Sandra‘s Closet

When the Chloé Paddington first launched in 2005 under Phoebe Philo, it instantly became one of the most recognizable «it-bags» of the decade. Its slouchy leather body, chunky hardware, and oversized padlock gave it a distinctive personality that set it apart from the sleek minimalism of other luxury handbags.

After quietly disappearing from Chloé’s collections for years, the Paddington is finally back under the creative vision of Chemena Kamali. Its return is more than just a reissue, it’s a revival of an icon. Personally speaking, it’s not about rediscovering it, it’s about celebrating the fact that I never let it go. Taking it out again feels like reconnecting with an old friend that somehow looks even better today.

I gave mine a little twist and added a bag charm from the new collection to give the icon a modern update: Paddington leather shoulder bag (from 2005) and shearling and gold-tone charm (from 2025).

«Sometimes the best way to stay ahead of the trend is simply to hold on to the right pieces.»

So for those who held onto their original, now is the perfect time to bring it out of the closet and enjoy the fact that it feels just as relevant today as it did two decades ago.

For younger fashion lovers, the comeback offers something different: the chance to buy into a piece of early-2000s nostalgia at exactly the moment when Y2K style is everywhere again. The era’s influence is dominating runways and the Paddington fits right into that wave.

What makes this revival so powerful is its authenticity. Chloé hasn’t tried to reinvent the wheel, the Paddington comes back true to its essence, reminding us that some designs never really go out of style. In a world where trends move at lightning speed, the Paddington’s return proves that true icons only step aside until the time is right to shine again. And for those of us who kept ours, that moment has arrived.

LoL, Sandra

Photos: © Sandra Bauknecht and Courtesy of Chloé
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Today marks the end of an extraordinary chapter in the world of fashion, journalism, and culture. Anna Wintour, an icon in every sense, is stepping down and with her departure, we close a page on one of the most influential editorial reigns of our time.

I had the privilege of meeting Anna on several occasions. Each time, I was struck by her presence – poised, sharp, and always ahead of the curve. She has that rare quality of making a room pause simply by entering it. What impressed me most, however, wasn’t just her signature sunglasses or her legendary editorial instinct, but her quiet discipline and the genuine care she brought to her work and the people she supported behind the scenes.

«Not just a fashion icon – a cultural force.»

Anna’s impact on Vogue and the wider industry can’t be overstated. She redefined fashion journalism, championed emerging designers, and shaped cultural conversations far beyond the glossy pages. She challenged norms, elevated voices, and maintained a standard of excellence that inspired generations.

«37 years of vision, elegance, and change.»

Born in London in 1949, Anna began her career in fashion journalism in the 1970s, working at Harper’s & Queen and New York Magazine. She became Editor-in-Chief of American Vogue in 1988, and her sharp editorial vision turned the magazine into a global cultural authority. Over the years, she helped launch the careers of countless designers and creatives, and brought a unique blend of fashion, politics, and cultural relevance to the forefront.

«Anna Wintour – end of an era, legacy continues.»

Me arriving at the US Vogue headquarters…

Although she is stepping down from her role as Editor-in-Chief of American Vogue, she is not leaving Condé Nast. Anna will continue to serve as Global Chief Content Officer at Condé Nast and Global Editorial Director at Vogue, where she will continue to shape the brand’s international direction. The position at American Vogue will be restructured, with a new Head of Editorial Content to be appointed.

... and in the office itself to have breakfast with Anna Wintour and Kim Kardashian.

Her departure is not just the end of a role, but the closing of an era. I’m grateful to have crossed paths with someone whose influence has been as profound as it has been lasting.

Thank you, Anna – for the legacy, the inspiration, and the unforgettable moments.

LoL, Sandra

Photos: © Sandra Bauknecht 
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I was thrilled to hear about the appointment of Pierpaolo Piccioli as the new creative director of Balenciaga. Having had the chance to meet him personally, I was deeply impressed not only by his creative vision but also by his warmth and humility. His work at Valentino was nothing short of exceptional — poetic, elegant, and deeply human.

I loved Valentino under Pierpaolo.

With a career spanning over two decades, Pierpaolo began as an accessories designer at Fendi before joining Valentino in 1999. He rose to become co-creative director alongside Maria Grazia Chiuri, and later took the helm as sole creative director in 2016. Under his leadership, Valentino embraced a romantic, emotionally resonant aesthetic that combined timeless beauty with a strong message of inclusivity and humanity.

With Pierpaolo Picciolli and Maria Grazia Chiuri in 2013.

Balenciaga, on the other hand, has long stood for radical innovation, architectural silhouettes, and a provocative spirit. Founded by Cristóbal Balenciaga — a true master of form and construction — the house has never been afraid to challenge norms and push boundaries. It is today owned by the Kering Group.

