Meet Beeple

At the WWD Art Gala in Seoul, I had the pleasure to sit next to Mike Winkelmann a.k.a. Beepledigital artist and graphic designer, that you should definitely know. Based in Charleston, SC, USA, he does a variety of digital artwork including short films, Creative Commons VJ loops, everydays and VR / AR work. After he began releasing a set of widely used Creative Commons VJ loops he has worked on concert visuals for Justin Bieber, One Direction, Katy Perry, Nicki Minaj, Eminem, Zedd, deadmau5 and many more.

«BEEPLE is mike winkelmann
he makes a variety of art crap across a variety of media. some of it is ok, but a lot of it kind of blows ass. he’s working on making it suck less everyday though so bear with him… :)»

One of the originators of the current «everyday» movement in 3D graphics, he has been creating a picture everyday from start to finish and posting it online for over ten years without missing a single day. His Instagram account @beeple_crap is absolutely worth following – 2.3 million people would agree on that.

On 1 May 2007, he posted a new work of art online. He did the same thing the next day and the next, and the next one after that, creating and posting a brand-new digital picture, or «everyday» as he called it, every single day for 13-and-a-half years. Now those individual pieces have been brought together in EVERYDAYS: THE FIRST 5000 DAYS, a unique work in the history of digital art. This monumental collage was the first purely digital artwork (NFT) ever offered at Christie’s. EVERYDAYS: THE FIRST 5000 DAYS sold online for $69,346,250.

Beeple (b. 1981), EVERYDAYS: THE FIRST 5000 DAYS, 2021. Non-fungible token (jpg). 21,069 x 21,069 pixels (319,168,313 bytes). Minted on 16 February 2021. Sold for $69,346,250 in a single lot sale concurrently with First Open.

 

Beeple in Fashion

Apparently, Nicolas Ghesquière, Louis Vuitton Creative Director, was thinking of using some futuristic landscapes for the Maison’s S/S 2019 ready-to-wear collection. Florent Buonomano, Louis Vuitton Artistic Director, then initially approached Beeple after noticing his work on Instagram and brought several of his designs to the attention of Ghesquière. Nine of the «Everydays» pieces were selected and adapted on 13 of the 45 pieces being shown in the Louis Vuitton S/S 2019 collection, mainly on shirts, jackets, and dresses.

When the collection debuted during Paris Fashion Week at The Louvre Museum in Paris, Mike Winkelmann and his wife, with whom he is together since 15 years, attended the show and were impressed themselves to see the digital artwork on the clothing.

Mike Winkelmann has an amazing success story, but he is still down to earth,  and very easy to talk to. The guy from next door. Bravo!

Below you can find some of his recent works that I really love!

LoL, Sandra

He posted this right after the trip to Seoul: JETLAG

FAMILY

X IS COMING

WORLDCOIN

NEW COOL THING

Photos: © Sandra Bauknecht, © Louis Vuitton and © Beeple
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Clé de Peau Beauté Launches in Switzerland

I am happily announcing that I am a new ambassador for Clé de Peau Beauté. Founded in Japan in 1982, the ultra luxury skincare and makeup brand is finally available in Switzerland again. Today Clé de Peau Beauté is owned by the Shiseido Group. The name says it all, Clé de Peau means in French the key to skin’s beauty.

Mathieu Arsac, Marketing Director Shiseido Group, Switzerland, with me.

Yesterday, influencers and journalists were invite to Signau House in Zurich for an intimate lunch and to discover the products first hand.

«INTELLIGENT – EXQUISITE – UNCOMPROMISING»

Clé de Peau Beauté’s mission has always been to forge new frontiers in advanced skin cell science. It was the first brand in 1982 to consider the skin on a cellular level. Based upon decades of research and with a sophisticated combination of cutting-edge Japanese technology and precious ingredients, scientists unlocked the power of Skin Intelligence – skin’s innate ability to distinguish between good and bad stimuli to achieve and maintain its ideal condition. Scientists considered the epidermis as the third brain. Clé de Peau Beauté products were created to empower skin to reach this highly desired state of harmony – the key to skin’s radiance, and optimal qualities of texture, tone and contour.

«SKIN BEHAVES LIKE A BRAIN.»

Luxurious in every aspect, from masterfully crafted formulations to highly sensorial experiences, Clé de Peau Beauté adopted the global language of luxury, French. With a full range of exceptionally crafted skincare, color, and complexion products, Clé de Peau Beauté helps women to unlock skin’s innermost potential and, ultimately, transform skin and reveal the radiance within.

