Ladies First

DRESSED FOR THE TOP: What «Ladies First» Gets Brilliantly Right

Sometimes the most important things happen when you slow down. Over the Whitsun weekend in the English countryside, I made a conscious decision to step away from the noise of social media and work obligations and simply breathe. I read, I rested, and I watched a film that has been dividing audiences since it landed on Netflix: «Ladies First«, starring Rosamund Pike and Sacha Baron Cohen, directed by Thea Sharrock.

Let me say this clearly: I loved it.

I loved Rosamunde Pike’s performance in «Ladies First».

Yes, the critics have been ruthless. The reviews have been unkind. But I found myself completely charmed, not despite the film’s unapologetic playfulness, but because of it. «Ladies First» reminds me of the romantic comedies of the nineties and early two-thousands, films that dared to be funny and warm and utterly unashamed of themselves. In a landscape of relentlessly self-serious cinema, there is something genuinely refreshing about a film that winks at you and then makes you think.

The premise is deceptively simple: a swaggering male chauvinist, played with wonderfully committed physicality by Baron Cohen, wakes up in a parallel world where women hold all the power, and men occupy every diminished, overlooked, and underestimated role that women have quietly endured for centuries. It sounds like a comedy setup. And it is. But beneath the laughs lies something that is, when you sit with it, genuinely sobering.

Because the joke only lands if we recognise the truth it is built on.

The film earns those laughs honestly. When the men are womensplained to in board meetings, when someone is called testerical, when the power lunch happens at Burger Queen, when he has to shop at Cockette, and when, in perhaps the film’s most quotable moment, someone declares «he got us by the ovaries.» I laughed out loud. Genuinely. The kind of laugh that reminds you why great comedy, however cheesy, is never a small thing.

The reality is that women remain startlingly underrepresented at the top of almost every major industry. What «Ladies First» does, wrapped in all its glorious cheesiness, is hold a mirror up to a dynamic most of us encounter on a regular basis and simply accept. The question the film poses, the one that stayed with me long after the credits rolled, is whether women would behave differently if we truly held that power. My honest answer: yes, I believe we would. And I think that is something worth celebrating.

But there is another conversation the film opens up, and it is one I find especially compelling as someone who lives and breathes fashion. In this reimagined world, the visual language of power shifts entirely. Clothes become a different kind of currency, and the film understands, perhaps more than it is given credit for, that what you wear is never simply what you wear.

The power of a good jacket: Power Shoulders

Fashion has always been a form of communication that requires no words. Research has consistently reinforced what those of us who dress with intention already know instinctively. A 2019 Harvard Business Review study found that 85 percent of professionals perceive well-dressed individuals as more competent, regardless of gender. Psychologists describe this through the concept of «enclothed cognition,» the idea that clothing does not merely reflect our state of mind but actively shapes it. When you dress with authority, you think and move with authority. The two are inseparable.

Nothing beats a well cut suit in a great hue: Never Seen Together 

This does not mean we need to borrow from a masculine wardrobe. That conversation belongs to another era. True power dressing today is about intention. It is a sharp, beautifully cut blazer worn with a silk slip skirt. It is a confident colour when the room expects beige. It is structure and precision and the quiet, undeniable statement of a woman who knows exactly what she is doing before she has said a single word. And let us not forget: we also look incredible in a men’s suit. That is our advantage, and it always has been. We can wear everything. Femininity is not the opposite of power. It is, when wielded deliberately, one of its most potent expressions.

One of my favorite suits in my closet that is inspired by menswear: Istanbul Memories

Ladies First may not be the film the critics wanted. But it might just be the film we needed. It is funny, it is generous, and hidden inside its warm, crowd-pleasing exterior is a question that is anything but trivial.

It is powerful to mix female and male elements: Dream More

What would the world look like if we dressed, and led, on our own terms?

I think we already know the answer.