Balenciaga S/S 2025 Campaign 

Pierpaolo’s arrival marks a fascinating and bold shift. It’s not only a meeting of two strong creative identities — it’s also likely a turning point for Balenciaga itself. After years of dominating the streetwear conversation under the leadership of Demna, who is heading to Gucci, and pushing shock-value aesthetics, this move could signal the end of that era. With Piccioli, we may see a return to emotion, craftsmanship, and elegance — a more refined and soulful vision of luxury.

I believe this is a powerful, forward-thinking decision and an exciting new chapter for both Piccioli and the house of Balenciaga.

LoL, Sandra

Photos: © Sandra Bauknecht and © Balenciaga
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One week ago, I posted whom I would love to see at Loewe after Jonathan Anderson’s exit had been announced and yesterday the Spanish House fulfilled my prediction: Jack McCollough and Lazaro Hernandez, the duo behind Proenza Schouler, will be taking over as the brand’s new creative directors starting April 7, 2025. They’re stepping in after Jonathan Anderson, who spent 11 years transforming Loewe into a globally respected fashion house with over $1.5 billion in annual revenue.

Their work has been instrumental in shaping modern fashion, with a design practice rooted in a rigorous exploration of craft filtered through an artistic sensibility, which has not only evolved the industry’s landscape but aligns with the values that underscore Loewe’s 179-year heritage.​ This move is also part of a bigger shake-up by Loewe’s parent company, LVMH, as they fine-tune leadership across several luxury labels.

It’s a pretty big shift, and I am curious and excited to see how their American fashion background will influence Loewe’s next chapter.

LoL, Sandra

Photos: Courtesy of Loewe and © Sandra Bauknecht
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After months of speculation and not-so-subtle hints, Jonathan Anderson is stepping down as creative director of Loewe after more than a decade of leading the brand. Since joining in 2013, the Northern Irish designer has played a key role in transforming Loewe into a powerhouse of modern luxury, blending heritage craftsmanship with a fresh, artistic approach. Under his leadership, the brand saw significant financial growth, with annual sales surpassing €1 billion.

Puzzle Bag

Anderson is widely credited with reviving Loewe’s identity, introducing iconic designs like the Puzzle bag and championing craftsmanship through initiatives such as the Loewe Foundation Craft Prize. His departure comes amid broader shifts in LVMH’s fashion division, fueling speculation that he may be in line for a major new role—potentially at Dior, where rumors suggest he could take over both the men’s and women’s collections.

Will they succeed? Jack McCollough and Lazaro Hernandez

LVMH has not yet announced his successor at Loewe, but reports suggest that Proenza Schouler’s co-founders, Jack McCollough and Lazaro Hernandez, may step into the role. I would love to see the designer couple at Loewe as I think they would be the perfect match. Anderson, meanwhile, has expressed gratitude for his time at Loewe and hinted at new creative opportunities ahead. His next move will be closely watched, as he remains one of the most influential designers in contemporary fashion.

The fashion industry keenly awaits official announcements regarding the future of many houses and designers. The wheel of fashion is spinning fast at the moment. To give Anderson a little homage, I put together some of my favorite looks, bags and shoes he did for Loewe.

LoL, Sandra

My Look: The Bat

Loewe x Mackintosh

My Look: See U Later

My Look: Gingham

My Look: Contemporary Fashion

My Look: Maruja Mallo

My Look: Into The Blue

My Look: The Art of Fashion

My Look: Stay Cozy

My Look: Anagram

My Look: Montreux

Photos: Courtesy of Loewe and  © Sandra Bauknecht | David Biedert Photography
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Jean Paul Gaultier’s «Cyber Dots» motif first appeared in his F/W 1995 collection, drawing inspiration from the Op Art movement, particularly the works of Victor Vasarely. The design featured polka-dot patterns on form-fitting garments, creating optical illusions that accentuated the body’s contours. This collection was emblematic of Gaultier’s innovative approach, blending art and fashion to challenge conventional aesthetics.

I wore this dotted jumpsuit from Jean Paul Gaultier during a live performance in 1995 and needless to say I kept it until today.

 27 years in between my cyber dots jumpsuits.

In November 2022, the house revisited this iconic motif with the «Cyber» collection. This ready-to-wear line reimagined the original designs, introducing vibrant neon colors and contemporary silhouettes while maintaining the signature dot patterns. The collection encompassed a range of pieces, from catsuits to micro bikinis, reflecting a fusion of ’90s nostalgia and modern fashion sensibilities.

The enduring appeal of the «Cyber Dots» design lies in its timeless ability to merge art with fashion, continually resonating with new generations and solidifying its status as a hallmark of Jean Paul Gaultier’s visionary legacy.

