Hermès Forever Scarves

I love Hermès scarves. This essential accessory complements any outfit. It can be worn many ways – around your neck, as a top, at the waist or as a headscarf!

This year, for the first time, the French Maison is launching the so-called «forever scarves» (carrés de toujours). They are heritage scarves, authentic and alive, that honor the original design in a unique and emblematic color. Neither reworked nor redesigned, they are presented in all their simplicity, true to the original drawing of the artist.

Each year from now three designs will follow, in 2023 those ones below are available:

GRAND APPARAT Forever Scarf 90
Designed by Jacques Eudel in 1962
Color: Crème / Gold / Multicolore

This design showcases various pieces of ceremonial harnesses and saddles, which were adornments used for parades and celebrations. The luxuriousness of these embossed leather ceremonial harnesses, trimmed with fringes or braids and adorned with bronze elements, laurel leaves, royal emblems and coats of arms, indicates the nobility of the person being transported as well as the importance of the event. Held together by pyramid studs and braiding, the central picture was inspired by the design of a horse harnessed to a carriage, which was created for the coronation of Louis XVIII.

COACHING Forever Scarf 90
Designed by Julie Abadie in 1976
Color: Rouge / Vert / Blanc

This design is composed of different elements used for harnessing a horse. It depicts Hermès’ original expertise as a harness maker, as well as the elegant equestrian world for which the Maison has become renowned. The background features a blanket lined with a wide wool braid. In the lower right and upper left corners, dress sheets are revealed: blankets which are thrown over horses after exercise or racing to protect them from the cold. In the 17th century, coaches were imposing horse-drawn carriages driven by coachmen that transported passengers and luggage.

ASTROLOGIE Forever Scarf 90
Designed by Françoise Façonnet in 1973
Color: Bleu Cobalt / Vieil Or / Blanc

It was in Mesopotamia that the first calendar was born, around the third millennium BC, followed by the signs of the zodiac. They segmented the sky into twelve sequences which the sun takes one year to pass through. Linked to the lunar cycle and particular planets in the galaxy, they inspired many beliefs and shaped our measurement of time. Here, Gianpaolo Pagni adds stamped motifs to an emblematic scarf designed in 1963 by Francoise Faconnet, inspired by a Renaissance-era astrological table conserved at the Musee de l’Observatoire in Paris. The Italian illustrator’s geometric prints overlap with complex symbols which only the enlightened can decipher.

LoL, Sandra

Photos: © Sandra Bauknecht and © Hermès
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Floating Breakfast

If you are scrolling through Instagram, odds are good that you’ve seen at least one «floating breakfast.» In case you’re not familiar with them, here’s what to know: they’re a typical luxury hotel room service breakfast – think avocado toast, eggs, fruits, colorful smoothies, coffee and the like – served in a pool or hot tub instead of in bed. Usually, they’re placed on large platters or baskets that have a floating cushion under them, then accessorized with tropical flowers to make them even more photogenic.

These breakfasts are particularly popular in Asia and the Pacific, especially at warm-weather private villa resorts in places like Phuket, Bali and the Maldives. I enjoyed mine at the Ritz-Carlton Fari Islands resort. It was absolutely breathtaking to start my day with a delicious floating breakfast while enjoying the stunning view of our water villa pool.

LoL, Sandra

Photos: © Sandra Bauknecht 
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My Look: Vitamin Sea

This feed was in terrible need of some Vitamin Sea. Who else is excited for those carefree days at the beach?! I love wearing vibrant colors that complement sun-kissed skin the best. A great way to protect your hair from the wind, while looking super stylish, is a silk scarf tied around your head. I sported this styling trick a lot at the Ritz-Carlton Fari Islands resort.

My look: Jeannie terry midi dress by Zimmermann, Almost Bare metallic leather sandalsicon by Aquazzura, Colorama flap bag in quilted watercolor (S/S 2014) by CHANEL, cutout acetate butterfly sunglasses in shiny black smoke by Fendilong beaded tassel earrings in forest greenicon by Oscar de la Renta, shell and beaded bracelet by Isabel Marant, Oyster Perpetual 36 with a turquoise blue dial by Rolex, and «Le Géographe» vintage silk scarf 90 designed by Sandra Laroche (1992) by Hermès.

