Sandra‘s Closet

A Proud Parent’s Letter to the World
She Did It – A Master’s Degree from Northeastern
Bouvé College of Health Sciences · Boston, Massachusetts

There are moments in a parent’s life that stop time. Not dramatically, no fanfare, no slow motion, just a quiet, overwhelming wave of pride that rises from somewhere deep and settles over everything. This week, I had one of those moments. More than once, actually.

My daughter has earned her Master’s degree from Northeastern University in Boston. And if you’ve never had the privilege of witnessing a Northeastern graduation ceremony, let me tell you: it is something else entirely. Northeastern doesn’t just hand you a diploma. They celebrate you, with performances, powerful speeches, and a sense of ceremony that makes the whole thing feel genuinely historic.

Tuesday: The Moment Her Name Was Called
The college-specific ceremony at Bouvé was held outside by the water. The sky was blue and clear, beautiful, if brutally cold. We sat bundled up, scanning the rows of graduates, waiting. And then it happened: her name, read aloud, ringing out across the crowd. She walked up, accepted her diploma, and that was it. Everything all those years of work had been building toward, right there in thirty seconds of pure joy. I won’t pretend I kept it together.

There’s something uniquely powerful about the smaller college ceremony. It’s intimate. Personal. Every single graduate is called by name, acknowledged as an individual, not just one face in a sea of thousands.

Wednesday: Fenway Park and a Storm That Didn’t Stop Anyone
The big ceremony, the full university convocation, was held the following day at Fenway Park, home of the Boston Red Sox. All Master’s students, all doctoral candidates, the entire Northeastern family gathered in one iconic stadium.
It rained. Of course it rained, because apparently this is now our tradition. At her undergraduate graduation, we also sat in the cold and the wet and laughed through it.

Wednesday was no different. The clouds rolled in, the temperature dropped, and not a single person left. Nobody even flinched. A stadium full of graduates, families, faculty – all of them choosing to be exactly where they were, rain and all. There’s something quietly magnificent about that.

«Whatever you envision, remember the three lessons you taught me. Luck is a skill. Imagination beats computation and humanity is your superpower.» – Joseph E. Aoun, President of Northeastern University

Global superstar Hilary Duff, who was Northeastern’s undergraduate commencement speaker with Joseph E. Aoun. Photo via @presidentaoun.

The performances were exceptional. The speeches were sharp, funny, and genuinely moving. The energy inside Fenway gave the whole event a gravitas that a conventional auditorium simply cannot manufacture.

What It Means
Studying in the United States, earning an American university degree, it demands so much more than academic ability. It demands courage, adaptability, resilience. A different language, a different culture, an ocean between you and home. She navigated all of it and came out the other side holding a Master’s diploma from one of the country’s most respected institutions.

I am incredibly proud. Not just of the degree, but of the person she has become through the pursuit of it. Whatever comes next, this is a foundation she will carry forever. And I cannot wait to see where she goes.

Congratulations, to my daughter, the Master. May every chapter ahead be as bold as this one.
Written with love, pride, and slightly frozen fingers somewhere outside Fenway.​​​​​​​​​​​​​​​​

LoL, Sandra

Even Cooper, the campus dog, dressed up for the occasion.

Photos: © Sandra Bauknecht
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More than a new face for BLEU DE CHANEL, Jacob Elordi has established himself as one of the most compelling actors of his generation. He first broke through in Euphoria, where he played Nate Jacobs, a complex and unsettling character that brought him international attention. In 2023, Elordi appeared in Saltburn, directed by Emerald Fennell, and portrayed Elvis Presley in Sofia Coppola’s Priscilla.

He has since successfully taken on a series of transformative roles. Elordi starred in the awardwinning limited series The Narrow Road to the Deep North directed by Justin Kurzel. Elordi plays the Creature in Guillermo del Toro’s Frankenstein, a performance that earned him an Academy Award nomination for Best Supporting Actor. He also stars as Heathcliff in Emerald Fennell’s reimagining of Emily Brontë’s Wuthering Heights opposite Margot Robbie. Robbie previously appeared in See You at 5 (2024), a romantic film by Luca Guadagnino created for the global campaign of the iconic N°5 fragrance.

Now, Elordi becomes the face of BLEU DE CHANEL for 2026. A role that reflects a modern, instinctive masculinity and a spirit that favors individuality over convention.

The new BLEU DE CHANEL L’EXCLUSIF campaign featuring Jacob Elordi will be unveiled in May 2026.

