My Look: Bonjour Paris

Touchdown in the city of lights just in time for Fashion Week. For my first stroll through Paris, I couldn’t resist a timeless CHANEL moment, black velvet with intricate details that feel as chic and iconic as the Eiffel Tower itself. Paris, je suis prête!

My look: Velvet top with gold buttons, and velvet leggings with bow embellishments, CC chain lambskin hoop earrings, sunglasses, black acrylic AirPod Pros case with pearl chain (2021), black lambskin «Tech Me Out» clutch with chain in pale gold hardware (2019), and two-tone slingback shoes, all by CHANEL, and bow-detailed embellished velvet headbandicon by Philip Treacy.

LoL, Sandra

Photos: © Sandra Bauknecht / Nadia Krawiecka
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My Look: Brown Is The New Black

They say black never goes out of style, but this F/W 2025 season, brown is redefining elegance. In Boston, I embraced a head-to-toe brown look that feels effortlessly chic, warm, and sophisticated. To break the monotony and add a playful twist, I styled it with a vibrant Christian Louboutin bag, the perfect pop of color that turns the entire outfit into a true statement. Sometimes, it only takes one bold accessory to elevate a monochrome look from classic to unforgettable.

My look: Cable-knit wool and cashmere puffer jacket, and cotton midi dress, both by Polo Ralph Lauren, Torchon gold-tone crystal clip earringsicon by Alessandra Rich, Frankie 85 snake-effect leather ankle bootsicon by Jimmy Choo, and Breizcaba embellished embroidered felt and leather-trimmed canvas toteicon by Christian Louboutin.

LoL, Sandra

Photos: © Anouk Bauknecht
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MILF – Museum I Like to Finance

Last weekend Kunsthalle Zürich celebrated its 40th anniversary and what a celebration it was. The evening felt less like a retrospective and more like a time machine, sending us simultaneously back into the institution’s rich history and forward into its exciting future.

The festivities began with a spirited auction led by Sandra Nedvetskaia, whose energy and elegance turned bidding into a performance of its own. The room buzzed with collectors, artists, and friends of the Kunsthalle, each eager to support the next chapter of this storied institution.

Michael Ringier in front of Kerstin Brätsch, MƎTA, 2021

One of the most memorable moments came from Michael Ringier, who coined a playful new acronym: MILF – Museum I Like to Finance. It was cheeky, clever, and perfectly captured the spirit of the night, art should be taken seriously, but never too seriously. Personally, as someone who dreams of opening a museum one day, I found this both hilarious and inspiring.

Part of the auction: Kerim Seiler, Maintenant, 2010

The art itself was just as remarkable as the guests. Works from some of today’s most compelling artists graced the auction and the halls, reminding us that Kunsthalle Zürich has always been a place where ideas, experimentation, and vision come alive.

I was lucky to be hosted by my dear friend Martina Vondruska, who is part of the Kunsthalle’s gala committee. She did an incredible job orchestrating the evening, and I’m so grateful to her for inviting me to be part of this unforgettable night.

On our way to the event with jewelry designer Angelo De Luca., Co-Founder of Super Mountain in St. Moritz.

Wearing futuristic Cyber Dots by Jean Paul Gaultier and carrying a Moschino masterpiece, quite literally framed for the night.

The dress code playfully spanned the decades, from the 80s, 90s, and 2000s all the way into the future, a living timeline that mirrored the Kunsthalle’s past forty years and its vision ahead.

When fashion meets art: two friends, two Moschino bags, proof that style can be as much a masterpiece as the canvas.

Fittingly, the evening’s motto «Back to the Future» echoed not only the Kunsthalle’s 40th anniversary, but also the 40th birthday of the cult film itself, a double celebration of art, time, and imagination. And yes, the iconic DeLorean car from the movie was parked right in the hall, to everyone’s delight.