LoL, Sandra

Photos: © Sandra Bauknecht taken by Munko at Ritz-Carlton Fari Islands
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Tutti Frutti

Fruits have been a source of inspiration for all sort of prints the past seasons. However, this summer, they take it up a notch and are worn in a 3D optic. AREA, the American luxury brand founded by Beckett Fogg and Piotrek Pansczczyk, dedicated their S/S 2023 runway collection to «tutti frutti» and presented sculptural and crystal-embellished pieces from a 3D banana bustier top to a watermelon strapless mini, to a full look that resembles a slice of fresh lemon. The crystal embellishments are arranged to resemble seeds and glisten in the light for a juicy, liquid-like shine.

Another fun way to sport the trend is to wear a bag in the shape of a fruit. Scroll through the best options available now.

LoL, Sandra

Cropped open-back crystal-embellished wool-blend top,icon and matching asymmetric crystal-embellished wool-blend mini skirt, both by AREA

Fruit-charm layered necklace by Amir Shama

Watermelon Crescent crystal-embellished silver-tone clutchicon by Judith Leiber

Tangerine crystal-embellished gold-tone clutchicon by Judith Leiber

Fruit marbled box clutch by Kurt Geiger London

Fruittini leather strawberry cross-body bagicon by Gucci

Photos: Courtesy of the Brands, © Sandra Bauknecht
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LV Tambour Moon Flying Tourbillon Watches

A true demonstration of the craftsmanship and expertise of La Fabrique du Temps Louis Vuitton, the two new Tambour Moon Flying Tourbillon «Poinçon de Genève» complete the colour palette of this exceptionally transparent family of watches.

This year, the watches, crafted from single blocks of synthetic sapphire, will come in fluorescent green or yellow cases. These transparent creations are true feats of technical and artistic know-how, the first of their kind in the history of watchmaking to bear Geneva Seal. They herald a new era, revealing all the secrets of their skilfully openwork Manufacture movement driven by a flying tourbillon.

There is great potential in using cases cut from a block of coloured synthetic sapphire. This pure and precious mineral is obtained by heating aluminium oxide at temperatures of around 2000° Celsius. Ever since the early 20th century, when this manufacturing process was invented by French chemist Auguste Victor Louis Verneuil (1856-1913), the watch industry has been using it to produce rubies for mechanical movements. By dint of progress in its development during the 1980s, the industry succeeded in producing the first sapphire crystals for sports watches and, a decade later, the first complete cases.

Virtually unalterable like pure gold or platinum, with a hardness only surpassed by diamonds, synthetic sapphire is one of those precious materials over which time has no control. La Fabrique du Temps Louis Vuitton immediately grasped its potential, using it to protect the LV90 calibre from external stresses. It provides an impenetrable barrier to all but the eye and ensures that the exceptional openwork movement, regulated by a flying tourbillon, will have a virtually unlimited life span, provided that it receives regular care.

The Manufacture’s engineers have been experts in its application ever since the launch of the Tambour Moon Flying Tourbillon «Poinçon de Genève» watches in clear, blue and pink sapphire. This year, these artists, a bit of alchemists, have found the right formulas and the purest metal oxides in secretly guarded proportions.
They have created two new exceptional pieces with daringly translucent shades, so intense that they give the impression of being fluorescent. The first features an electric yellow sapphire case and the second comes in warm green accents.

To obtain a case middle, a case-back and a bridge bearing the LV logo in a strictly identical colour for each watch, a cylinder, 50 mm in diameter and 150 mm long, had to be extracted from the centre of a block of mass-tinted sapphire from Japan weighing nearly 200 kg. Each component is therefore cut from this sapphire crystal bar using diamond tools to obtain the pieces final dimensions. All the elements are then delicately polished to reveal their transparency and the richness of the two meticulously selected colours.

The entire synthetic sapphire case of each watch requires 420 hours of complex operations on digitally controlled machines working with diamond tools. The 10 mm thick monobloc part alone, comprising the case middle, the bezel and the glass, requires 100 hours of milling and 150 hours of polishing. The case back needs 50 hours of machining and 60 hours of hand and machine finishing to become fully transparent and ready for assembly. Finally, the transparent bridge bearing the LV logo takes 20 hours of cutting and 40 hours of manual finishing to let the light pass through flawlessly.