LoL, Sandra

Photos: © CHANEL
DISCLOSURE: We may earn commission from links on this page, but I only recommend products I love. Promise. @CHANEL.BEAUTY #BleuDeCHANEL #CHANELFragrance #JacobElordi

This week, I had the absolute pleasure of being invited to the Zimmermann boutique here in Zurich for an exclusive event celebrating their new collection and it was nothing short of magical.

The boutique was alive with beautiful cocktails, wonderful conversations, and enchanting musical performances that set the most perfect atmosphere. It was one of those rare evenings where everything just felt at ease, the people, the energy, the setting, and of course, the clothes.

(If you like my Zimmermann look, click here for the details).

Zimmermann needs little introduction for those who follow fashion. Founded in Sydney in 1991 by sisters Nicky and Simone Zimmermann, the Australian label has grown into one of the world’s most beloved luxury brands. Known for their dreamy femininity, intricate craftsmanship, and that signature blend of romance and ease, Zimmermann has a way of making every piece feel like it was made just for you. Their designs draw heavily on delicate prints, flowing silhouettes, lace detailing, and an almost poetic sense of movement, clothes that feel as beautiful to wear as they look.

I have to confess: Zimmermann is one of my absolute favourite brands. I own an embarrassing number of their pieces and I regret none of them (scroll down and you see most of my Zimmermann outfits). Every single item tells a story and has a place in my heart (and my wardrobe).

The new collection did not disappoint. Seeing it up close, feeling the fabrics, and discovering the details in person was a true treat. If you ever get the chance to visit the Zurich boutique, do not hesitate, it is a beautiful space worthy of the brand it represents.

TO SHOP THE NEW ZIMMERMANN COLLECTION ONLINE, CLICK HERE PLEASE.

Thank you, Zimmermann, for such a wonderful evening. Until next time.

LoL, Sandra

Photos: © Sandra Bauknecht and @SelinaSeibel
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TRAME: A JOURNEY INTO PUGLIA’S ARTISANAL SOUL
Masseria Torre Maizza, Season 2026

Puglia has always seduced the discerning traveller with its bone-white trulli, silver-olive light, and a pace of life that feels almost defiant in its ease. This season, Masseria Torre Maizza offers something rarer still: a way in.

Rocco Forte’s sun-bleached retreat opens its 2026 season with Trame, Italian for threads, and also, fittingly, for plots. Curated exclusively for hotel guests in partnership with a local specialist, the programme is less itinerary, more immersion: a slow unravelling of Puglia’s artisanal soul, told through textile, light, and the hands that shape them.

THE ART OF TEXTILES
At Fondazione Le Costantine in Casamassella, traditional embroidery and four-shaft wooden loom weaving have been kept alive for generations. Guests explore an original tool archive, a remarkable textile library, and walk through surrounding nature,  the very flora that has inspired the patterns for centuries.

In Francavilla Fontana, Bottega Dalmut represents the finest expression of Italian bespoke: hand-finished garments and shoes crafted from noble fabrics and leathers. A private style consultation unfolds inside a 19th-century palazzo; fittings follow in the comfort of your own suite.

Further into the Valle d’Itria, a master of Tombolo lace, historically woven into every Puglian bride’s trousseau, opens his atelier for an intimate bobbin lace workshop. Meditative, rhythmic, and quietly moving.

THE ART OF LIGHT
No experience of Puglia is complete without its luminarie: the elaborate hand-crafted light installations that have illuminated southern Italian festivals for centuries. A master craftsman opens his studio for an intimate introduction to the tradition, every element made by hand, traditional motifs reinterpreted with contemporary sensibility, resulting in light sculptures that are as much architecture as they are art.

Trame is not a tour programme. It is an argument for a different kind of travel, one measured not in landmarks visited, but in things genuinely understood. Each experience can be personalised through the Masseria’s concierge. Because the most beautiful journeys, much like the finest cloth, are always made to measure.​​​​​​​​​​​​​​​​

LoL, Sandra

Photos: Courtesy of the Brands
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Few things in fashion move with the grace of a ballerina and nobody understands that better than Christian Louboutin.

The Parisian maestro of the iconic red sole has long drawn inspiration from the world of classical dance. His ballet-inspired heels are not a mere aesthetic nod, they are a love letter to the art of movement itself. Satin ribbons cascading down the ankle. Sculptural heels that recall the arch of a dancer’s foot mid-relevé. Silhouettes so refined they seem to exist somewhere between footwear and choreography.