During the next weeks, I will explain you the different products, my skincare routine further and give you some make-up tips. So stay tuned for more.
Clé de Peau Beauté is available in Switzerland at Globus and Marionnaud.

LoL, Sandra

Photos: © Sandra Bauknecht
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WWD Art Gala in Seoul

I just got back from Seoul, South Korea after an amazing week. One of my highlights was the WWD Art Gala that took place at my Hotel Josun Palace.
Hosted by WWD Korea and parallel to the opening of Frieze Seoul, this illustrious event celebrated the vibrant and diverse world of art and fashion, while honoring the achievements of remarkable artists across all genres, collectors, curators, and art enthusiasts. This year’s gala featured captivating ballet performances  and several live acts, while fostering cultural exchange, and providing a platform to connect with luminaries in the creative communities of art, culture, entertainment and fashion.

The curated exhibition on display presented beautiful artworks for the live auction hosted by the famous Simon de Pury, captivating performances, an elegant cocktail reception and a gastronomically delightful dinner. I tried really hard to get one work but got outbidding by the wonderful Mrs Sung-joo Kim, who is the founder, chairwoman and chief visionary officer of the Sungjoo Group and MCM Holding AG.

Sun-joo Kim with my humble self at the gala. Such an inspiring woman.

«Women are often discriminated by age, especially in Asia. I am trying to represent a new kind of trendy woman, who is not victimized by fashion but rules over it!»
– SUN-JOO KIM.

The culmination of the night was the announcement of the winner of the Art Prize of the Year. Personally speaking, it was a great opportunity to engage with fellow art connoisseurs, meet amazing artists and collectors, forge meaningful connections, and immerse myself in the beauty and creativity that Korea has to offer, while supporting the arts.

Please enjoy my impressions of the night. I already marked my calendar for 2024!

LoL, Sandra

Most stunning floral decoration at the gala by LA based floral artist Gina Kim Park.

With wonderful Yuna Kim, CEO & Publisher WWD Korea

Live auction by Simon de Pury.

I sat next to digital artist Mike Winkelmann, alias Beeple, who sold «Everydays: The First 5000 Days,» an NFT-linked digital collage at Christie’s for $69.3 million two years ago.

And yes, we had a lot of fun!

With my dear friend Susan Shin, Art Advisor to WWD Korea, who helped organizing the event, and Jamie QQ Wu.

From left to right: Yuna Kim, a guest, my humble self, Kim Robson Ortiz, Amy Kim Young, Kim Heirston, Susan Shin and a guest.

Always inspiring Nataliya Pissarro.

With artist Dustin Yellin, who wore a traditional festive Korean outfit.

Amazing goodie bag with lots of Korean beauty products!

Photos: Courtesy of WWD Korea, © Sandra Bauknecht and Photo of me at photo wall: @photo_hola_
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Briefly Gorgeous

This was one of my favorite encounters this week while being in South Korea. I met artist and curator Hilde Lynn Helphenstein, known for the popular Instagram art meme account @JerryGogosian, to talk conceptual art, including her work «Neo-Narcissus» at the PhillipsX exhibition «Briefly Gorgeous» in Seoul.

The «Briefly Gorgeous» exhibition has been curated in collaboration with Joan Tucker, and sponsored in part by Hanwha Life. Featuring work by over 30 international artists, this exhibition presents an exciting blend of talents from a new generation such as Susan Chen, Hilde Lynn Helphenstein, Yoora Lee, Se Oh, Kaifan Wang, and Ho Jae Kim; alongside art historical titans such as Hernan Bas, Alexander Calder, David Hockney, Scott Kahn, and Yayoi Kusama.

«There is no collecting art without social media anymore.»
HILDE LYNN HELPHENSTEIN

The notion of impermanence in beauty is a poignant reminder that nothing lasts forever. By showcasing the dynamic interplay between these fearless new voices and established luminaries, this exhibition prompts us to reflect on the significance of embracing beauty in its transitory forms, while  remaining true to our own principles and values. It encourages us to recognize that true beauty lies beyond fleeting trends and external judgments, and that our own standards and beliefs can shape our appreciation of the ever-changing world around us. Briefly Gorgeous serves as an enduring testament to the profound understanding of beauty’s temporality.