Constant and meticulous attention is given to every detail throughout the entire manufacturing process. The 12 letters forming LOUIS VUITTON are engraved on the outer side of the concave case middle of the Tambour Moon, which appeared in 2017. Like the indexes on the bezel flange, whose design gives the timepiece a very open face, they are delicately lacquered in white for the green sapphire version, and black for the yellow sapphire model. The two horns, in black PVD-treated titanium, are attached by screws. Finally, to protect the delicate movement from external stresses, this 42.5 mm case with a thickness of 9.9 mm is guaranteed water- resistant up to 30 metres. This is achieved via a transparent gasket positioned between the case middle and the screw-down case back.

Everything on this timepiece has been carefully considered, right down to the appearance of the hands, which are light and hollowed out, floating over the circles from which they seem to spring. Like the previous versions of the Tambour Moon Flying Tourbillon Sapphire, these two spectacularly light and transparent watches are, to date, the only models in the world to have a sapphire case and bear the Geneva Seal. Their sheer complexity means they are produced in very limited series every year.

LoL, Sandra

Photos: © Louis Vuitton
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My Look: Did You Know?

Did you know that FAZ, the label that is best known for its faux fur, has launched an amazing jersey outerwear collection, which bridges the «soft yet sharp» gap between leisure and luxury wear perfectly. Here you see me on my way to the Bvlgari Serpenti event this week in Zurich sporting my new trench coat, that feels like wearing a comfy sweater, but looks totally stylish! I also adore how the grey blends in with all my shades of purple and lilac.

My look: Grey Darling jersey trench coat by FAZCelestial printed silk and linen minidress by Zimmermann, Tan-Go embellished leather platform pumps, and small VSLING crystal-embellished crossbody bag, both by Valentino, heart-shaped crystal earrings by Alessandra Rich, and 30 denier tights in light purple by Calzedonia.

LoL, Sandra

Photos: © Sandra Bauknecht / David Biedert Photography
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Lanvin – Tailoring Through Time

In 1926, Jeanne Lanvin was the first Parisian couturière to establish a tailoring atelier, opening Lanvin Tailleur Chemisier at 15 rue du Faubourg Saint-Honoré. It soon became known for its superlative blazers, tuxedos and shirts. Since 1901, Lanvin has outfitted many of the members of the Académie française including Edmond Rostang, Paul Valéry and Jean Cocteau.

Today, the Maison’s tailoring for women and men remains at the highest standard while reflecting a more contemporary sensibility. Rigour and refinement, pure lines, strong styling, and day-to-evening ease are all characteristics of Lanvin’s neo-tailoring. While suiting may now be worn with knitwear and sneakers, layered casually, or offered in a more relevant tonal palette, the Lanvin elegance remains embedded in the fabrics and the perfectly crafted cuts, and the heritage.

Contemporary tailoring considers both the evolution of what we wear and how we live, for men, the approach emphasises deconstruction by revising the silhouette to look and feel relaxed yet polished. Fabrics range from dry wool drill, S150 wool twill and flannel to mohair, elevated jersey and grain de poudre. Men’s jackets in fits spanning boxy to business feature central vents, notched lapels and adjusted waists, while trousers are also proposed in a variety of styles such as a slim cigarette, a shorter biker length and a more directional wide leg.

At the heart of the women’s tailoring offer is the notion of ‘radical elegance’ which takes shape as silhouettes merge masculine and feminine codes in sumptuous materials that signal everyday luxury. Tailored blazers, boxy jackets and sharp coats have been developed as key wardrobe pieces that convey subtle sophistication and cosmopolitan attitude. Whether tapered, flared or wide leg, women’s trousers emphasise fit over fleeting trends.

Lanvin’s neo-tailoring is styled to express both newness and timelessness – an ever-evolving vision grounded in an unparalleled Parisian legacy.

TO SHOP LANVIN ONLINE, CLICK HERE PLEASE.

LoL, Sandra

Photos: Daniel Shea, Art Director/Stylist : Ludivine Poiblanc, Hair : Ramona Eschbach, Makeup : Petros Petrohilos, Nails : Anais Cordevant, Casting Director : Coco Casting, Cast : Lucas Lemaire and Amar Akway – DISCLOSURE: We may earn commission from links on this page, but I only recommend products I love. Promise!