Louboutin’s fascination with ballet dates back to his early years in Paris, where the Opera Garnier served as a second home and a boundless source of wonder. That devotion has since been woven into some of his most iconic creations,  styles that blur the line between stage costume and street couture with effortless audacity.

What makes these designs so extraordinary is their wearability. Unlike traditional pointe shoes, which confine the foot in service of pure spectacle, Louboutin’s ballet-inspired heels liberate it, offering drama and femininity for the everyday stage of life. Whether paired with a flowing midi skirt or cropped tailoring, they transform any walk into a performance.

In an era where fashion increasingly chases speed over soul, Louboutin’s ballet-inspired collection reminds us that true luxury is rooted in craft, culture, and poetry. These are not just shoes. They are an invitation to move differently, to carry yourself with the quiet confidence of someone who knows the whole world is a stage.

To shop the heels, just click on the highlighted text below each picture.

LoL, Sandra

Cassia 100 crêpe satin pumps
(The ones I am wearing in the photos, for the detailed outfit post click here.)

Cassia Nodo 100 suede pumps

Cassia 100 velvet and lamé pumps

Cassia leather mules

Cassia 100 satin pumps with attached knitted sock details

Cassiasticina satin pumps

Cassia 160 satin pumps

Cassia metallic leather pumps

Pavlova crêpe satin ankle boot

Photos: © Christian Louboutin, © Sandra Bauknecht / @kazmva0
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Family Time 🤍… some things are just universal. A day in Boston with my daughter Anouk, my favorite kind of time. We ended it with Peking duck at JIANG NAN – Chinese Fusion, simple and perfect.

Wearing Alice + Olivia – I love how the brand creates pieces that feel playful, bold, exactly my style and with a fit that feels made for me.

And every time I watch the stories of Stacey Bendet, I can’t help but smile, the way her daughter Scarlet captures her, the little comments, that mother-daughter rhythm… it feels so familiar. Alice + Olivia was founded in 2002, the same year Anouk was born. A full circle moment.

My look: Bradley stretch cotton equestrian cardigan, and gorgeous corduroy jumpsuit, both by Alice + Olivia, Paris metallic leather ankle boots and Monogram fringed shoulder bag, both by Saint Laurent, cat-eye sunglasses by Gucci, and crystal-embellished clip-on earrings in gold by Alessandra Rich.

LoL, Sandra

Photos: © Sandra Bauknecht
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Stella McCartney x H&M: Because Once Wasn’t Enough
Over twenty years ago, Stella McCartney and H&M made history. The collection sold out in days, the fashion world applauded, and the idea of a luxury designer democratising her vision for the high street felt genuinely exciting. Novel, even. So here we are again.

The S/S 2026 collection drops May 7th, and it is, by all accounts, a thorough tour of McCartney’s greatest hits. The Falabella chain appears on approximately everything, loafers, necklaces, bag straps, necklines. There are oversized trenches, sharp tailoring, cherry-print mesh dresses, a white gown with a cape sleeve, and a studded tee reading Rock Royalty. Six bag styles, including a chocolate-brown shoulder bag that will be gone within the hour. A keyring shaped like a cherry, for those who missed out on everything else.

The sustainability credentials are real, and here McCartney deserves genuine credit – recycled metals, organic cotton, RWS-certified wool, coated fabrics derived partly from industrial corn and recycled vegetable oil. She has been saying all of this since long before it became a brand strategy, which sets her apart from most. There is also an Insights Board, a joint initiative designed to push industry-wide change. One hopes it produces more than a very elegant PDF.
The uncomfortable question, of course, is one the collaboration doesn’t entirely answer: does producing a mass-market capsule collection – however consciously – move fashion forward, or simply make us feel better about buying more of it?

McCartney’s ethics have always been sincere. H&M’s record is, charitably, more complicated.
Designer collaborations remain fashion’s most reliable sleight of hand. They create desire, generate headlines, and sell out before most people have had their morning coffee. The formula is twenty years old now. It works. It will work again on May 7th.

Which, depending on your perspective, is either reassuring or precisely the problem.
Stella McCartney x H&M – available globally in stores and online from May 7, 2026.

