Sandra‘s Closet

Today was a big day! The last day of Paris Fashion Week started with the Louis Vuitton S/S 2014 show. Rumors had been out quite a long time about Marc Jacobs leaving the French brand after 16 years, but the minute I arrived at the venue, I knew, it was true. It felt like a journey through time. From the governess girls at the entrance to the station clock, the carrousel, the elevators and the escalators, the fountain, last season’s hotel corridors, every little detail was reminiscent of something amazing Marc had created for a Louis Vuitton show.

In the press kit on my seat, Marc Jacobs wrote something so beautiful that I truly would like to invite you to read it:

“This collection is dedicated to the women who inspire me and to the showgirl in every one of them, Emmanuelle Alt, Jane Birkin, Betty Catroux, Carlyne Cerf De Dudzeele, Coco Chanel, Cher, Grace Coddington, Sofia Coppola, Victoire de Castellane, Catherine Deneuve, Claude Lalanne, Julie de Libran, Lady Gaga, Judy Garland, Katie Grand, Juliette Gréco, Françoise Hardy, Zizi Jeanmarie, Rei Kawakubo, Madonna, Liza Minnelli, Kate Moss, Louise Nevelson, Edith Piaf, Miuccia Prada, Lee Radziwill, Millicent Rogers, Sonia Rykiel, Carla Sozzani, Elsa Schiaparelli, Barbra Streisand, Diana Vreeland, Vivienne Westwood, Anna Wintour.

Whether extrovert or esoteric, they are figures that keep visual language vital. Their style, imagination, creativity, talent, vision and voice have changed our landscape.”

He continued: “When I look around Paris, it isn’t the depth of the city that takes my breath away. It’s the decoration and the applied ornamentation that dazzles. It is not about thinking, it is about feeling. There may be no deeper sensation than this when it hits. While designing this collection the same instinct gathered momentum. I take pleasure from things for exactly what they are, revealing in the pure adornment of beauty for beauty’s sake. Connecting with something on a superficial level is as honest as connecting with it on an intellectual level.

TO THE SHOWGIRL IN ALL OF US.“

Speaking of which, many of the forty-one extremely dark looks resembled showgirl clothes, all exquisitely embellished with jet beads, crystals, and glossy feathers. Each and every one of the models wore an amazing headpiece of ostrich plumes designed by Stephen Jones for the show. The first look was pretty evocative, nothing but a G-string and the Stephen Sprouse-designed LV logo showing all over the model’s body, along with handcuffs and chains.

The biker jackets and denim pants were amazing, something you are dying to have in your closet. I love the collection and Marc’s creativity, it might not be commercial, but it is definitely for the showgirl in us!

Never forget, it was Jacobs who brought Louis Vuitton’s foray into prêt-à-porter to a huge success, and whatever the behind-the-scenes speculations of the past few months, he appears to be leaving on good terms. I was backstage and started crying like everybody else after all those heartfelt hugs.

Marc said that he wants to focus on his own Marc Jacobs brand. And I think, the announcement will be coming out soon that Nicolas Ghesquière will replace him at Louis Vuitton. So watch out!

LoL, Sandra

Marc’s last finale…

… and heartbreaking moments backstage.

Having fun behind the scenes: Sofia Coppola and Dakota Fanning

Photos: © Sandra Bauknecht

My Gucci adventure started on Wednesday with the F/W 2012 show in Milan. Just one word. Amazing! Frida Giannini created a dark glamour, opulent looks that were sensual and sophisticated at once, recalling the Victorian era mixed with a certain vampire allure. She even used masculine accents such as oversized shoulders and military-style coats and capes. Her very dark vision might be a welcome change after all the vibrant colour-blocking of the last seasons.

„This is modern-day romanticism. A dramatic sensuality, a dark glamour. With subtle tones of provocative intellect.“

– Frida Giannini

The materials were rich. Opulent brocade, devoré velvet and floral prints on jacquard fabrics plus beautiful 3-D embroideries on the long flowing evening gowns. Exotic animal prints on silk looked great on the runway. My favourite were the pieces that were made completely out of beautiful shimmering dark green feathers.

Colours are dark, black paired with green in different shades, plum tones and burgundy.

The accessories had a lot of equestrian references. The new Stirrup bag, roomy as well as classy, has a revisited metallic spur closure (mark it on your F/W 2012 wish list, a season’s must).

Footwear is either flat (those crocodile boots, OMG!) and masculine or slipper-like with a sharp high heel.

I am a big Gucci fan and this collection has just made me love it even a little bit more…

LoL, Sandra

Photos: Courtesy of Gucci

Trish Summerville with models in her collection.

Trish Summerville is behind the costumes for one of the year’s most eagerly awaited films, David Fincher’s version of The Girl With The Dragon Tattoo. To celebrate, costume designer Trish Summerville has created a women’s collection for H&M, full of pieces inspired by the film’s anti-heroine, Lisbeth Salander.
The 30-piece collection has the dark urban feel that defines her character, with leather jackets and trousers, torn jeans and slouchy hoodies all in industrial shades of black, grey, worn white or dark red.

The collection debuts exclusively at Colette in Paris on November 28, with its own dedicated in-store area and will be available from December 14 in Divided departments in around 180 H&M stores worldwide, as well as online.

LoL, Sandra

Photo: Courtesy of H&M, © Andreas Sjödin

The dramatic setting with vulcano-like smoke and scorched earth was just amazing for the Chanel F/W 2011 show.

Following Karl Lagerfeld’s statement „The world is a dark place“, the Cure’s famous hit „A Forest“ matched the new Chanel designs.

Lagerfeld’s creations seemed to be an approach to a much younger audience and all the It-girls were spotted front row from Poppy Delivgne to Lily Allen and Emma Roberts.

Floor-length edgy capes, distressed leggings, looking more like street fashion than anything else. The volumes were bigger and the all in all appearance reminded more like the survival of a natural catastrophe.
I adored Lagerfeld’s apocalyptic vision mixed with a little neo-medieval twist and you?

LoL, Sandra