The Story of Jeanne Lanvin

The eldest of a modest family of eleven children, Jeanne Lanvin was born in Paris on January 1, 1867. From an early age, her independence and strength of character foretold Jeanne’s extraordinary fate. At the age of thirteen, Jeanne earned her first wages working for a milliner on Rue du Faubourg Saint-Honoré. In charge of delivering hats all over Paris by omnibus, she found a clever way to save the cost of a bus ticket: she followed the vehicle on foot. Nicknamed the «Little Omnibus», Jeanne had already gotten herself noticed and quickly worked her way up the ladder.

A hard worker, Jeanne Lanvin began her milliner’s apprenticeship a few years later and proved to be quite creative. The hats created by «Mademoiselle Jeanne» were met with great success, and Jeanne started dreaming of opening her own shop. The dream would soon become a reality for the then 22-year-old milliner. Through her many sacrifices and persistence, she managed to get her creations, labeled «Lanvin (Mademoiselle Jeanne) Modes», worn by the most fashionable Parisians.

Portrait of Jeanne Lanvin, 1934 © Studio Harcourt / Patrimoine Lanvin

MOTHER AND DAUGHTER

On August 31,1897, Jeanne Lanvin gave birth to Marguerite: her only child, her greatest love, and her muse. From their close bond was born one of the most famous French fashion houses. Nothing was too beautiful for Marguerite. The little girl became the first source of inspiration for Jeanne Lanvin, who designed an incredibly sophisticated wardrobe for her from a very early age. The mother and daughter never left each other’s side. It wasn’t uncommon to catch sight of Marguerite meandering around the hat shelves in the store, where she was often complimented on her elegant outfits. A new opportunity then presented itself to Jeanne Lanvin, who decided to delve into children’s clothing.

This extraordinary mother-daughter relationship is deeply connected to the brand’s history: it was out of her love for Marguerite that Jeanne Lanvin began designing dresses. It was also for her daughter, who by then had become Countess Marie-Blanche de Polignac, that Jeanne launched the legendary perfume Arpège in 1927, as a birthday present. Through this extraordinary bond of maternal love, the brand’s iconic logo was born: a drawing of a woman and her child, imagined by the Art Deco illustrator Paul Iribe.

Marie-Blanche de Polignac, circa 1930 © Roger Schall/ Patrimoine Lanvin

A STEP AHEAD

A true visionary, Jeanne Lanvin captured the spirit of the times throughout her career in order to bring her fashion house to heights of elegance and modernity. The designer was a pioneer in many fields. It was important for her to forge ahead and never fall behind. A jack of all trades, Jeanne Lanvin developed the brand’s business by regularly opening new departments in order to meet the needs of an evolving society.

Hats, children’s clothing, young ladies’ and women’s collections, furs, lingerie, wedding gowns, sports attire, men’s collections, perfumes, and even interior design: through her audacity, Jeanne Lanvin gradually built an empire and heralded a lifestyle revolution. Her career boasts a long list of firsts: Jeanne Lanvin was the first designer to launch a children’s fashion line in 1908; the first to offer a made-to-measure men’s collection in 1926; and even the first to create a mixed eau de toilette in 1933. At its peak, Lanvin had nearly 1,200 employees, many stores, and several branches throughout the world, all thanks to the vision of an exceptional woman.

Modèle Sport, Hiver 1928. Gouache Drawing © Patrimoine Lanvin

TRAVEL JOURNALS

The success of Lanvin was unmistakably due to the curiosity, inventiveness, and creative energy of its founder. With each new collection, Jeanne Lanvin sought to reinvent herself and drew inspiration from traveling, the artists of her time, and everything around her. When she wasn’t working on her next collection, Jeanne Lanvin would frequently travel, taking the time to jot down her experiences and inspirations. Her travel journals were never far from her when she was working, carefully stored away in her office.

In addition to her memories, Jeanne Lanvin would write about objects she had found, fabric samples, or the traditional clothing of the countries she or her close friends and family would visit: Indian saris, Chinese attire, toreador outfits, or ethnic embroideries and materials.

Egypt, circa 1930 – © DR / Patrimoine Lanvin.