It was a true pleasure talking to Hilde Lynn. She explained that bringing this one sculpture to life has been a «wild mission». She found the original photograph of the statue of narcissist that sits in the Louvre. And then on Instagram she found someone to draw that sculpture but change it the way she wanted it to. «Neo-Narcissus» is her largest and most complicated physical work that she has ever exhibited. The price for this amazing sculpture is approximately $150.000.

Hilde Lynn said: «It seems as our relationship with technology develops and we become more intertwined with it every day deeper and deeper, this warning seems to be disappearing. Even in the ’90s, ’80s, ’70s, things were considered beautiful multi-dimensionally, because a person had beautiful personality or they gave a lot to charity, or they helped others, there was something about their being, that made them lovelier. Because today we live with technology, that is alienating and dividing us, and then reflecting back, not just our own image constantly, but an unreal artificial version, there is an implication of ugliness in that. But it is very hard to parse, because there are some people who fall somewhere into it, some people are deep and some people are watching it trepadaciously happen. Some people are like me and go «OMG that is awesome, OMG no its is not,» they go back and forth with it.»

Songwon Art Center
75, Yunposun-gil, Jongno-gu,
Seoul, 03061, Korea (map)

Viewing
1-9 September 2023
Open daily: 10am – 6pm

LoL, Sandra

Photos: © Sandra Bauknecht
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Prada Mode Seoul

While being in Seoul, Prada presents the tenth iteration of Prada Mode, Plural and Parallel, at cultural venue KOTE, to coincide with Frieze.

Curated by Lee Sook-Kyung, the space showcases multiple site-specific installations by esteemed directors Kim Jee-Woon, Yeon Sang-ho, and Jeong Dahee, advancing an ambitious vision of contemporary cinema through each director’s idiosyncratic lens.

Lee Sook-Kyung

Lee Sook-Kyung is a curator, lecturer, writer, and the Director of the Whitworth, University of Manchester, UK. Dr. Lee began her career as Exhibitions & Displays Curator at Tate Liverpool, before working as Senior Curator of International Art at Tate Modern, where she curated a number of key exhibitions and headed a major research initiative, Hyundai Tate Research Centre: Transnational. She later cemented her global profile as the Commissioner and Curator of the Korean Pavilion at the 56th Venice Biennale in 2015. Active in the world of contemporary art curation for 28 years, she has played a leading role in the organization of groundbreaking exhibitions, broadening global perspectives and raising the profile of Asian art—particularly Korean art—across the world. Dr. Lee also served as the Artistic Director of the 14th Gwangju Biennale, which ran from April to July 2023 in Korea, and has recently been appointed as the Curator of the Japan Pavilion at the 60th Venice Biennale in 2024.

The Installations
KOTE is a cultural space for creators crossing boundaries. Originally built as a furniture craft store in 1964, the space served as the birthplace of countless stories and memories. For Prada Mode Seoul, KOTE is transformed into a multi-dimensional destination where guests can explore the different universes on offer. Across KOTE’s multiple buildings, the three directors bring their visions to life, brought into conversation by Lee Sook-Kyung and spanning questions of culinary culture, absence, and mortality. Guests are able to move from space to space, experiencing the full depth and richness of each.

LoL, Sandra

The Shadows of Faded Old Love

Hellbound

Paper, Light, Ghost

Photos: © Sandra Bauknecht and © Prada
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First Night in Seoul

Greetings from Seoul where I arrived last night to immediately attend the ARTIVIST‘s Inaugural Exhibition, the opening reception «Spooky Portals» by Dustin Yellin, followed by an intimate dinner at Raum East.

I love Dustin’s works. The Brooklyn-based artist tells stories that weave together the diverse forces of nature and technology. Through his multidisciplinary body of work, which includes object making, painting and animation, Yellin draws attention to the interconnectivity of all beings and things. His approach tunnels across traditionally siloed fields so as to crystallize the idea that both the human world, and all other worlds around us, are a collection of enmeshed networks – even if many are hidden.

Yellin’s glass works in particular is absolutely spectacular. Paint and images clipped from various print media are embedded within laminated glass sheets to form grand pictographic allegories, invite viewers to engage with the legions of their own consciousness and its embodied emotions, as well as that of our collective society and its infrastructures.

Yellin is the founder and director of Pioneer Works, a multidisciplinary cultural center that builds community through the arts and sciences. The artist balances descriptive poetry with a prescriptive social practice so as to span new ways of seeing and being, and build a bridge to a more holistic world.

