi-layered result of the Maison’s approach to fine watchmaking, now elevated to unprecedented levels in all 169 years of Louis Vuitton history.

LoL, Sandra

Photos: © Louis Vuitton
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In unveiling the Tambour Opera Automata, Louis Vuitton continues its journey through the exclusive world of high watchmaking timepieces with automata. Paying tribute to the Sichuan Opera’s Bian Lian, the virtuoso decoration of this specific watch presents a traditional mask that comes to life and changes expression on demand.

An artistic performance driven by a virtuoso movement entirely conceived, developed, and assembled by La Fabrique du Temps Louis Vuitton.
After the Tambour Carpe Diem, which won the Audacity Prize at the Grand Prix de l’Horlogerie de Genève in 2021, Louis Vuitton has left Europe and its expressive Vanitas and embarked on a new journey in China, the land of Bian Lian. This «art of changing masks» characteristic of the Sichuan Opera is a major source of inspiration for the Tambour Opera Automata watch.

In the same vein as the Carpe Diem figure that changed expression on demand, the Tambour Opera Automata highlights a remarkable discipline requiring unwavering dexterity. During the opera, the performers can put on up to twenty different masks in a fraction of a second, revealing their wide range of expressions. Each has their own technique for making these painted silk figures appear and disappear with a quick hand gesture or a graceful fanning motion. In the 21st century, very few actors still master the ancient art of Bian Lian.

To transpose this mysterious interplay of faces to a watch case, Louis Vuitton enlisted the help of the greatest contemporary craftsmen. Michel Navas and Enrico Barbasini, Master Watchmakers at La Fabrique du Temps, created this exceptional watch movement, while Anita Porchet, Master Enameller, and Dick Steenman, Master Engraver, decorated the timepiece with virtuoso design.

«We wanted the Tambour Opera Automata to reflect the striking aesthetics and expressive movements of Bian Lian», explains Michel Navas.«This extremely challenging art remains a secret, just as automaton mechanisms require a perfect knowledge of traditional watchmaking skills.»

Originally, jacquemarts were automata designed to strike the hour on church bells. When watchmakers miniaturised them on watches, they became essentially decorative, animating dials with theatrical scenes, while the time was still traditionally marked by classic hands.

Unprecedented expression
With the Tambour Opera Automata, Louis Vuitton continues – in Asia – the daring journey it initiated in Europe in 2021 by creating of the Tambour Carpe Diem Automata dedicated to the Vanitas. By choosing to celebrate the Sichuan Opera today, La Fabrique du Temps Louis Vuitton is taking its mastery of contemporary fine watchmaking to the next level. Indeed, this timepiece, which is the subject of several patents, took over two years to develop. As with the Tambour Carpe Diem, the time is only displayed on the dial – by means of a jumping hour and a retrograde minute mechanism – by activating the automaton. This calibre LV 525, totalling 426 components, has a power reserve of 100 hours.

As for the automaton mechanism, its five animations create a unique and unforgettable 16-second watchmaking spectacle, driven by this exceptional calibre with jumping hours and retrograde minutes. When the latch is pushed, the engraved pink gold dragon’s head rises to reveal the jumping hours inscribed on the forehead of the cloisonné enamel Bian Lian, while its tail indicates the retrograde minutes.

The mask’s expression changes dramatically – its eyebrows frown, its eyelid closes over its left eye, and the pupil of its right eye retracts to reveal a pointed Monogram flower. Going from joy to sadness through the movement of its chin, the Bian Lian mask expresses a wide range of emotions. The beauty of the dial and the lively rhythm of this miniature theatre leave the viewer spellbound.

The excellence of craftsmanship
To root this Tambour Opera Automata in the 21st century, Louis Vuitton has combined traditional Chinese symbols with the brand’s emblematic design elements, such as the canvas pattern and the Monogram flowers enamelled on the dial. Reigning supreme, the imperial dragon, a mythical creature associated with ancient Chinese emperors, represents strength, power and nobility.