AN ARTISTIC SENSIBILITY

Although she mostly kept to herself, Jeanne Lanvin’s artistic sensibility and creative spirit opened the doors very early on to the most avant-garde artistic circles of her time. The designer would frequently socialize with painters from the Nabis movement, in particular Édouard Vuillard, with whom she shared an obsession with color.

Jeanne Lanvin was also a collector, amassing works by Renoir, Degas, Fantin-Latour, Fragonard, and many others. She was highly influenced by the use of light in Impressionist paintings as well as the symbolic works of Odilon Redon. These artistic affinities could often be seen in the brand’s collections. Jeanne Lanvin’s passion for color even led her to open her own dye factory in 1923.

Jeanne Lanvin at a fitting with Yvonne Printemps, circa 1936 – © DR / Patrimoine Lanvin.

THE LANVIN STYLE

Jeanne Lanvin had many inspirations, but elegance, femininity, and modernity were the designer’s key words. In the 1920s, Lanvin stood out for its use of bold colors combined with innovative decorative techniques. Ribbons, embroideries, pearls, and precious details adorned dresses without ever compromising the ateliers’ cutting work and exceptional construction.

The use of black and white was frequently incorporated with the brand’s iconic colors, such as the Lanvin blue. This combination, sometimes interspersed with touches of silver, represented the peak of chic in the mid-1920s. It was the result of geometric research inspired by the Art Deco movement, which was then at the height of its influence.

Embroideries and beading created in the Lanvin ateliers between 1925 and 1935 – © Patrimoine Lanvin.

MADAME LANVIN

The success of Jeanne Lanvin’s fashion house lay in her long years of persistent work. Reserved and meticulous, her unique personality made her stand out from her contemporaries.

«Madame,» as her staff called her, was a demanding boss who, nevertheless, put great trust in the talented individuals surrounding her. Jeanne Lanvin was self-taught and did not draw. She worked a lot with the materials and exchanged her ideas directly with her head seamstresses, who were responsible for creating the models. Refusing to participate in most social events, the designer evolved within restricted and intimate circles of artists, writers, and musicians. It was very rare to see her at a ball or at the Longchamp races, and if by chance you ran into her there, it was because she came to observe the elegant Parisians in order to better anticipate their future desires.

On July 6, 1946, Jeanne Lanvin passed away peacefully at the age of 79. «Madame» Jeanne—the milliner, the designer, the decorator, the perfume manufacturer—left behind an empire in her wake.

After Jeanne Lanvin passed away, her daughter Marie-Blanche became president of the company and continued to design collections until 1950. Several designers succeeded her with the ambition of keeping the brand’s expertise, state of mind, and excellence intact.

Since 2018, it has been a subsidiary of Shanghai-based Lanvin Group, originally named Fosun Fashion Group. Stay tuned for the next post, in which I will tell you how Lanvin does new-tailoring today under the creative vision of Bruno Sialelli, a 31-year-old French designer!

LoL, Sandra

Jeanne Lanvin and a mannequin, 1935 – © New York Times/Rea

Photos: © LANVIN
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CHANEL LES BEIGES Summer To-Go

Back in 1927, Mademoiselle Chanel bet on the on-the-go lifestyle, supporting women as their way of living evolved. Ever the innovator, she decided to make her line of skincare and makeup products available in smaller sizes. Daily essentials that could easily be slipped into a handbag, evening clutch, or small piece of luggage for spur-of-the- moment getaways.

CHANEL was inspired by these formats, which are as fun as they are practical, for its 2023 LES BEIGES collection. The House has revisited its iconic LES BEIGES products, offering them in limited-edition travel sizes. The LES BEIGES Summer To-Go collection captures the very essence of a radiant complexion and a healthy glow makeup look in miniature formats. As sensorial and intuitive as ever, LES BEIGES essentials are the perfect companions for achieving a fresh, luminous glow, anytime and for any occasion.