LoL, Sandra

Photos: © H&M
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Georgian Fashion: Why Tbilisi Belongs on Every Fashion Lover’s Map

There is a city where fashion is not a trend. It is a statement of identity. Tbilisi surprised me. Not with its architecture, not with its food, although both are extraordinary, but with the way people dress. Expressive, oversized, dark, fearless. Nothing for the shy. The women on the streets wear their individuality like armour. Deep, dark makeup. Sculptural silhouettes. A grunge-cool energy that feels entirely their own and entirely unimpressed by what anyone else thinks. I found it absolutely thrilling.

But the real story of Georgian fashion starts with two names the world already knows.

Demna & David Koma – Georgia’s Global Voices

Demna Gvasalia, co-founder of Vetements, the visionary behind Balenciaga’s radical reinvention, and now at the helm of Gucci, is Georgian.. His architectural, often raw approach to fashion has always carried something of his homeland in it, that particular tension between brutalism and beauty that Tbilisi embodies perfectly. David Koma (in picture with me), born in Tbilisi and trained at Central Saint Martins, built an international career on precise, sculptural dressing that is quietly, unmistakably Georgian in its rigour. Both are proof that this small country punches far above its weight on the global fashion stage.

ANOUKI – Georgia’s Own Victoria Beckham

If there is one name that defines modern Tbilisi fashion for a wider audience, it is ANOUKI. Founded in 2013 by Anouki Areshidze, the brand is known for its bold colours, intricate embellishments, and a distinctive mix of textures that blends modernity with femininity. Anouki herself is something of a national icon, married to the mayor of Tbilisi, and often described as the Victoria Beckham of Georgia.

She has her own flagship store in the city (2 Tarkhnishvili Street), and her pieces are available internationally on Farfetch and Moda Operandi. I adore her designs (how cute are these tulle dresses?!) and not only because her name happens to be the same as my daughter’s.

Situationist – Fashion as Political Act

Situationist founder Irakli Rusadze has never shied away from using his collections to make bold, powerful statements. A self-taught designer born and based in Tbilisi, he started working in fashion at fifteen and presented his first collection at Tbilisi Fashion Week at twenty-one. Today, Situationist shows in Paris and counts Beyoncé, Bella Hadid and Doechii among its fans. The brand’s name is inspired by the mid-20th century group of intellectuals and artists known as the Situationists, emblematic of political dissent and cultural avant-garde. His clothes carry that weight as this gorgeous brown leather jacket. You feel it when you look at them. His designs are also available at Farfetch.

George Keburia – The Sunglasses Everyone Is Wearing

George Keburia is a self-taught designer born in Tbilisi in 1990, whose label is known for surrealist references and outlandish concepts expressed through exaggerated silhouettes and a synthesis of heavy and light fabrics. But it was his eyewear that made him globally famous. His sleek, angular frames found fans in Rihanna, Solange, and Bella and Gigi Hadid, a reminder that the fashion landscape is increasingly shaped by one iconic piece rather than an entire runway. If you have been wondering where those tiny cat-eye frames you keep seeing come from – now you know.

Tamuna Ingorokva – Tailoring with Couture Precision

Tamuna Ingorokva is the quieter name on this list, but no less impressive. Known for her minimalist tailoring crafted in her own Tbilisi atelier, each piece is cut and sewn by a small team with a couture-like attention to detail. Her work is the antidote to fast fashion – considered, precise, and built to last.

Aleksandre Akhalkatsishvili – Deconstructive Minimalism

Aleksandre Akhalkatsishvili is one of the most exciting names to emerge from the Georgian fashion scene in recent years. The award-winning designer is behind not one but two of Georgia’s best-known labels, Matériel, which he co-designs with Lado Bokuchava, and his own eponymous line. His philosophy is deconstructive minimalism, using vegan leather as a signature material, he creates a vision of the modern woman who is aligned with the 21st century and unafraid of its challenges. Straight lines, a precise mix of feminine and masculine, and pieces that are built to last beyond a single season. A name to know – and to wear.

Mercedes-Benz Fashion Week Tbilisi – Georgia’s Own Runway

Since 2015, Tbilisi has its own Fashion Week, and it is the real deal. Every October, international press, buyers and tastemakers fly in to discover the next generation of Georgian talent. Names like ANOUKI, George Keburia, Lado Bokuchava and Ingorokva have all shown here. Not every big name is on the schedule, Demna and David Koma built their careers on the international circuit, but for anyone wanting to experience Georgian fashion at its most raw and exciting, this is the moment to be in Tbilisi.

