Quiet Luxury Meets Rothko

Quiet Luxury Meets Rothko: Loro Piana‘s F/W26 Campaign in Houston

Houston might not be the first city that comes to mind when you think of quiet luxury, yet Loro Piana proves it is exactly the right one. For its F/W 2026 advertising campaign, shot by Mario Sorrenti, the Italian house travels deep into the cultural landscape created by legendary collectors John and Dominique de Menil.

About The Menil Collection
Philanthropists and art patrons John and Dominique de Menil established the Menil Foundation in 1954 to foster greater public understanding and appreciation of art, architecture, culture, religion, and philosophy. In 1987, the Menil Collection’s main building opened to the public. Today, the Menil Collection consists of a group of art buildings and green spaces located within a residential neighborhood in central Houston. The Menil remains committed to its founders’ belief that art is essential to human experience and welcomes all visitors free of charge.

The journey begins at the former de Menil residence, a historic landmark with interiors by couturier Charles James, and continues through the luminous galleries of the Menil Collection, designed by Renzo Piano and opened in 1987. The most moving stop is the Rothko Chapel, home to fourteen canvases by Mark Rothko, a space that is neither museum nor church but pure contemplation in colour and shadow.

About Rothko Chapel
Rothko Chapel in Houston is an iconic non-denominational space dedicated to contemplation, dialogue, and human rights. Housing fourteen monumental murals by Mark Rothko, the Chapel serves as both a meditative environment and a platform for global discourse. It convenes artists, activists, scholars, and community leaders through programs that engage spirituality, social justice, and civic responsibility.

Sorrenti captures an intergenerational cast, including Sigrid de L’Epine and her husband, artist Jean-Charles Blais, wandering through these spaces. The collection speaks the same language as its surroundings: moss green, brick red, stone, deep brown and chalk white echoing velvet sofas, mineral facades and the depth of Rothko’s monochromes. In the campaign film, the clothes live rather than pose, a couple strolling through the streets, a hand resting on a dog’s coat, everything shaped by movement and the incomparable touch of Loro Piana fabrics. Even the soundtrack has history: saxophonist Richard «Dickie» Landry, a close collaborator of the de Menils, weaves his improvised sound through the film.

Beyond the imagery, the house supports the Menil Collection ahead of its 40th anniversary in 2027 and contributes to the preservation of the Rothko Chapel. Fashion as patronage, done with the discretion the brand is famous for.

After Niemeyer’s Casa das Canoas, Cocteau’s Villa Santo Sospir and the Fondation Maeght, Houston is the newest chapter in Loro Piana’s collection of extraordinary places. And honestly, I already want to book a flight to Texas and go back to Houston where I had just recently been. Stay tuned!

LoL, Sandra

Photos: Courtesy of Loro Piana, The Menil Collection and The Rothko Chapel, Credits: Photographer: Mario Sorrenti Stylist: Aleksandra Woroniecka Creative Direction: Atelier Franck Durand Video Direction: Luca Werner Hair: Tomo Jidai Make-up: Aaron de Mey Models: Jean-Charles Blais, Robert Forrest, Selena Forrest, Jackson Giles, Jacqui Hooper, Noor Khan, Long Li, Colin Otto, Sigrid de L’Epine DISCLOSURE: We may earn commission from links on this page, but I only recommend products I love. Promise.

Fondation Louis Vuitton Showing Calder’s Work

One of the most important exhibitions ever dedicated to Alexander Calder, «Calder. Rêver en Équilibre» has been conceived in close collaboration with the Calder Foundation, its principal lender. The display also features loans from international institutions and leading private collectors, bringing together nearly 300 works: stabiles and mobilesto use the Calderian terminology for static and kinetic abstractions – as well as wire portraits, carved wooden figures, paintings, drawings, and even jewelry, designed as unique sculptures.

Apple Monster, 1938. Wood, wire, and paint, 66″ x 55 1/2″ x 32 1/2″. Calder Foundation, New York; Gift of Alexander S. C. Rower in memory of Mary Calder Rower, 2015. Photograph by Tom Powel Imaging © Calder Foundation, New York.

Throughout the chronological journey spanning more than 3,000 m2, the exhibition at Fondation Louis Vuitton will highlight Calder’s fundamental artistic concerns: movement above all, but also light, reflection, humble materials, sound, the ephemeral, gravity, performance, and the interplay of positive and negative space.

Devil Fish, 1937. Sheet metal, bolts, and paint. 68″ x 64″ x 47″. Photograph by David Heald © Calder Foundation, New York.

The anniversary exhibition is enriched by contributions from Calder’s contemporaries. Works by the artist’s friends Jean Arp, Barbara Hepworth, Jean Hélion, and Piet Mondrian, as well as Paul Klee and Pablo Picasso, will situate Calder’s radical inventiveness within the avant- garde movement. 34 photographs taken by some of the most important photographers of the 20th century – Henri Cartier-Bresson, André Kertész, Gordon Parks, Man Ray, Irving Penn, and Agnès Varda, among others – will show an artist walking a tightrope between art and life. «Calder. Rêver en Équilibre» will also feature focused presentations dedicated to key bodies of Calder’s work, including his beloved Constellation series and his dynamic jewelry.

Calder with Mobile (1941) in his Roxbury studio, 1941. Photograph by Herbert Matter © Calder Foundation, New York.

In line with previous monographic exhibitions dedicated to major 20th and 21st century figures – such as Jean-Michel Basquiat, Joan Mitchell, Charlotte Perriand, Mark Rothko, David Hockney, Gerhard Richterthe Fondation Louis Vuitton is dedicating all of its exhibition spaces, and for the first time its adjoining lawn, to Calder’s work. In doing so, the exhibition initiates a dialogue between Calder’s volumes, planes and movements and those of Frank Gehry’s architecture.

Fondation Louis Vuitton in Paris – from April 15th to August 18th – Calder. Rêver En Equilibre.

LoL, Sandra

La Grande vitesse (1:5 intermediate maquette). 1969. Sheet metal, bolts, and paint, 102″ x 135″ x 93″ (259.1 x 342.9 x 236.2 cm).

The Brass Family. 1929. Brass wire and painted wood. Overall: 67 × 41 1/8 × 8 7/8in. (170.2 × 104.5 × 22.5 cm). Gift of the artist. Inv. N.: 69.255 – Artwork Location: Whitney Museum of American Art, New York, USA – Permission for usage must be provided in writing from Scala.

Harps and Heart, c. 1937. Brass wire, loop: 40″; element: 6 1/4″ x 4″. Photograph by Maria Robledo © Calder Foundation, New York.

Photos: © Louis Vuitton
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