With art collector Kim Robson Ortiz and Walker Waugh at the exhibition opening.

Dustin’s first Asia solo exhibition is open until October 21, 2023 at  27 Dosan-daero 67-gil, Gangnam-gu, Seoul.

With artist Dustin Yellin at dinner.

Enjoy some impressions of last night! I am here one week, so lots of interesting things will be coming up!

LoL, Sandra

Amazing dinner location in Seoul at Raum East.

Great dinner conversation with Mr. Song, who snapped away my favorite art piece. Congrats!

Great success of the night. Amy Kim is happy.

With lovely Payal Shah, founder of L’Dezen.

With Korean actor Lee JunHyuk, Susan Shin and Payal Shah.

Great night among great people. From left to right: My humble self, Amy Kim, Dustin Yellin, Susan Shin, Walker Waugh and Payal Shah.

Photos: © Sandra Bauknecht
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My Look: Pucci on the Rocks

When it comes to swimwear, I am obsessed with PUCCI. The Italian house’s vibrant prints fulfill the quest for beach and poolside excellence perfectly. Check out the innovative styles with impeccable fits for all shapes and sizes and don’t miss out the matching accessories to finish off the look. Here you see me this summer in Pucci at Soho House Roc in Mykonos.

My favorite summer cocktail? Pucci on the Rocks!

My look: Ruffled Marmo-print bandeau bikini top, and matching printed string bikini bottoms, printed sandals, cotton pareo with Marmo-print, shoulder bag with chain strap, spiral cuff bracelet, and Pesci silver-tone, resin and faux pearl hoop earringsicon, all by Pucci, GG-logo cat-eye acetate sunglassesicon by Gucci, crystal hair clip by CHANEL.

LoL, Sandra

Photos: © Sandra Bauknecht
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Simkhai x Wolford

Immerse yourself in the SIMKHAI x Wolford Fall 2023 Collection – a daring synthesis of Wolford’s unrivaled craftsmanship and SIMKHAI’s contemporary edge. Breathe in the novelty of fall with this curated collection of must-haves and connect with a new era of style fluidity.

New-age knits from SIMKHAI combine with Wolford’s exemplary craftsmanship, with a focus on versatile pieces that can be layered together or incorporated into your existing wardrobe. Tights are semi-sheer and defined by a jacquard design that sees the Simkhai monogram splashed across the legs. Engage with a fresh epoch of fashion versatility, expressed through exclusive pieces ranging from intricate jacquard knits to the quintessential Wolford jumpsuits.

TO SHOP SIMKHAI x WOLFORD, CLICK HERE PLEASE.

LoL, Sandra

Photos: Courtesy of Wolford
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Trend F/W 2023: Exaggerated Tapered Jeans

Regardless of the season, fashion’s attraction to denim is resolute. Designer jeans went from oxymoron to fashion fixture in the ‘80s, and this winter season, there is a distinct ’80s mood, and with that comes a looser, taper-leg trouser style.

 Personally speaking the piece of the season is this one by Alaïa. Pieter Mulier explored «sculpture through clothing» for the Maison’s F/W 202323 collection, and that’s exactly how I’d describe these jeans. Defined by their exaggerated proportions, they sit high on the waist and have balloon-like tapered legs. The light-blue denim has been stonewashed and faded by hand to give them a worn-in effect.

High-rise tapered jeansicon by Alaïa

Below I have rounded up the top denim pairs that are elevating your closet staple this season. Some come with more exaggerated proportions, some with less. It is now up to you to choose which one is your favorite.

LoL, Sandra

Horseshoe high-rise boyfriend jeansicon by Citizen of Humanity

Vetan tapered jeansicon by Isabel Marant

Metallic high-rise tapered organic jeansicon by Ganni

Cutout high-rise wide-leg jeansicon by Maison Margiela

Sanna Slice cutout high-rise tapered organic jeansicon by Agolde

Long Barrel high-rise tapered jeansicon by Frame

Photos: Courtesy of the Brands
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Rolls-Royce Amethyst Droptail

Rolls-Royce Motor Cars unveiled the amazing Rolls-Royce Amethyst Droptail to the commissioning client, their family and friends at a private event at Gstaad Palace in Gstaad, Switzerland – a region of particular significance for the patron. The car is a breathtaking coachbuilt masterpiece that celebrates its commissioning client’s cultural heritage, family legacy and personal passions.