Where to Shop in Tbilisi – My Personal Edit

Ieri (Vasil Petriashvili 1) is not easy to find, which is part of its charm. Tucked into a wonderfully cool neighbourhood full of great restaurants and cafés, it is a destination worth seeking out. The concept store celebrates Georgian designers almost exclusively at the highest level, the sign at the entrance reads like a who’s who of the country’s best talent: Aleksandre Akhalkatsishvili, Situationist, Keburia, Lado Bokuchava, Sofio Gongli, Tata Naka, Lili Archive, David Koma, Ingorokva, and more.

Recently, Comme des Garçons joined the edit, after Rei Kawakubo visited Tbilisi, fell in love with the store, and personally wanted her pieces to be sold there. That alone tells you everything about the calibre of Ieri.

More is Love, closer to the hotel district, carries a wonderful selection of Georgian designers including ANOUKI, and is a perfect starting point for discovering the local scene in one visit.

Right next door, Archived Couture is a revelation for vintage lovers, an incredible selection of Christian Lacroix and CHANEL at a quality that would be hard to find anywhere in Europe.

Boygar’s – Tbilisi’s Luxury Destination

For those who want international luxury alongside the local talent, Boygar’s on Rustaveli Avenue is a must. Spread across three floors of a stunning historic building on Tbilisi’s main shopping boulevard, the store carries an exceptional edit of global houses, Prada, Loewe, Bottega Veneta, The Row, Jacquemus, Valentino, Khaite, Phoebe Philo, Saint Laurent and many more.

But what makes Boygar’s truly special is the interior, designed by acclaimed Stockholm-based studio Halleroed, it pairs the building’s ornate architectural heritage with contemporary minimalism, Georgian earthy tones and curated artworks by young Georgian artists. It does not feel like a luxury store you have seen before. It feels like Tbilisi.

Beyond these, the city is full of thrift stores and vintage finds at every price point. Just be aware: there are also many shops selling fake designer goods. My rule, if it feels too easy, walk past and never ever buy fakes!

A Final Note
Georgian fashion is expressive, political, deeply rooted in cultural identity and utterly unbothered by the mainstream. Whether you leave with a Keburia pair of sunglasses, an ANOUKI piece, or simply a new perspective on what dressing boldly really means, Tbilisi will stay with you long after you land home. I know it has stayed with me.

LoL, Sandra

Photos: © Sandra Bauknecht
DISCLOSURE: We may also earn commission from links on this page, but I only recommend products I love. Promise.

There are cities that dress you differently. Tbilisi is one of them. When I was planning what to wear for my first evening in Georgia, it felt only right to let the destination guide the choices, not just in mood, but in origin.

The bag I chose is Balenciaga from the Demna era. For those who don’t know: Demna Gvasalia, one of the most influential designers of his generation, is Georgian. His early work for the house carries something raw and architectural that, to me, has always felt deeply rooted in where he comes from. The necklace and the bodysuit are by David Koma, another Georgian talent who has built an international name while never losing that precise, almost sculptural approach to dressing.

Two pieces. Two Georgian designers. One city that made the connection feel inevitable.
More from this evening – and from Tbilisi – coming soon.

My look: Hooded wool mini dress by Alaïa, zebra macramé long sleeve bodysuit, and crocodile necklace, both by David Koma, Hourglass crystal-embellished suede shoulder bag by Balenciaga, patchwork belt with snake head buckle by Saint Laurent, and Kiki studded leather platform ankle boots by Marc Jacobs.

LoL, Sandra

Photos: © Sandra Bauknecht, taken at the Telegraph Hotel
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A Return to Time: Notes from Watches and Wonders Geneva

There are few places where time feels as tangible as at Watches and Wonders Geneva. For one day, everything revolves around it, interpreted through craftsmanship, design, and an almost obsessive attention to detail.

This year, the fair revealed more than technical innovation. It signaled a shift in mood, subtle, but unmistakable.

Patek Philippe New Models 2026

BVLGARI celebrates old-school glamour with its newest Serpenti watches.

There is a clear return to old-school glamour and with it, a strong retro influence. Not nostalgia in its simplest form, but a deliberate reinterpretation of the past. Vintage codes are everywhere: softened silhouettes, intricate bracelets, and, most notably, the reappearance of the secret watch.

These pieces conceal their dials beneath decorative covers, blurring the line between jewelry and timekeeping. They are intimate, almost private objects, designed to be discovered rather than displayed. It is a language that echoes the elegance of earlier decades, yet feels entirely contemporary in its execution.

