Rolls-Royce Motor Cars unveiled the amazing Rolls-Royce Amethyst Droptail to the commissioning client, their family and friends at a private event at Gstaad Palace in Gstaad, Switzerland – a region of particular significance for the patron. The car is a breathtaking coachbuilt masterpiece that celebrates its commissioning client’s cultural heritage, family legacy and personal passions.
One of four unique expressions of the Rolls-Royce Droptail, Amethyst Droptail is a truly elevated expression of applied art, commissioned by a patron whose family business has grown from a gemstone boutique to a multinational corporation with diversified interests. Exceptionally well-travelled, internationally educated and truly global in their inspirations, the client is an established patron of the arts, whose collection of precious jewels, significant motor cars and contemporary artworks are housed in a specially commissioned private museum.
The patron tasked Coachbuild designers to create an elegant expression of Droptail inspired by the amethyst gem – the birthstone of their son and an enduring symbol of purity, clarity and resilience; themes that are explored throughout this exceptional motor car in extraordinary depth. The client’s passion for quiet artistry and subtle flourishes is what defines Amethyst Droptail – a projection of true connoisseurship that rewards those who study it with beguiling details.
A FLOWER IN THE DESERT
The patron and co-creator of Rolls-Royce Amethyst Droptail expressed a profound desire to celebrate the cultural heritage of their home region. Rolls-Royce Coachbuild designers responded with an inspiration point that would define this Droptail’s exterior treatment: the Globe Amaranth wildflower, which blooms in the desert near one of the client’s homes.
The duotone exterior paint finish captures multiple stages of the flower’s bloom. The main body colour is a soft purple hue with a delicate silver undertone, named Globe Amaranth in tribute to the flower, and is enhanced with fine flecks of powdered aluminium that reflect the light and create a captivating iridescent finish. A deep purple Amethyst contrast paint, which is used on the motor car’s upper coachwork, contains a blend of red, blue and violet mica flakes that together create a unique mauve colour with a subtle metallic sheen.
In sunlight, the motor car also reveals a gentle hint of mauve paint on the inside of the 22-inch wheels, providing a subtle but elegant contrast to the mirror-polished aluminium surface; a touch that the client compared to the colourful lining of their favourite bespoke jacket.
The exterior is finished with a subtle but highly complex treatment to the carbon fibre used to construct the lower sections of the motor car. The result of two years of development, the marque’s craftspeople created a chevron pattern book-matched along two axes, which adds geometric decoration to Rolls-Royce Amethyst Droptail’s technical exterior surfaces. The carbon fibre itself is finished with a fine layer of lacquer tinted with Amethyst pigment, which in most lights reads as body colour. This intricate and technically demanding detail is hidden until the motor car is closely scrutinised, speaking of the client’s passion for subtlety and restraint.
DEPTH OF DETAIL
The client’s trust in Rolls-Royce’s artisans to execute the most challenging flourishes is expressed in the Pantheon grille treatment. The exterior grille surround and ‘kinked’ vane pieces are partially hand-brushed and partially hand-polished with a precise line demarking each finish – a surface treatment that had never been attempted on this scale before. The concept was suggested by the commissioning client’s son, a collector of haute horlogerie who was inspired by the brushed hands of an historically significant piece in his archive. Achieving the perfect uniformity in the finishes, as well as the sharpness of contrast between the finish types, was the result of more than 50 hours of collective work.
Beneath this extraordinary expression of contemporary craftsmanship is an intricate lower front air intake. This highly detailed piece was digitally designed and ‘printed’ in a lightweight composite and incorporates 202 hand-polished stainless-steel ingots, each of which has been painstakingly painted by hand in the Globe Amaranth hue.
The front end is resolved with a Spirit of Ecstasy figurine surrounded by amethyst cabochons. The cabochon treatment, whereby a gemstone is shaped and polished into a rounded form rather than faceted, was requested by the client in order to avoid a conspicuous sparkle. This subtle detail recalls the client’s early enterprise in the precious gemstone business.
CELEBRATION OF MATERIALS
Rolls-Royce Amethyst Droptail celebrates the materials and crafts personally curated by the commissioning client and his family. The material selection began with a sample of wood offered by the client – a stunning Calamander Light open-pore wood, which has a complex texture and long bands of colour.
The colours of the client’s initial wood sample served as the inspiration for the motor car’s leather treatment – the gently contrasting leather, in the aptly named Sand Dunes hue, was developed to perfectly match the caramel strands on the Calamander Light open-pore wood. Following this, wood specialists were challenged to source material with bands in precisely the same colour as the leather, a task that took more than six months to resolve, requiring specialists to review more than 100 logs before the perfect piece was discovered.
The primary leather hue, named Amethyst, complements the exterior surface and is finished with a subtle pearlescent lacquer, reminiscent of the brilliance of the precious gemstone after which the motor car is named.
For Amethyst Droptail, Rolls-Royce has created the most extensive wooden surface area in its history, with the material extending from the motor car’s fascia and doors to the shawl panel, cantilevered ‘plinth’ centre armrest and onto the aft deck.
In applying wood to the aerodynamically functional aft deck, the marque’s aerodynamicists and wood specialists worked closely together to experiment with not just the form of the panel, but with different wood-grain textures and the precise angle of the placement of the veneer itself. The result is both an extraordinarily artistic piece and the world’s only ‘raw’ wooden surface that produces downforce on a new roadgoing motor car.