A HINT OF FRESHNESS IN A BOTTLE
Dazzlingly sheer, LES BEIGES WATER-FRESH TINT Travel Size (15 ml) is a water-based complexion product infused with micro- droplet pigments that leave a nearly imperceptible, luminous veil on the skin. Its 8 shades cater to all skin tones, giving the complexion a beautiful sun-kissed look.
LES BEIGES WATER-FRESH TINT Travel Size – 15ml – CHF 53.00
LightMedium Light – Medium – Medium Plus – Light Deep – Deep – Medium Deep – Deep Plus

AN ULTRA-RADIANT COMPLEXION
As light as a caress, LES BEIGES HEALTHY GLOW BRONZING CREAM Travel Size (15 g) warms up the skin, creating the illusion of having spent a weekend in the sun. When applied to the cheeks, nose, forehead, and décolleté using the fingers or a brush, this cream-gel bronzer delivers an ultra-natural makeup look. It is available in 3 shades for a customizable sun-kissed glow.
LES BEIGES HEALTHY GLOW BRONZING CREAM Travel Size – 15 g – CHF 43.00
SOLEIL TAN BRONZE – A golden caramel
SOLEIL TAN MEDIUM BRONZE – An intense warm deep beige
SOLEIL TAN DEEP BRONZE – A chocolate brown slightly satiny gold

SUMMER ON YOUR SKIN
A true light catcher, LES BEIGES ILLUMINATING OIL Travel Size (50 ml) envelops the skin, leaving it with an iridescent shimmer. Enriched with jasmine oil, it gives skin a slightly coppery, golden glow. Apply to the face, shoulders, décolleté, arms, and hair for instant radiance.
LES BEIGES ILLUMINATING OIL Travel Size – 50 ml – CHF 66.00
One universal, sheer shade with shimmering gold and copper flecks

HARMONY OF LIGHTS
OMBRE PREMIÈRE LAQUE coats lids with a golden shimmer and is featured in two iconic jewel tones: RAYON, a soft, luminous beige, and QUARTZ ROSE, a radiant pastel pink.
ROUGE COCO BAUME (CHF 45.00) delivers a light, fresh lip look with two new shades: PINK DELIGHT, an ultra-natural, soft pink, and SWEET TREAT, a semi-matte brownish mauve.
To round off this sun-kissed look, CHANEL has designed two new shades of ROUGE COCO FLASH (CHF 48.00) with evocative names. DESTINATION, a rosy beige that enhances lips with its nude shimmer, and ESCAPADE, a slightly warm sienna red.

Available from Mid May 2023.

LoL, Sandra

Photos: © CHANEL
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Gucci Bamboo 1947

An instant emblem forged by a flame, the curved bamboo handle crowns a leather handbag in 1947, marking the House’s path as an innovator in craftsmanship and luxury. Today, the renowned design of the Gucci Bamboo 1947 is at the heart of the House’s signature bag collection, representing how a creative instinct propelled by profound know-how has led Gucci to where it is today.

In 1947 – amidst Italy’s post-war era in which traditional raw materials were difficult to come by – the enterprising founder, Guccio Gucci, with the help of the House’s visionary Florentine artisans, decided to use the lightweight and durable bamboo for the handle of a purse. The paradigm of design coherence and the authority of leather was gracefully challenged by the bamboo in a game of contrasts that defied the aesthetic rules of the time.

The bamboo top handle also ushered in an expansion of the House’s artisanal expertise, as there is a highly technical process behind crafting the curved stalk. A craftsman first selects the most unblemished pieces of bamboo, which are then softened and worked over an open flame by hand to manipulate the material into a semi-circular form. Once shaped, the handle is coated in multiple layers of lacquer, after which it is baked to achieve a shiny golden-brown finish.

Due to this meticulous process, not a single bamboo handle is ever the same. Following its debut, the ‘Bamboo Bag’ became a fixture among Hollywood’s leading ladies and the international jet set, consolidating the style’s status as an innovative icon around the world.

The current Gucci Bamboo 1947 is distinguished by interchangeable leather and Web straps, adding to the style’s functionality. Both straps are detachable and adjustable, making it a highly versatile accessory, suitable for myriad occasions. Presented in different combinations that evoke diverse attitudes, the top handle bag comes in varying sizes and materials. The line is presented in timeless color palettes as well as seasonal variations, and is enriched by refined evening styles and precious leather iterations.

TO SHOP GUCCI BAGS, CLICK HERE PLEASE.

LoL, Sandra

Photos: © Gucci
Photographer & Director: David Sims – Make up: Thomas De Kluyver – Hair: Paul Hanlon
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