At the same time, craftsmanship is moving back to the center of the conversation. Not just as a technical necessity, but as a form of artistic expression. The level of detail, the patience, and the human touch behind these pieces feels more important than ever.

One example that stayed with me came from CHANEL. A chess set, already sold and therefore no longer on display in its final form, was presented through prototypes. Each figure was meticulously crafted, with the Gabrielle Chanel silhouette wearing a tweed jacket, entirely set with diamonds, that emphasized the effect of the material. It was less an object and more a demonstration of what true craftsmanship can achieve: intricate, precise, and deeply intentional.

Audemars Piguet Etablisseurs Galets

At the same time, a structural shift within the industry is becoming increasingly visible. The market is stretching apart.

Van Cleef & Arpels is expanding its Jour Nuit collection with a new timepiece in honor of the Moon. Within the Midnight case, the watch features two overlapping complications: the first one animates the Jour/Nuit display, while the second one illustrates the actual Moon phase. 

BVLGARI

On one end, brands are leaning heavily into haute horlogerie, producing exceptional, highly complicated, and often extremely limited pieces. These watches are not simply products; they are statements of craftsmanship, created for collectors who value rarity as much as technical mastery. Prices reflect this shift, reaching levels that position these timepieces firmly within the realm of art and investment.

Celebrating 100 years of the Rolex Oyster with this beautiful and affordable Rolex Oyster Perpetual 36 «Jubilee Edition».

On the other end, the more accessible segment remains present, but quieter, almost overshadowed by the spectacle of high-end innovation. The middle ground is thinning, and the contrast between the two extremes is becoming more pronounced.

A Testament to Métiers d’Art: Van Cleef & Arpels, with its latest Perlée Extraordinaire Fruits Enchantés collection, is capturing the ruby-red intensity of perfectly ripened raspberries.

Yet within this high-end focus, creativity is flourishing. Freed from the need to appeal to a broad audience, brands are allowing themselves to be more expressive, more daring, and more niche. Watchmaking, in this sense, is becoming increasingly cultural. These are no longer just instruments or even luxury goods, they are narratives, identities, and statements.

Collectors today are not simply buying watches; they are engaging with meaning.

Walking through the fair, it quickly becomes clear that the experience goes far beyond the watches themselves. Some booths are consistently extraordinary, fully immersive environments that tell their own story. Officine Panerai, known for its diving heritage, brought that world to life with a stand that felt like stepping into the depths.

Van Cleef & Arpels created something entirely different, a poetic garden, complete with a swing, where time seemed to slow down.

And Audemars Piguet offered a more introspective atmosphere, with a library-like setting that invited you to pause, reflect, and look closer.

I leaned into the spirit of the fair with a Moschino look, complete with a watch-shaped bag and a hat featuring a clock detail. A subtle nod to the theme of time, and one that, quite unexpectedly, drew a lot of attention throughout the day. I was frequently stopped, photographed, and even interviewed, an unusual but fitting part of the experience.

Yves Piaget with me (click here for a previous post from 2012).

Amidst all of this, it is often the quieter, more personal moments that stay the longest. Seeing Yves Piaget again was one of them. Having been for many years an ambassador for Piaget, it made the encounter feel all the more meaningful.

Relaunch of the Piaget cocktail ring collection, for which I hosted an private garden party in my house in 2013.

There was something genuinely special in being recognized, in that brief moment of familiarity within such a fast-moving environment. A small exchange, a shared memory, and somehow, it stays. I still have the Piaget rose.

Ulysse Nardin

And perhaps that is what defines the fair as much as the watches themselves. It is not just an industry event, it is a cultural moment, where craftsmanship meets storytelling, and where timepieces become part of a larger narrative.

I predict a huge success for the BVLGARI Octo Finissimo Watch in satin-polished 18 kt yellow gold case.

What remains after a full day is not simply a memory of products, but a clear impression:

The future of watchmaking may well lie in its past.

In craftsmanship over scale.
In rarity over ubiquity.
In intimacy over display.

And in the enduring desire to make time feel, once again, timeless.

Trying on Cartier‘s latest Bagnoire collection, that I am completely obsessed about.

Some of the most remarkable pieces deserve a closer look, and I’ll be returning to a few of them in more detail over the coming weeks.

LoL, Sandra

Photos: © Sandra Bauknecht
DISCLOSURE: We may also earn commission from links on this page, but I only recommend products I love. Promise.