Kimono: Kyoto to Catwalk at V&A

Another fashion blockbuster to add to your diary – the V&A is going off-brand after the must-see exhibitions about Alexander McQueen, Christian Dior, Mary Quant and has dedicated an entire show to the ultimate symbol of Japan: the KIMONO, the traditional garment worn by men, women and children.

Fashionable brocade patterns of the Imperial Palace, woodblock print, made by Utagawa Kunisada, 1847-1852, Japan. Museum no. Circ.636 to Circ. 638– 1962. © Victoria and Albert Museum, London

In kimono it is the pattern on the surface, rather than the cut of the garment, that is significant. Indications of social status, personal identity and cultural sensitivity are expressed through colour and decoration. The kimono worn by women, particularly the young, were the most richly decorated and it is generally these that survive in collections like that of the V&A.

The exhibition entitled ‘Kimono: Kyoto to Catwalk’ traces the traditional Japanese garment’s universal appeal, rich history and ever-evolving style. It is the first major exhibition in Europe with such a focus and reaches from 17th-century rarities to 21st-century streetwear.
Tracing its influence across the work of couturiers such as Yves Saint Laurent and Star Wars costume designers, this demonstrates kimono’s evolving story as well as its rich history.

Kimono: Kyoto to Catwalk
29 February – 21 June 2020
Gallery 39 and the North Court

LoL, Sandra

Photos: Courtesy of V&A

In Love with Prada S/S 2013 Flowers & Fur

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Miuccia Prada used Japanese elements, draped Duchesse satin and came up with a contemporary kimono style, while paying homage to Courrèges with ’60 silhouettes and red daisies. All mixed together, the Prada S/S 2013 collection has a very nostalgic feel while of course looking absolutely new and modern. That is something only Mrs Prada can come up with.

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Photos taken in my favourite coat in my favourite Prada store in the world, ZURICH!

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My beloved Prada accessories for S/S 2013.

LoL, Sandra

Photos: Courtesy of Prada, © Sandra Bauknecht