Just like the «Not A Celebrity Tequila,» which cares less about the name on the bottle and more about what’s inside, the night itself focused on what truly matters: the essence of art and the people who love it. (Thank you, Gerd Schepers, for the drinks!)

And then came the after-party. DJs «from the future (Zukunft, a former nightclub in Zurich)» transformed the Kunsthalle into a dance floor that stretched through time and space. The night’s theme wasn’t just symbolic, it was experienced, embodied, and danced into the early hours.

Forty years on, Kunsthalle Zürich remains a beacon of artistic energy and cultural curiosity. Here’s to the past, present, and – most importantly – the future.

LoL, Sandra

Part of the auction: Pippa Garner, I’D BE MORE BEAUTIFUL BUT I RAN OUT OF MONEY, 2022

Photos: © Sandra Bauknecht
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My Look: Reflecting Pool

There are fashion pieces that come and go and then there are icons that define a whole era. The Chloé Paddington bag was the moment of the early 2000s, and I still have my original. Now that it has been reissued, I couldn’t resist bringing it back into the spotlight. For this shoot, I paired it with a sharp denim look and set it against the Reflecting Pool in Boston, a place where the city’s energy slows down for just a moment. Boston isn’t the obvious fashion capital, but that’s what makes it interesting: a city built on history, reinventing itself in the present, just like this bag. It’s fashion meeting travel, nostalgia meeting now and I love standing right at that intersection.

My look: Cropped denim jacketicon, high-rise flared jeansicon, and stretch-corded lace bodysuiticon, all by Zimmermann, Frankie 85 snake-effect leather ankle bootsicon by Jimmy Choo, Paddington leather shoulder bagicon, shearling and gold-tone charmicon, logo necklace, Chloé iconic belt, and Carlina round-frame gold-plated sunglassesicon, all by Chloé.

LoL, Sandra

Photos: © Anouk Bauknecht
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Chloé Revives the Paddington

When the Chloé Paddington first launched in 2005 under Phoebe Philo, it instantly became one of the most recognizable «it-bags» of the decade. Its slouchy leather body, chunky hardware, and oversized padlock gave it a distinctive personality that set it apart from the sleek minimalism of other luxury handbags.

After quietly disappearing from Chloé’s collections for years, the Paddington is finally back under the creative vision of Chemena Kamali. Its return is more than just a reissue, it’s a revival of an icon. Personally speaking, it’s not about rediscovering it, it’s about celebrating the fact that I never let it go. Taking it out again feels like reconnecting with an old friend that somehow looks even better today.

I gave mine a little twist and added a bag charm from the new collection to give the icon a modern update: Paddington leather shoulder bag (from 2005) and shearling and gold-tone charm (from 2025).
icon

«Sometimes the best way to stay ahead of the trend is simply to hold on to the right pieces

So for those who held onto their original, now is the perfect time to bring it out of the closet and enjoy the fact that it feels just as relevant today as it did two decades ago.

For younger fashion lovers, the comeback offers something different: the chance to buy into a piece of early-2000s nostalgia at exactly the moment when Y2K style is everywhere again. The era’s influence is dominating runways and the Paddington fits right into that wave.

What makes this revival so powerful is its authenticity. Chloé hasn’t tried to reinvent the wheel, the Paddington comes back true to its essence, reminding us that some designs never really go out of style. In a world where trends move at lightning speed, the Paddington’s return proves that true icons only step aside until the time is right to shine again. And for those of us who kept ours, that moment has arrived.

LoL, Sandra

Photos: © Sandra Bauknecht and Courtesy of Chloé
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MSR Season 1 – My Outfits – Episodes 11-15

Here comes the next round of my outfits – Episodes 11–15 from Season 1 of MY STYLE ROCKS!

Every single look you see on the show comes straight from my own wardrobe and personal collection. I never work with a styling team, instead, I carefully select, prepare, and pack each outfit myself and bring it all the way to Istanbul for filming. It takes a lot of planning and effort, but that’s what makes it authentic.