One of four unique expressions of the Rolls-Royce Droptail, Amethyst Droptail is a truly elevated expression of applied art, commissioned by a patron whose family business has grown from a gemstone boutique to a multinational corporation with diversified interests. Exceptionally well-travelled, internationally educated and truly global in their inspirations, the client is an established patron of the arts, whose collection of precious jewels, significant motor cars and contemporary artworks are housed in a specially commissioned private museum.

The patron tasked Coachbuild designers to create an elegant expression of Droptail inspired by the amethyst gem – the birthstone of their son and an enduring symbol of purity, clarity and resilience; themes that are explored throughout this exceptional motor car in extraordinary depth. The client’s passion for quiet artistry and subtle flourishes is what defines Amethyst Droptail – a projection of true connoisseurship that rewards those who study it with beguiling details.

A FLOWER IN THE DESERT

The patron and co-creator of Rolls-Royce Amethyst Droptail expressed a profound desire to celebrate the cultural heritage of their home region. Rolls-Royce Coachbuild designers responded with an inspiration point that would define this Droptail’s exterior treatment: the Globe Amaranth wildflower, which blooms in the desert near one of the client’s homes.

The duotone exterior paint finish captures multiple stages of the flower’s bloom. The main body colour is a soft purple hue with a delicate silver undertone, named Globe Amaranth in tribute to the flower, and is enhanced with fine flecks of powdered aluminium that reflect the light and create a captivating iridescent finish. A deep purple Amethyst contrast paint, which is used on the motor car’s upper coachwork, contains a blend of red, blue and violet mica flakes that together create a unique mauve colour with a subtle metallic sheen.

In sunlight, the motor car also reveals a gentle hint of mauve paint on the inside of the 22-inch wheels, providing a subtle but elegant contrast to the mirror-polished aluminium surface; a touch that the client compared to the colourful lining of their favourite bespoke jacket.

The exterior is finished with a subtle but highly complex treatment to the carbon fibre used to construct the lower sections of the motor car. The result of two years of development, the marque’s craftspeople created a chevron pattern book-matched along two axes, which adds geometric decoration to Rolls-Royce Amethyst Droptail’s technical exterior surfaces. The carbon fibre itself is finished with a fine layer of lacquer tinted with Amethyst pigment, which in most lights reads as body colour. This intricate and technically demanding detail is hidden until the motor car is closely scrutinised, speaking of the client’s passion for subtlety and restraint.

DEPTH OF DETAIL

The client’s trust in Rolls-Royce’s artisans to execute the most challenging flourishes is expressed in the Pantheon grille treatment. The exterior grille surround and ‘kinked’ vane pieces are partially hand-brushed and partially hand-polished with a precise line demarking each finish – a surface treatment that had never been attempted on this scale before. The concept was suggested by the commissioning client’s son, a collector of haute horlogerie who was inspired by the brushed hands of an historically significant piece in his archive. Achieving the perfect uniformity in the finishes, as well as the sharpness of contrast between the finish types, was the result of more than 50 hours of collective work.

Beneath this extraordinary expression of contemporary craftsmanship is an intricate lower front air intake. This highly detailed piece was digitally designed and ‘printed’ in a lightweight composite and incorporates 202 hand-polished stainless-steel ingots, each of which has been painstakingly painted by hand in the Globe Amaranth hue.

The front end is resolved with a Spirit of Ecstasy figurine surrounded by amethyst cabochons. The cabochon treatment, whereby a gemstone is shaped and polished into a rounded form rather than faceted, was requested by the client in order to avoid a conspicuous sparkle. This subtle detail recalls the client’s early enterprise in the precious gemstone business.

CELEBRATION OF MATERIALS

Rolls-Royce Amethyst Droptail celebrates the materials and crafts personally curated by the commissioning client and his family. The material selection began with a sample of wood offered by the client – a stunning Calamander Light open-pore wood, which has a complex texture and long bands of colour.

The colours of the client’s initial wood sample served as the inspiration for the motor car’s leather treatment – the gently contrasting leather, in the aptly named Sand Dunes hue, was developed to perfectly match the caramel strands on the Calamander Light open-pore wood. Following this, wood specialists were challenged to source material with bands in precisely the same colour as the leather, a task that took more than six months to resolve, requiring specialists to review more than 100 logs before the perfect piece was discovered.