The fan by its side is a sign of wisdom and authority. As for the clouds, they symbolise good luck, and the gourd in the shape of a calabash is believed to protect people from evil spirits. As an ultimate refinement, the Asian unlucky number 4 in the time display is replaced by a four-petalled Monogram flower.

Crafted in white, red and black cloisonné enamel separated with white gold threads, the mask owes its flawless workmanship to the master enameller Anita Porchet. The fan is given remarkable depth through the champlevé enamel technique, which involves removing some material from the surface in order to deposit colour pigments. The enamelling of the dial and crown took over seven days to complete.

Crafted over a period of nearly two weeks by the famous Swiss engraver Dick Steenman, the details engraved in the precious metal give the Tambour Opera Automata an unparalleled level of relief. The pink-gold dragon displays its expressive character in the smallest of details (piercing ruby eyes, engraved and sandblasted scales, etc.). So much so that it appears to literally leap out of the Bian Lian’s mask to reveal, open-mouthed, the time display.

The push button of the automaton depicting a dragon’s head, as well as the winding crown and adorned with a champlevé enamel fan, are entirely hand-made. Finally, pushing sophistication and technicality to the extreme, Louis Vuitton has reproduced the shape of the Chinese mask on the back of the movement, contrasting a shot blasted finish with a perfect mirror polish, without the slightest flaw.

With the Tambour Opera Automata, Louis Vuitton has amplified the technical complexity of the automaton watch with a bold, powerful and contemporary aesthetic. Personally speaking, diving into the craftsmanship behind this beautiful watch, I feel so much appreciation for the work that went into every little detail. A choice for the dedicated watch connoisseur.

LoL, Sandra

Photos: © Louis Vuitton
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Distilling happiness since 1862, Roger & Gallet has created a collection of 8 absolute must-have wellbeing hand creams that are «made in France». Winter essentials, composed of 95% natural ingredients, with shea butter and sweet almond enriched formula that nourishes and soothes even the most fragile hands.

Discover the 8 signature fragrances from the Fragrant Wellbeing Water collection with relaxing or energizing properties. A joyful range of moods to be mixed and matched, packaged in recyclable aluminum tubes.

RELAXING CARE

Delicious relaxation:
FLEUR DE FIGUIER
A nap in the shade of a fig tree.

Delightful interlude:
ROSE
A soothing caress of Damascene Rose.

Zealous throwback:
NEROLI
The delightful indulgence of orange blossom with honey accords.

Comforting tea time:
FEUILLE DE THÉ
A soothing infusion with notes of black tea.

ENERGIZING CARE

Citrus cocktail:
BOIS D’ORANGE
A stroll through an orange grove.

Sparkling seduction:
GINGEMBRE ROUGE
A berichtig, delectable trail.

Tangy getaway:
CÉDRAT
A refreshing sorbet with Mediterranean notes.

Floral happiness:

FLEUR D’OSMANTHUS
An armful of freshly cut flowers with apricot notes.

Recommended retail price: CHF 8.10 (30ml).

LoL, Sandra

Photos: © Sandra Bauknecht / Roger Gallet
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This was my outfit I wore to the Hot Party in the Snow at Carlton Hotel in St. Moritz. When it comes to eveningwear, I am a huge fan of La-based designer Monique Lhuillier. The daughter of a French diplomat always admired the lavish gowns her mother and other stylish guests would wear to high-profile events, moving her to create her eponymous label. I adore her intricately detailed and expertly crafted designs.

My look: Crystal-embellished tulle gown by Monique Lhuillier, Devotion mini bag in silver by Dolce & Gabbana, Odette lace pumps in rose by Jimmy Choo, floral-clip earrings, floral-detail chain-link belt, and crystal-embellished choker necklace, all by Alessandra Rich.

