Where Fashion Meets Wallpaper:
A Morning at Annabel’s with Martin Brudnizki and de Gournay
Few interiors in London stop me the way Annabel’s does. As a member of the Membership Committee at the club, I spend a fair amount of time on Berkeley Square, and yet Martin Brudnizki’s work hits differently every single time. His studio MBDS created something genuinely unique here: a universe of controlled fantasy, English eccentricity and absolute attention to detail. The kind of space that makes you want to dress up just to be worthy of it.
Last Tuesday, I was at the club for breakfast with Martin Brudnizki and Hannah Cecil Gurney of de Gournay to see a new installation celebrating the English summer, which London, with its characteristic sense of humour, chose to mark with a day of horizontal rain. Inside, none of that mattered. The new de Gournay panels are breathtaking: a sweeping floral composition alive with birds, painted in that unmistakable hand that de Gournay has made its signature. Lush, layered, luminous. The moment I saw them, my mind went immediately to the Erdem collaboration, and for very personal reasons.
Those who have followed my interiors journey over the years will know that my previous home was conceived as a love letter to fashion. I dedicated each room to a different designer, with de Gournay as the connective thread running throughout. My study was entirely devoted to the Erdem x de Gournay collection: chinoiserie of birds and blossoms, handpainted in watercolour, in a design that Erdem Moralioglu and Hannah Cecil Gurney brought into being with a shared obsession for the handmade, the romantic and the rare. I lived inside that collaboration, quite literally. And I dressed to match it.
So when I sat down for breakfast last week, I wore my Erdem x de Gournay Giudita tie-neck belted floral-print silk-voile dress. The only possible choice. It felt like a small homage, and it was received as such.
Over breakfast, Martin and Hannah spoke about something that I think many people do not fully understand about the de Gournay design process: the role of the client. The vision, when it is strong and specific, is not a constraint. It is the starting point from which something truly singular can be made. My own vision for that home was fashion, always fashion. With de Gournay, we translated it into walls, into rooms, into an entire way of inhabiting a space. A collaboration in the truest sense of the word, unfolding slowly, with intention.
I will write more about this process another time, because it deserves the space to be explored properly. For now: a dress that was exactly where it needed to be, a room that understood it completely, and a conversation at the table as beautiful as everything else around it.
LoL, Sandra
With my beautiful girlfriends Marijana Matthäus and Monica Perlman.
Photos: Courtesy of Annabel’s / © Sandra Bauknecht
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