The reason why I am showing you this is to emphasize that it is really good to keep special pieces. They will always their time again. I wore this outfit on a recent episode of MY STYLE ROCKS. Stay tuned!

LoL, Sandra

Photos: © Sandra Bauknecht and Courtesy of Jean Paul Gaultier
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Fashion weeks have come to an end, and the news keep coming in. Yesterday, Demna was announced as the New Creative Director at Gucci and there is more to know.

FREDERIC ARNAULT NAMED CEO OF LORO PIANA IN LVMH RESHUFFLE

The Italian brand’s current chief Damien Bertrand will become deputy CEO at Louis Vuitton. Meanwhile, Fendi’s CEO Pierre-Emmanuel Angeloglou will move to Dior.

The move sees Frédéric, one of five children of chairman Bernard Arnault, taking on his first role in the group’s crucial fashion and leather goods division. Arnault, a graduate of France’s École Polytechnique, previously spent 6 years at TAG Heuer before being named CEO of the group’s watch division in 2024.

OTB TAPS SIMONE BELLOTTI AS JIL SANDER’S CREATIVE DIRECTOR

Industry interest in Bellotti surged following a series of stand-out shows for Bally. The designer is replacing Lucie and Luke Meier, who parted ways with Jil Sander in February.

DARIO VITALE TO SUCCEED DONATELLA VERSACE AS CHIEF CREATIVE OFFICER OF VERSACE

Vitale, who left his post at Prada-owned Miu Miu in January, will step into his new position at the beginning of April. Donatella Versace will become chief brand ambassador after nearly three decades at the creative helm of the label founded by her late brother Gianni.

The change comes as Miu Miu-owner Prada Group is reportedly inching closer to buying Versace from Capri Holdings in a $1.5 billion deal, which could see Vitale returning to the Prada fold.

With all these changes, I truly wish for fashion to focus on its magic again as personally speaking numbers will also come back then.

LoL, Sandra

Photo Credit: Courtesy of the Brands
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Georgian designer Demna is leaving Balenciaga after a decade to become Gucci’s new Artistic Director, starting early July 2025.

During a surprise press conference at the Parisian headquarters of parent company Kering, the newly instated Gucci CEO Stefano Cantino said: «I have always admired Demna’s creative approach, that is both unique and powerful. His ability to honor the iconic legacy of a brand while embracing a modern sensibility is extraordinary. With Gucci’s strengthened foundations as a springboard, Demna will lead the House towards renewed fashion authority and enduring cultural relevance.»

At the Balenciaga F/W 24 show in Paris wearing Demna’s designs head to toe.

Both Gucci and Balenciaga, where Demna has been creative director for nearly 10 years, are owned by Kering. At Balenciaga, Demna has redefined modern luxury, earning global recognition and cementing his authority on the industry.

Founded in Florence in 1921, Gucci is renowned for eclectic and contemporary creations that represent the pinnacle of Italian craftsmanship and are unsurpassed in quality, attention to detail and imaginative design.

Demna said: «I am truly excited to join the Gucci family. It is an honor to contribute to a House that I deeply respect and have long admired. I look forward to writing together with Stefano and the whole team a new chapter of Gucci’s amazing story.»

Gucci hasn’t set a date for Demna’s debut show, but it isn’t expected to come before September. That means Gucci’s next big moment on the fashion calendar — a May 15th cruise show in Florence, the brand’s birthplace — will be another studio-designed affair.

LoL, Sandra

Photo Credit: © Demna, © Sandra Bauknecht
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Rosita Missoni, co-founder of the renowned Italian fashion house Missoni, passed away peacefully on January 1, 2025, at her home in Sumirago, Italy, at the age of 93. 

Born Rosita Jelmini on November 20, 1931, in Golasecca, Italy, she hailed from a family with a rich textile heritage. Rosita studied modern languages. On a trip to London in 1948 to improve her English, she met Ottavio, who was competing with the Italian 400 metres hurdles team at the Olympics in the city. In 1953, she married her fellow textile enthusiast Ottavio «Tai» Missoni. Together, they established Missoni, transforming it into a symbol of Italian luxury fashion celebrated for its vibrant knitwear, distinctive zigzag patterns and avant-garde use of textiles, an approach to fashion often compared to modern art.

Missoni models in 1966, Photo: Courtesy of Missoni

Under Rosita’s creative direction, Missoni gained international acclaim for its innovative designs and contributions to ready-to-wear fashion. It was also helped by what was dubbed the ‘battle of the bras‘ in 1967. Missoni had been invited to show at the Pitti Palace in Florence but before the models went out on the runways Rosita noticed that their bras were visible through their tops, ruining the intended colour and pattern effect. She told the models to remove their bras but, under the runway lighting, their outfits became totally transparent and the incident caused a sensation.