LoL, Sandra

Photos: © Sandra Bauknecht / Max Unterharnscheidt @maxunterharnscheidt
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Recently, I had the best time in St. Moritz. I have to admit that I had completely forgotten how much fun this ski resort can be. I stayed at the beautiful, luxurious Carlton Hotel, a place I can absolutely recommend, that soon will be celebrating its 110th anniversary. Here, the charity gala «Hot Party in the Snow» took place on Sunday night.

It was already the 17th time the charity gala took place in favor of the Sheba Medical Center in Tel Hashomer, the legendary «Hospital of Peace». More than 9,000 doctors, medical professionals and employees treat over 1.5 million patients every year, regardless of nationality, skin color and religion: civilians, soldiers and tourists, as well as patients in need from the numerous crisis areas in Palestine, Lebanon, Iraq and Turkey , wounded refugees from Syria, etc. For years, the hospital has also supported and organized aid operations in disaster regions around the world.

Prof. Arnon Afek

The auction and donations raised more than € 500,000 for the magnificent charity work of the largest and most comprehensive medical center in Israel and the entire Middle East. Professor Arnon Afek, Associate Director General, Sheba Medical Center, Yoel Har-Even, Global Director Sheba Medical Center, Dr. Ellen Ringier, chairwoman of the honorary committee of the gala and gala co-chairperson Renate Gräfin von Rehbinder were delighted to welcome around 180 guests, among them philanthropist Sir Andrew Cook, entrepreneur and art patron Grazyna Kulczyk, book author and media entrepreneur Maria Theresia von Seidlein, Lodenfrey owners Sabine & Ralph Michael Nagel, designers Rolf Sachs and Carlo Rampazzi, and my dear friend Ljuba Manz-Lurje, who had invited me to the event.

Ljuba Manz

After some moving speeches, the charity auction led by Reto Barmettler of Sotheby’s, took place. 100% of the donations and the proceeds of the charity auction will benefit the children in the Sheba Medical Center. In addition to urgently needed medical equipment for the hospital, which could be symbolically auctioned off, highly coveted events such as a VIP package for Art Basel or a cooking course with one of the best Italian chefs in the world, Mario Gamba, went under the hammer.

Carlo Rampazzi with his artwork

A designer piece by Carlo Rampazzi, and sparkling jewelery by BVLGARI, Tornaghi and Asprey were also auctioned. Trips to the best island resort in the Maldives were also in great demand: The Nautilus Maldives or on the most exclusive private yacht The World.

I auctioned off the art work by Robert Indiana, donated by Galerie Gmurzynska. I love Indiana’s work and as my daughter is born April 4th, it was the perfect act for me.

Amazing duett, the «singing doctor» Yoel Hareven with Riki Ben Ari

After a gourmet dinner, we danced the calories off to the beats of Riki Ben Ari, powerhouse diva from Israel and finalist of the Eurovision Song Contest, and Amar Pure, scene DJ from Munich, provided a hot sound. The n-tv presenter and non-fiction author Carola Ferstl hosted the evening.

It was a beautiful evening among friends that ended in the legendary Dracula nightclub. Drink, dance and donate at its best.

LoL, Sandra

Martha Wiedemann (Badrutt’s Palace Hotel St. Moritz), Stephanie Lehnort (General Manager Hotel Carlton), Rebecca Wiedemann (Badrutt’s Palace Hotel St. Moritz)

Sabine Parenti, Louise Thérèse Blouin, Renate Gräfin Rehbinder

Yvonne Winkler

Richard Ossen, Carolin A. Geist

Daniel Gutenberg, Ellen Ringier

Mafalda von Hessen und Rolf Sachs

Tatjana Hoffmann

Annette Zierer, Carola Ferstl

Grace Rong Li in Zimmermann, Dr. Yonat Floersheim, Philip Nasrallah

Lodenfrey owners Ralph Michael and Sabina Nagel

Oliver Fritz, BUNTE Magazine

Lavender Howard, Martin Schoeller

Rita Müller, Kathy Dobers (Cartier)

Helen Prinzessin zu Oettingen-Wallerstein

Photos: © Sandra Bauknecht and © BrauerPhotos / S.Brauer
First Collage: Screen Shots of BUNTE and Gala Magazine
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Right in time for Watches & Wonders next week, Cartier presents its newest must-have watch: Clash [Un]limited which is characterised by an elegant mechanism that stands out for its beauty, creating a jewellery watch that combines finesse with power.