LoL, Sandra

An unexpected combination of color and cut: Oversized Cool

Changing your appearance is a powerful thing to do: Bang

Photos: © Sandra Bauknecht and Netflix
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Disclaimer

While filming MY STYLE ROCKS, we have of course in between a day off and then I love to binge-watch something captivating. Recently, I decided to go for the psychological thriller series DISCLAIMER on Apple TV+ with Cate Blanchett, Kevin Kline and Sacha Baron Cohen as the main characters.

The psychological thriller series is from acclaimed director Alfonso Cuarón, based on the novel of the same name by Renée Knight. DISCLAIMER centers around the character of Catherine Ravenscroft, played by Cate Blanchett, whose life is thrown into disarray when she stumbles upon a novel that appears to reveal hidden truths she had long kept concealed – even from herself. The narrative dives deeply into themes of memory, guilt, identity, and moral responsibility.

With Cate Blanchett at the helm, DISCALIMER is a masterclass in storytelling – tense, thought-provoking, and unapologetically gripping. This is not your casual binge-watch; it’s a psychological deep dive wrapped in mystery. Prepare for twists, moral dilemmas, and Blanchett’s signature brilliance. Watch carefully… and question everything.

The show’s costume design balances practicality with high-fashion elements, underlining Catherine’s complex emotional journey. It is wardrobe psychology at its best as her outfits enhance the narrative, connecting her professional life with personal turmoil through fashion.

Cate Blanchett’s portrayal of Catherine Ravenscroft in DISCLAIMER is marked by a wardrobe that reflects the character’s complexity, sophistication, and understated power. Her clothing choices likely lean toward:

Neutral Tones: Think muted greys, whites, blacks, and beige to convey professionalism and control.
Tailored Elegance: Sharp blazers, trench coats, and perfectly fitted trousers—classic pieces that emphasize her polished demeanor.
Minimalist Chic: Simple yet expensive-looking outfits with clean lines, highlighting her character’s refined taste and confidence.
Occasional Vulnerability: Softer, relaxed pieces (like a cashmere sweater or silk blouse) for scenes revealing more of her personal struggles or intimate moments.

This wardrobe aligns with her role as a journalist unraveling a tense mystery, where every outfit subtly reflects her emotional state and the unfolding drama.

Cate Blanchett with me.

This is a Cate Blanchett show, so expect excellence, layered performances, and moments that make you rethink life—or at least your wardrobe. If you’re here for mindless entertainment, you’re in the wrong place. But if you’re ready for brilliance with a side of intensity, buckle up and enjoy!

LoL, Sandra

Photos: Courtesy of Apple TV +/ © Sandra Bauknecht
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Greetings from the Croisette

At Hotel Martinez

Greetings from the Croisette in Cannes. My last days were filled with amazing parties, events and I met many celebrities. It is such a busy time, please accept my sincere apologies for the delay of posting.

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On Thursday, I went to the beautiful Chopard lounge, located on the 7th floor of the Hotel Martinez, to explore the stunning Red Carpet Haute Joaillerie collection, which I will show you in the next days. Cannes is crazy those days. There are so many people on the streets waiting to spot some celebrities. If you don’t have a bagde (Thank you, Chopard!), you will have no chance to come anywhere close.

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My look: Leather jacket by Prada, pleated top and skirt, studded Pyramide bag, all from Prada‘s S/S 2012 runway, sandals with coral shape heel by Chanel, Audrey wayfarer sunglasses by Céline, cuff by Stella McCartney and Lady Excalibur watch by Roger Dubuis.

Prada M2

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Details 2

Cannes

Stunning view of the Croisette.

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Lunch at the beach at Z Plage.

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Later, I went for a little shopping spree on the Croisette and spotted…

Ben

Ben Stiller and Chris Rock gathered for the photo call for Madagascar 3: Europe’s Most Wanted at the Carlton Hotel in Cannes. (By the way, this is my favourite terrasse to have a drink).

Carlton

Sacha Baron Cohen‘s Dictator embellishes the entrance of the Carlton Hotel.

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I hope that you have enjoyed the impressions of the Croisette. More to follow soon!

LoL, Sandra

Photos: © Sandra Bauknecht