In the early episodes we still had themed challenges on a daily basis (not only for the gala shows), which made the styling process even more complex. I can’t wait to share these next looks with you, all truly me, from start to finish.

Episode 11
FEMME FATALE

My look: Sarabande-lace V-neck peplum dress by Alexander McQueen, Chiara crystal-embellished suede slingback pumpsicon, and Palmette crystal-embellished suede cross-body bag, both by Christian Louboutin, silver-tone crystal clip earrings, and crystal-embellished snake necklace, both by Alessandra Rich.

More photos: Birthday Girl Night Fever

Episode 12
MEET THE IN-LAWS

My look: Floral-print wool and mohair-blend blazericon, floral-print wool and mohair-blend wide-leg pantsoversized Ignasi Monreal sweatshirticon, rose print silk tie neck blouseicon, Marmont fringed logo-embellished metallic cracked-leather pumpsicon, Sylvie mini buckle leather shoulder bag, all by Gucci and Rosamund silk-faille headband by Jennifer Behr.

More photos: The New Story

Episode 13
COCKTAIL WITH THE EX

My look: Cutout bow-embellished wool and silk-bend mini dressicon, stretch-knit tightsicon, One Stud mini leather shoulder bagicon, Tan-Go patent leather platform pump 165mm, all by Valentino, and feather, crystal and bead earrings by Oscar de la Renta.

More photos: Valentino Pink PP

Episode 14
COLOR BLOCKING

My look: Orange silk jacket, blue silk shirt, and matching bag with leather tassels, all by Gucci (S/S 2011 Collection), yellow pants by Moschinohoop-drop clip earringsicon by Saint Laurent, Aevitas Pointy satin platform pumps by Versace, and silk hair band by Prada (Resort 2019).

More photos: Color Blocking

Episode 15
RED CARPET

My look: Embellished one-sleeve tulle gownicon by Monique Lhuillier,champagne bottle bag by Moschino (left), gold bar clutch bag by CHANEL (right), gold red crystal scared heart earrings by Dolce & Gabbana, and leather platform pumps by Gucci.

More photos: Digital Red Carpet

LoL, Sandra

Photos: © Sandra Bauknecht
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My Look: One More Night in Boston

My flight to Zurich is canceled tonight, so I get to enjoy one more evening in Boston. Against the city’s skyline in the golden sun, I’m wearing a seductive yet cool look: denim with lace cut-outs at the legs, paired with a matching lace top. A clutch with New York’s skyline adds a playful twist across borders.

Fashion always comes full circle, and brands from the ’90s and 2000s, think Blumarine, are experiencing a powerful revival. Today, I’m celebrating that spirit in my own way.

My Look: Floral Chantilly lace top, and lace-trimmed low-rise wide-leg jeans, both by Blumarine, Carmella NYC Skyline beaded clutch by Staud, embellished leather necklace by Alessandra Rich, sunglasses by CHANEL, and Jodie suede platform sandalsicon by Saint Laurent.

LoL, Sandra

Photos: © Anouk Bauknecht
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My Look: Lost in Translation!

While I am spending time in Boston, I wanted to share a few memories from Seoul, South Korea. The city itself feels like a living artwork, especially during Frieze, with its vibrant streets, dazzling lights, and unique rhythm creating an atmosphere that is as inspiring as any gallery.

For this moment, I wore an outfit that also appeared on My Style Rocks. Sophisticated and stylish, it blended seamlessly into the dynamic backdrop of Seoul. Fashion, like the city itself, becomes a language of expression, sometimes effortless, sometimes lost in translation, but always full of energy and meaning.

As worn in Episode 117 of MY STYLE ROCKS SEASON 2.

My look: Logo silk shirt, and matching logo wide-leg silk pants, both by Versace, Marble Silk Constance III mini bag, Ex-Libris Marble silk twilly, H Equipe earrings and matching H Equipe pendant necklace, all by Hermès, and leather platform pumps by Gucci.