Angela Missoni at the Missoni show during Milan Fashion Week S/S 2018, Photo: Courtesy of Net-à-Porter

Rosita remained actively involved in the company until 1997, when she transitioned leadership to her children, notably her daughter Angela, who assumed the role of creative director. Rosita then focused on expanding the Missoni Home collection, infusing the brand’s signature aesthetic into home furnishings. 

The Missoni family faced significant tragedies in 2013, with the loss of their eldest son, Vittorio, in a plane crash, followed by Ottavio’s passing later that year. Despite these challenges, Rosita’s unwavering dedication ensured the brand’s continued prominence in the fashion industry. 

Rosita Missoni’s legacy endures through her pioneering spirit, innovative designs, and the vibrant patterns that have become synonymous with the Missoni brand. Her contributions have left an indelible mark on the fashion world, inspiring generations of designers and fashion enthusiasts alike.

The brand expanded into home collections and hotels. In 2018 Italian investment fund FSI invested 70 million euros in the company in exchange for a 41% stake. Missoni picked Rothschild in 2023 as financial adviser to explore a potential sale of the company. As of October 2024, Alberto Caliri serves as the creative director of Missoni. A veteran of the company since 1998, Caliri previously led Missoni’s home and sport categories. He initially assumed the creative director role on an interim basis after Angela Missoni’s departure in 2021 and was officially appointed following Filippo Grazioli’s tenure from 2022 to 2024. 

Missoni S/S 2025

Under Caliri’s leadership, Missoni continues to innovate while staying true to its distinctive aesthetic, as evidenced in recent collections. 

Rest in Peace, Rosita, and thank you for these amazing patterns and fantastic knitwear!

LoL, Sandra

Photos: © Missoni, Missoni Archives, Grazia, Sandra Bauknecht
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What a whirlwind of events! While filming in Istanbul with little time to spare, the fashion world delivered a major surprise: John Galliano announced his departure from Maison Margiela after a decade at the helm of the OTB-owned brand.

John Galliano

In a heartfelt Instagram post, Galliano shared the news, writing, «Today is the day I say goodbye to Maison Margiela… I am forever grateful for this safe space to create and build a new family that supports me with courage and dignity.» He extended his thanks to his atelier team and Renzo Rosso, OTB’s chairman.

The move marks the end of an era for the house, originally established by the famously reclusive Martin Margiela. The brand gave Galliano the opportunity to rebuild his career and reputation following his controversial exit from Dior in 2011. Over the years, Galliano transformed Margiela with his signature theatricality, camp-infused creations, and innovative, deconstructed designs. He also championed gender-fluid fashion and elevated the brand’s «Artisanal» line to unprecedented levels of craftsmanship.

Me in the Maison Margiela Haute Couture studio after the amazing show in the beginning of the year, which is just next to Galliano’s office.

Under his leadership, Margiela saw significant commercial success, with a 22% rise in sales in 2023, even as the broader luxury market faced challenges. His legacy was solidified with a sensational January 2024 show in Paris, where historical couture-inspired characters roamed a haunting, mist-filled space under a bridge, complete with striking, mask-like makeup by Pat McGrath. Galliano leaves behind a storied chapter in Margiela’s history.

Galliano did not elaborate on his future plans, instead saying that «when the time is right, all will be revealed.»

Matthieu Blazy for CHANEL

I was hoping that he would be appointed at CHANEL but today the French Maison announced Matthieu Blazy as its new creative director, succeeding Virginie Viard, who departed in June. Blazy, formerly the creative head at Bottega Veneta, is recognized for his craftsmanship and innovative designs. His appointment is anticipated to infuse fresh energy into the French Maison’s iconic aesthetic. Blazy is expected to present his inaugural collection for CHANEL during Paris Fashion Week in October 2025. 

Louise Trotter for Bottega Veneta

Meanwhile in the past hours, Louise Trotter has been announced as the new creative director of Bottega Veneta, taking over from Matthieu Blazy. Known for her transformative work at brands like Lacoste and Carven, Trotter brings a refined design aesthetic and a strong sense of cultural awareness to the role. She is set to start at the luxury house in January 2025, making her the only woman currently leading a brand under Kering’s ownership. This appointment highlights her unique vision and the potential for a fresh chapter at Bottega Veneta.

One of the conglomerate’s biggest fashion brands, Fendi, has yet to name a new womenswear designer after Kim Jones stepped down from the role in October. I guess that Galliano will head up there. These significant shifts reflect the dynamic nature of the fashion industry, with Galliano, Blazy and Trotter poised to shape new creative directions in their respective roles.

LoL, Sandra

Photos: Courtesy of the Brands / © Sandra Bauknecht
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