Personally speaking, I am absolutely blown away by this new model. With beads, picot studs, clou carrés and mobility, the Clash de Cartier codes flow, intertwine, forge their way and manifest themselves in the form of a precious watch.

From faceted corners and bevelled dials to full and empty spaces, as well as round and square elements, its geometry is constant and true to the Maison’s style. A culture of design counterbalanced by Cartier’s graphic precision through movement, from the beads that roll over each other to the hinges of the bracelet, all articulated to create softness on the skin. An ambition to structure the watch and create perspective: from the form of its links to the mini case with its sixteen-faceted cut glass that accentuates the distinctive lines.

My favorite: SMALL MODEL, QUARTZ MOVEMENT, YELLOW AND VIOLET GOLD

The legacy of Jeanne Toussaint and her sense of volume comes to mind. As early as the 1930s, she dared to provoke glittering collisions between preciousness and the industrial aesthetic of ball bearings. A natural link between the past and present, as seen in this Clash [Un]limited watch, which also uses chromatic contrasts to emphasise the geometric motifs. How? Firstly, by alternating brushed and satin-finish gold, then by combining yellow or rose gold with violet gold, a new shade of gold in tones of shimmering violet, entirely developed for Cartier. It punctuates the watch, from the clou carré to the beads on the bracelet.

With variations on the same theme in limited-edition releases, the Clash [Un]limited watch is available in diamond-paved yellow gold, rose gold and white gold. It also unites exceptional pieces with stones that enhance the design in black and white with onyx, black spinels, obsidian and diamonds, or in different colours with coral, black spinels, chrysoprase, tsavorites and diamonds. Designed by the Cartier watchmaking studios, the Clash [Un]limited watch resides in the Maison’s creative repertoire of jewellery watches.

LoL, Sandra

Photos: © Cartier
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I am enough and I can wear whatever I want. This is an affirmation you should be repeating daily. I have been asked all my life how I am so confident when it comes to choosing my outfit. For me it is like an armor protecting me, reflecting my mood and also a tool to manipulate how people receive you. This might sound bad to you, but I mean it in a positive way. Clothes have so much power, so use them wisely. They can also be a great memory of beautiful times. This look here, photographed on a playground in my hometown Frankfurt, is so reminiscent of the ’90s when I was a young girl and would totally dress up like this. It exudes immediate happiness and makes me feel extremely young again in a very good way.

My look: Cropped top in Alpine Check, matching 90’s skirt with 2 panels and metal decoration in Alpine Check, and Kurt high lace-up boot, all by Celine, open-knit camel hair and silk-blend cardigan by Brunello Cucinelli, Cleo crystal-embellished shoulder bag by Prada, and Carter leather beret by Eugenia Kim.

LoL, Sandra

Photos: © Sandra Bauknecht
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Keep going, keep growing! It is a new week full of possibilities, make the best out of them! Put on a great outfit in uplifting shades and never forget, a little progress each day can add up to big results.

My look: Denim and cotton-blend jersey jumpsuit by Alaïa, colour-blocked crocheted wool cape by Pucci, silk-faille bralette, One Stud 100 embellished patent-leather pumps, and VLOGO reversible leather belt, all by Valentino, creole earrings and rainbow classic flap bag (Cruise 2023), both by CHANEL, and rhinestone-embellished iPhone 13 pro case by Prada.

LoL, Sandra

Photos: © Sandra Bauknecht / David Biedert Photography
The photos were taken at the Gstaad Palace hotel.
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