Sandra‘s Closet

It’s official: after nearly four decades, Anna Wintour has named her successor at Vogue. The legendary editor, whose sunglasses and sharp bob have become symbols of authority in fashion, won’t be disappearing anytime soon as she will continue to hold global power across Condé Nast. But the day-to-day reins of Vogue US are now passing to Chloe Malle.

Chloé Malle (Photo via Vogue)

Chloe is no stranger to the world of style and storytelling. The daughter of acclaimed actress Candice Bergen and French director Louis Malle, she grew up with a natural connection to art, film, and culture. After studying literature at Brown and time spent in Paris, she carved out her own career inside Condé Nast. She led Vogue.com, co-hosted the magazine’s podcast The Run-Through, and most recently has been behind some high-profile features that blended sharp cultural insight with a modern digital voice.

Chloé Malle in a Vanity article in 2009 next to her mother Candice Bergen.

What makes her appointment exciting is that she represents both continuity and change. On one hand, Chloe understands the brand’s DNA, she’s been inside Vogue for years and knows its rhythm. On the other hand, she has grown up in the digital era and brings an ease with multimedia, social conversation, and new ways of reaching audiences that feel essential for the future.

Chloé with her late father Louis Malle at age 8.

And yet, Anna Wintour’s presence still looms large. With her global roles intact, she will continue to shape the overall vision. That means Chloe will be navigating both independence and mentorship, putting her stamp on the American edition while still working under the shadow – and protection – of fashion’s most powerful figure.

The result? A fascinating new chapter. We can expect more experimentation with digital storytelling, a fresher editorial voice, and maybe even a subtle softening of the magazine’s famously rigid tone. But make no mistake, Anna still holds the scepter. That tension between legacy and renewal is exactly what will make the next few years at Vogue so compelling to watch.

LoL, Sandra

Photos via @chloemalle
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Today marks the end of an extraordinary chapter in the world of fashion, journalism, and culture. Anna Wintour, an icon in every sense, is stepping down and with her departure, we close a page on one of the most influential editorial reigns of our time.

I had the privilege of meeting Anna on several occasions. Each time, I was struck by her presence – poised, sharp, and always ahead of the curve. She has that rare quality of making a room pause simply by entering it. What impressed me most, however, wasn’t just her signature sunglasses or her legendary editorial instinct, but her quiet discipline and the genuine care she brought to her work and the people she supported behind the scenes.

«Not just a fashion icon – a cultural force.»

Anna’s impact on Vogue and the wider industry can’t be overstated. She redefined fashion journalism, championed emerging designers, and shaped cultural conversations far beyond the glossy pages. She challenged norms, elevated voices, and maintained a standard of excellence that inspired generations.

«37 years of vision, elegance, and change.»

Born in London in 1949, Anna began her career in fashion journalism in the 1970s, working at Harper’s & Queen and New York Magazine. She became Editor-in-Chief of American Vogue in 1988, and her sharp editorial vision turned the magazine into a global cultural authority. Over the years, she helped launch the careers of countless designers and creatives, and brought a unique blend of fashion, politics, and cultural relevance to the forefront.

«Anna Wintour – end of an era, legacy continues.»

Me arriving at the US Vogue headquarters…

Although she is stepping down from her role as Editor-in-Chief of American Vogue, she is not leaving Condé Nast. Anna will continue to serve as Global Chief Content Officer at Condé Nast and Global Editorial Director at Vogue, where she will continue to shape the brand’s international direction. The position at American Vogue will be restructured, with a new Head of Editorial Content to be appointed.

... and in the office itself to have breakfast with Anna Wintour and Kim Kardashian.

Her departure is not just the end of a role, but the closing of an era. I’m grateful to have crossed paths with someone whose influence has been as profound as it has been lasting.

Thank you, Anna – for the legacy, the inspiration, and the unforgettable moments.

LoL, Sandra

Photos: © Sandra Bauknecht 
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The launch of VOGUE ARABIA is not only a milestone for the Arab fashion scene, it is a milestone for the world of print and online media itself. In a historic move for a Vogue magazine edition, it first launched as a digital website in October 2016 before focusing on print from Spring 2017.

Deena Aljuhani Abdulaziz, Editor-in-Chief Vogue Arabia.

The magazine will be distributed in several Middle East countries, including Saudi Arabia, Bahrain, Qatar, Kuwait, Oman and the United Arab Emirates. Saudi princess Deena Aljuhani Abdulaziz is the Editor-in-Chief of the 22nd edition of Vogue. The publication is a partnership between Condé Nast and Dubai-based media company Nervora.

In the beginning of this month, I had the honor to receive the first print edition as an exclusive preview and I absolutely adore this issue, which is published in Arabic and English. The cover features model Gigi Hadid, who is half Palestinian and half Dutch, photographed by Inez and Vinoodh. Visually, undoubtedly this is one of the best Vogue covers of all time.

“In one poised photograph, she communicates a thousand words to a region that’s been waiting far too long for its Vogue voice to speak,” says the Editor-in-Chief, Deena Aljuhani Abdulaziz.

Arabia’s fashion awakening is here. Stay tuned for more.

LoL, Sandra

Photos: © Vogue Arabia, © Sandra Bauknecht and © Marcy Swingle for The New York Times