The primary leather hue, named Amethyst, complements the exterior surface and is finished with a subtle pearlescent lacquer, reminiscent of the brilliance of the precious gemstone after which the motor car is named.

For Amethyst Droptail, Rolls-Royce has created the most extensive wooden surface area in its history, with the material extending from the motor car’s fascia and doors to the shawl panel, cantilevered ‘plinth’ centre armrest and onto the aft deck.

In applying wood to the aerodynamically functional aft deck, the marque’s aerodynamicists and wood specialists worked closely together to experiment with not just the form of the panel, but with different wood-grain textures and the precise angle of the placement of the veneer itself. The result is both an extraordinarily artistic piece and the world’s only ‘raw’ wooden surface that produces downforce on a new roadgoing motor car.

A completely new veneering process was developed specifically for Amethyst Droptail, with each veneer sheet placed upside down to expose the raw wood texture. Two techniques are combined: ‘bookmatching’ at 55 degrees, in which the sheets of wood mirror each other, and ‘slip-matching’, in which the sheets of wood are aligned side by side in sequence, to create a repeating grain pattern for an organic, natural effect that gives the illusion of a single piece of wood.

To ensure Amethyst Droptail can be enjoyed by its commissioning client in a variety of climates around the word, the interior wood parts were tested to meet the same rigorous endurance standards as the exterior parts. Prior to its final construction, more than 150 samples underwent over 8,000 hours of testing. This included a full sunlight exposure simulation and rainfastness assessment, as well as testing for durability in temperatures ranging from +80°C to -30°C. The deck’s protective coatings, developed specifically for Amethyst Droptail, have been granted their own patent.

To complete the interior treatment, the client requested an elegant addition: the adornment of the rotary dials with rare amethyst gems. As with the gems at the base of the Spirit of Ecstasy figurine, they too are shaped in a convex cabochon style rather than faceted. The stunning depth and clarity of each stone is of a standard usually reserved for fine jewellery. Each stone was examined by experts within the client’s organisation before they were personally and individually approved by the client. The interior suite is resolved with woven leather floormats – a subtle tribute to the traditional weaving crafts found for centuries in the souks of the client’s original home region.

BESPOKE, ELEVATED

A removable hard top has been designed to give Rolls-Royce Droptail two distinct characters: without its roof, Droptail is a lithe, open-top roadster; with the roof installed, it is a formidable and dramatic coupé.

The roof incorporates electrochromic glass that allows the surface to change colour and transparency instantly. The client challenged Coachbuild designers to develop a glass that would alter its hue in order to correspond with the colourway of Amethyst Droptail. In response, the Rolls-Royce Bespoke Collective developed a unique chameleon effect for its electrochromic glass: when deactivated, it is completely opaque and has a subtle purple tint, mirroring the motor car’s Amethyst exterior finish. Once the glass is activated at the touch of a button, it becomes translucent with a hue that matches the Sand Dunes leather colour used in the interior suite. The realisation of this extraordinary flourish required specialists to experiment with 60 iterations of glass colouring before a perfect match was found.

A SINGULAR TIMEPIECE

Rolls-Royce Amethyst Droptail fascia is graced with a unique timepiece commissioned by the client from the renowned Swiss haute horlogerie maison, Vacheron Constantin. Handmade in Geneva, the piece, named ‘Les Cabinotiers Armillary Tourbillon,’ has an intricate hand-wound movement and is securely housed in a specially designed holder, enabling it to be removed and stored separately from the motor car if desired. The timepiece features a bi-retrograde display with instantaneous return of the hours and minutes as well as a bi-axial tourbillon.

Vacheron Constantin and Rolls-Royce Motor Cars worked closely together to ensure the forms, materials and colours of the timepiece were in perfect harmony within the motor car. The instrument dials combine amethyst-coloured inserts with the partially brushed and polished finish of the timepiece’s hands. The timepiece is affixed to a white-gold baseplate with a hand-crafted sunburst guilloché pattern.

AMETHYST DROPTAIL: A PERSONAL PLACE IN ROLLS-ROYCE HISTORY

This extraordinary expression of Rolls-Royce Droptail is a testament to the commissioning client’s passion for quiet detail, playfully but meticulously incorporated into one of the most historically significant Rolls-Royces ever built. It also represents the marque’s capabilities, not just in realising such a clear vision, but in artfully harmonising heritage, modernity and soul.

LoL, Sandra

Photos: © Rolls-Royce and © Vacheron Constantin
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