A completely new veneering process was developed specifically for Amethyst Droptail, with each veneer sheet placed upside down to expose the raw wood texture. Two techniques are combined: ‘bookmatching’ at 55 degrees, in which the sheets of wood mirror each other, and ‘slip-matching’, in which the sheets of wood are aligned side by side in sequence, to create a repeating grain pattern for an organic, natural effect that gives the illusion of a single piece of wood.
To ensure Amethyst Droptail can be enjoyed by its commissioning client in a variety of climates around the word, the interior wood parts were tested to meet the same rigorous endurance standards as the exterior parts. Prior to its final construction, more than 150 samples underwent over 8,000 hours of testing. This included a full sunlight exposure simulation and rainfastness assessment, as well as testing for durability in temperatures ranging from +80°C to -30°C. The deck’s protective coatings, developed specifically for Amethyst Droptail, have been granted their own patent.
To complete the interior treatment, the client requested an elegant addition: the adornment of the rotary dials with rare amethyst gems. As with the gems at the base of the Spirit of Ecstasy figurine, they too are shaped in a convex cabochon style rather than faceted. The stunning depth and clarity of each stone is of a standard usually reserved for fine jewellery. Each stone was examined by experts within the client’s organisation before they were personally and individually approved by the client. The interior suite is resolved with woven leather floormats – a subtle tribute to the traditional weaving crafts found for centuries in the souks of the client’s original home region.
BESPOKE, ELEVATED
A removable hard top has been designed to give Rolls-Royce Droptail two distinct characters: without its roof, Droptail is a lithe, open-top roadster; with the roof installed, it is a formidable and dramatic coupé.
The roof incorporates electrochromic glass that allows the surface to change colour and transparency instantly. The client challenged Coachbuild designers to develop a glass that would alter its hue in order to correspond with the colourway of Amethyst Droptail. In response, the Rolls-Royce Bespoke Collective developed a unique chameleon effect for its electrochromic glass: when deactivated, it is completely opaque and has a subtle purple tint, mirroring the motor car’s Amethyst exterior finish. Once the glass is activated at the touch of a button, it becomes translucent with a hue that matches the Sand Dunes leather colour used in the interior suite. The realisation of this extraordinary flourish required specialists to experiment with 60 iterations of glass colouring before a perfect match was found.
A SINGULAR TIMEPIECE
Rolls-Royce Amethyst Droptail fascia is graced with a unique timepiece commissioned by the client from the renowned Swiss haute horlogerie maison, Vacheron Constantin. Handmade in Geneva, the piece, named ‘Les Cabinotiers Armillary Tourbillon,’ has an intricate hand-wound movement and is securely housed in a specially designed holder, enabling it to be removed and stored separately from the motor car if desired. The timepiece features a bi-retrograde display with instantaneous return of the hours and minutes as well as a bi-axial tourbillon.
Vacheron Constantin and Rolls-Royce Motor Cars worked closely together to ensure the forms, materials and colours of the timepiece were in perfect harmony within the motor car. The instrument dials combine amethyst-coloured inserts with the partially brushed and polished finish of the timepiece’s hands. The timepiece is affixed to a white-gold baseplate with a hand-crafted sunburst guilloché pattern.
AMETHYST DROPTAIL: A PERSONAL PLACE IN ROLLS-ROYCE HISTORY
This extraordinary expression of Rolls-Royce Droptail is a testament to the commissioning client’s passion for quiet detail, playfully but meticulously incorporated into one of the most historically significant Rolls-Royces ever built. It also represents the marque’s capabilities, not just in realising such a clear vision, but in artfully harmonising heritage, modernity and soul.
LoL, Sandra
Photos: © Rolls-Royce and © Vacheron Constantin
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Beeple (b. 1981), EVERYDAYS: THE FIRST 5000 DAYS, 2021. Non-fungible token (jpg). 21,069 x 21,069 pixels (319,168,313 bytes). Minted on 16 February 2021. Sold for $69,346,250 in a single lot sale concurrently with First Open.
He posted this right after the trip to Seoul: JETLAG
FAMILY
X IS COMING
WORLDCOIN
NEW COOL THING
Mathieu Arsac, Marketing Director Shiseido Group, Switzerland, with me.
Sun-joo Kim with my humble self at the gala. Such an inspiring woman.
Most stunning floral decoration at the gala by LA based floral artist Gina Kim Park.
With wonderful Yuna Kim, CEO & Publisher WWD Korea
Live auction by Simon de Pury.
I sat next to digital artist Mike Winkelmann, alias Beeple, who sold «Everydays: The First 5000 Days,» an NFT-linked digital collage at Christie’s for $69.3 million two years ago.
And yes, we had a lot of fun!
With my dear friend Susan Shin, Art Advisor to WWD Korea, who helped organizing the event, and Jamie QQ Wu.
From left to right: Yuna Kim, a guest, my humble self, Kim Robson Ortiz, Amy Kim Young, Kim Heirston, Susan Shin and a guest.
Always inspiring Nataliya Pissarro.
With artist 
Amazing goodie bag with lots of Korean beauty products!
Lee Sook-Kyung
The Shadows of Faded Old Love
Hellbound
Paper, Light, Ghost
With art collector Kim Robson Ortiz and Walker Waugh at the exhibition opening.
With artist Dustin Yellin at dinner.
Amazing dinner location in Seoul at Raum East.
Great dinner conversation with Mr. Song, who snapped away my favorite art piece. Congrats!
Great success of the night. Amy Kim is happy.
With lovely Payal Shah, founder of L’Dezen.
With Korean actor Lee JunHyuk, Susan Shin and Payal Shah.
Great night among great people. From left to right: My humble self, Amy Kim, Dustin Yellin, Susan Shin, Walker Waugh and Payal Shah.