LoL, Sandra

Photos: © Sandra Bauknecht / @travel_addict_mia
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Veuve Clicquot x Jacquemus

A tribute to joy & optimism
Veuve Clicquot and Simon Porte Jacquemus, French designer and founder of the eponymous brand, are pleased to unveil a poetic and joyful reinterpretation of La Grande Dame 2018, the Maison’s prestige cuvée, as a limited edition. Exuding sunlit optimism while honouring the beauty of artisanal tradition, a standout design is signed by Simon Porte Jacquemus as an artistic expression with a crafted touch.

The collaboration unites two creative universes illuminated by the joy that is deeply rooted in their respective identities. The emblematic Veuve Clicquot yellow, first introduced in 1877, radiates the colour of the sun, while Simon Porte Jacquemus remains eternally inspired by his solar Southern French roots.

Present throughout this collaboration, the iconic yellow of Veuve Clicquot plays a role both visually and symbolically. Here, Simon’s favourite colour illuminates the drape, like a ray of sun that rises from linen. Yellow, a symbol of joy, also blends with silver and natural tones, adding both warmth and modernity.

At the heart of the collaboration is a shared homage to women. The story of Madame Clicquot, an exceptional woman who boldly took the reins of the House in 1805 when women had few rights – and was named ‘la grande dame de la Champagne’ after her death -captivated Simon, whose mother is his forever muse and who conveys the strength and sensuality of women through his designs.

This limited edition is instantly recognisable for its handwritten logo and signature by Simon on an irregularly edged yellow label embossed with sun rays. The bottle is draped with white linen evoking the timeless elegance of family heirlooms that have been carefully washed, sun-dried, and starched with Marseille soap. This white linen is also a reference to an old Italian method used to keep bottles cool: a cloth is soaked in water and then wrapped around the flask to maintain its chill during hot summer days. The fluid calligraphy in yellow embroidery suggests a surreal, almost living presence, as though gently written by hand.

«La Grande Dame 2018 is the outcome of simple materials, meaningful gestures, and strong women’s stories, yet it is ultimately a celebration of – and for – optimistic and memorable moments,» adds Simon. «From the bright and joyful spirit to the excellence in savoir-faire, I admire and share the same values as Veuve Clicquot.»

Bridging the codes of couture and champagne, the gift box is sheathed in a «toile du Marais» fabric with sun rays and a ribbon alternating the Veuve Clicquot logo and Simon’s signature. It reflects Simon’s innate love of objects and his belief in the poetry of everyday life.

Masterpiece «Le Rafraichissoir», a fresh take on champagne service
A custom rafraîchissoir (cooler) extends his eye for sculpture into functional design. Simon revisits the At Home Champagne Ritual by breathing new life into the rafraîchissoir, an object rooted in the refined culture of the 18th century, which has left an indelible mark on the history of Maison Veuve Clicquot. True to his aesthetic, he infuses it, and more generally the idea of the traditional champagne service, with imaginative yet subtle details.

Inspired by Medici vases, the design composed of a champagne bucket and a glass cooler (which can be used together or separately), also incorporates personal references such as the rounded square handles and a fish trompe l’oeil that nods to Simon’s Mediterranean roots. Upholding the savoir-faire of metalsmithing, he collaborated on the design with Camille Orfèvre, recipient of the prestigious ‘Meilleur Ouvrier de France’ award, which recognizes exceptional craftsmanship. With an atelier in the Marais, the master artisan remains one of the last orfèvres (metalsmiths) in Paris and possesses an EPV (Company of Living Heritage) label. The silverware pieces are crafted from silver‑plated metal, meticulously worked for over 40 hours, spread across several non‑compressible weeks, using the traditional techniques of haute orfèvrerie. Each stage is performed by hand, and the creation of each piece involves up to seven distinct crafts: repousser, polisher, engraver, enameller, silver‑plater, cabinet‑maker, and silversmith. This reflects the precision and richness of the French silversmithing tradition.

A limited edition that is manufactured only on request, customizable and limited to 50 pieces. Le Rafraîchissoir also includes a glass set and a flight of exceptional vintages of La Grande Dame: 2018, 2012 in Magnum and 1990, Simon’s birth year, in Jeroboam. This selection of vintages and bottle formats offers a unique journey into how time and bottle size impact the aromatic evolution of wine.

«Beyond fashion, I have all these obsessions around design and contemporary art,» says Simon. «For Veuve Clicquot, I envisioned how people would feel the warmth, craft, and emotion in the appearance of this fine La Grande Dame 2018 vintage

La Grande Dame 2018, a deep and precise vintage
La Grande Dame 2018, 25th vintage of the cuvée launched in 1972, is the expression of a centuries-old craftsmanship and an unprecedented year, offering a maturity of grapes close to perfection.

For more than two centuries, Veuve Clicquot has cultivated ‘L’Art du Pinot Noir’ according to Madame Clicquot’s vision. Madame Clicquot used to describe this delicate grape variety as «the only one capable of producing wines of unmatched finesse and freshness

Under the expertise of the Cellar Master, La Grande Dame 2018 embodies a perfect mastery of aging in the service of the Art of Pinot Noir. It is a wine with a solaire soul. Its color is bright and luminous. Its deep and precise style is characterized by subtle finesse and freshness, expressed through its salinity.

La Grande Dame 2018 offers the sensation of an ideal balance, with perfect harmony and intensity for this vintage.

Julia and Emma Roberts at the launch party during New York Fashion Week (Photo: via Vogue)

A joyful celebration
To reveal this unprecedented collaboration, Veuve Clicquot and Simon Porte Jacquemus have conceived an unveiling during the opening of New York Fashion Week.

An advertising campaign, imagining a poetic and joyful journey between Reims, the historic city of Veuve Clicquot, and the South of France, home of Simon Porte Jacquemus, has been directed by Jonas Lindstroem with photos by Jack Davison.

Following the US launch on September 9th, the collaboration will then roll out in UK, Italy and France in September / October 2025.

Recommended selling price for la Grande Dame 2018 by Simon Porte Jacquemus: €220.
Le Rafraîchissoir: Price upon request.

LoL, Sandra

Photos: © Veuve Clicquot
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Dressed in Colors, Carrying Love

One month without my mother.
The sadness is still heavy, like a secret shadow I carry with me. I hesitated for a long time whether to share these pictures and words, because grief is intimate, and yet, it is part of life. And I believe it’s important to find light even in the darkest chapters.

«Grief is the price we pay for love.» – Queen Elizabeth II

She always wanted her farewell to be bright, colorful, and full of joy, no gloomy speeches, but laughter, champagne, and celebration. Because life continues, and she believed that death is not the end, only a checkpoint on our journey.

She wished for a forest burial, her final resting place embraced by nature. I carried her urn from the ceremony to the tree, sometimes smiling, sometimes crying, because grief is not one single face, but many. My sister said something in her speech that will stay with me forever: «The ashes become one with the tree, so I can embrace our mother again.»  A thought both heartbreaking and comforting, because it makes her presence eternal.

At her farewell I wore color because fashion is my language, my way of expressing love. A Dolce & Gabbana skirt whispering «Mama, I love you» in every language, and a matching bag with a mother, two daughters, a dog, and a cat, exactly her world. Through clothes I painted the immensity of my love for her.

What touched me deeply: my childhood friends traveled from far away to stand by my side. Their presence was a gentle reminder that love weaves us together across time and distance, and I am endlessly grateful.

She was extraordinary, and she taught me to embrace life with both elegance and humor. And so I honor her not only in grief, but in light. And now life moves forward, I’m on my way to Boston with my daughter, filled with gratitude and excitement for this new journey ahead.

LoL, Sandra

Photos: © Sandra Bauknecht
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