Bobbi Brown Luxe Lip Colour


Bobbi Brown‘s boldest, most vibrant lip color ever: LUXE LIP. This sumptuous formula dramatically boosts moisture levels while intensely rejuvenating lips, keeping them comfortable and conditioned—even after it’s removed. Now in 30 shades, with a sleek gold tube. It’s luxury, redefined. I am obsessed.


Kate Upton is the face of the campaign. You can watch the video at the end of this post but before I would like to invite you to enjoy Bobbi Brown’s insider tips on the right lip make-up.

What makes this new lip color formula so special?

BB: Luxe Lip is our most luxurious lipstick yet. It glides on effortlessly and gives lips rich, vibrant color with an ultra- luxurious finish. The nourishing formula is packed with moisturizers and peptides that work behind the scenes to make lips look softer and smoother—even after it’s taken off.

What does luxury mean to you?

BB: It’s all about the simple pleasures – a book you can’t put down, really good espresso, a hot bath after a long day. When it comes to beauty, luxury is defined by things that are timeless and made with the very best ingredients.

Bobbi Brown_Lipstick

 Can you describe the process of how you name lip colors?

BB: Inspiration for shades comes from everything I see in my daily life – from fabrics to countries to food. In this collection you’ll find names like Red Velvet, Sunset Orange, and Raspberry Pink. It’s also important that each name help women understand what the color actually looks like—makeup shouldn’t be complicated. Russian Doll is inspired by the color of cheeks and lips after being outside in the cold—rosy red. It’s a subtle, yet statement-making lip color. Parisian Red is inspired by French style. French women are known for their sexy, effortless brand of cool so this is the color that you can wear without any other makeup and still look pulled together. It is true red that instantly brightens up the complexion. And the shade Your Majesty is inspired by London—one of my favorite places in the world. When I’m in London, I’m constantly on-the-go—visiting my favorite sights, restaurants and meeting with friends. Your Majesty delivers just the right amount of depth – it’s sophisticated and royal – making it the perfect lip color to wear from day to night and on any occasion.

Any tips to finding the perfect everyday lip color?

BB: To find the most flattering nude lipstick, use the natural coloring of lips as a guide. The best shade will either match or be one or two shades brighter or darker than lips.

What is a beauty must when wearing bolder lip colors?

BB: Make sure lips are smooth and conditioned before applying lipstick; bright color can accentuate uneven lip texture. And for the most precise look, use a Lip Brush to apply lipstick; keep color within the natural lines of lips. Also, make sure to keep the makeup balanced—bright and bold lips look most modern with simple eye makeup.

When Luxe Lip meets the Lust List: super-talented Australian artist, Sally Spratt, created 15 hand-drawn mood boards featuring the gorgeous new shades and the countries that inspired them.
For the full list, click here please.

12119168_10153621877245539_2511724057596730362_nFor girls who love fast cars, you’ll love Retro Coral.

1458481_10153621877365539_6987699484916210991_nFor the woman who’s the epitome of modern glamour, meet the gorgeous Hot Rose shade.

12118819_10153621877170539_4354138128154048061_nThe brilliant Great Barrier Reef inspired this beauty in Atomic Orange.
The new lipstick collection is in stores now for CHF 47.00 each.

LoL, Sandra

Photos: Courtesy of Bobbi Brown

Visiting Azzedine Alaïa in Paris

Visiting Azzedine Alaia in Paris

Today, my thoughts are with the people of Paris. Standing in solidarity with the French, I am appalled by yesterday’s heinous and immoral acts. So many amazing people live in the City of Lights and I am wishing all of them lots of strength. One of them is Azzedine Alaïa whom I met recently.

“It is Alaïa or not Alaïa! If it is not, you cannot negotiate.”


Rue de Moussy in the Marais district of Paris, a very unlikely location for a high end fashion store. This has been the address of Azzedine Alaïa’s Maison since over 20 years. It is home to the ateliers, the showroom, the store, an art gallery, his apartment, a hotel with three rooms and the famous kitchen where he eats together with his employees every day and where he welcomed my humble self for dinner. Famous artist and longtime friend Julian Schnabel designed some furniture for the space, such as a massive cashiers’ desk, embellished with the initials, “A.A.”.

Moussy - Photos Andrea Aversa(8)The Alaïa store at Rue de Moussy

Marignan - Photos Ilvio Gallo (1)Housed in an 18th-century mansion, the new Alaïa store at 5 Rue de Marignan.

Before I arrive at the Alaïa temple, I had visited the second store on Rue Marignan which has been open since September 2013. It is quite the opposite on three floors, white, majestic, very artsy and clean, filled with the iconic pieces Azzedine is known for. You might say that he is one of the last couturiers. He is the master of tailoring. I haven’t seen one woman in my life that hasn’t looked good in an Alaïa dress and a pair of Alaïa shoes.

Azzedine-Alaia-12-Vogue-2Oct13-Patrick-Demarchelier_b© Patrick Demarchelier

It is an amazing success story: born in February 1940 as the son of Tunisian farmers, he got inspired for his love of couture by his twin sister. He attended the École des Beaux-Arts in Tunis and studied sculpture which helped him define the silhouette of the modern woman. He had worked at Christian Dior, Guy Laroche and Thierry Mugler before opening his first own atelier in the late 1970s. There is no doubt, Azzedine Alaïa has made the sexiest clothes for the most stunning women on the planet, has rejected corporate fashion and become highly acclaimed among critics, designers – even first ladies. For me, it is a story of someone who has always stayed true to himself and has never given up on his own dreams and values, no matter how much more difficult it got because of this attitude. Being particularly successful since the 1980s, he is mostly famous for his tight fitting curve-hugging clothes and second-skin styles with complex seams and snaking zippers. Thanks to him, leather and Lycra have been elevated to the world of high fashion.

Azzedine-Alaia-2-Vogue-2Oct13-Paolo-Roversi_bLong sheath dress known as the “powder puff” from the S/S 1994 collection.
© Paolo Roversi

Mr. Alaïa once said: “A woman is like an actress, she’s always onstage. She has to look great to feel good. If she’s going to wear clothes by a designer, … then the clothes should make something happen, something unexpected. The dress has to be part of her, she has to feel it on her body. … I prefer the woman to be seen rather than the outfit. Her head, her body, her hands — the garment is there to cover her, to underline something, and make her beautiful.

Alaïa’s ability to flatter a woman’s body is unparalleled, his creations are timeless. I have been collecting his designs for over twenty years and not one of my pieces seems outdated.

6a00e5523a6edd8833013488290b1a970c-800wiAlaïa leopard love (F/W 1992), © Jean-Baptiste Mondino

He likes swimming against the tide. Whereas all designers follow the fashion week schedules, Mr. Alaïa premieres his collections at his own rhythm, in private défilés since over a decade now. He is openly not a fan of Karl Lagerfeld and had a big fall out with Anna Wintour who hadn’t included the designer’s work in the 2009 Met’s Model As Muse exhibition – which she had organized.

Azzedine Alaïa plays by his own rules. The tiny designer is used to make all the decisions himself. For him, being independent and putting all the effort in his creativity is the key to success. “It’s ready, when it’s ready.” Now, after over 30 years in business, he takes his kingdom to new heights with the launch of his first fragrance «Alaïa». Like an iconic dress of him, he wanted it to be like a second skin. Timeless, for the Alaïa woman, discreet and not vulgar. He created a team of four people to come up with the perfect scent. His longtime friend Carla Sozzani, founder of 10 Corso Como in Milan, famous fashion photographer Paolo Roversi, the French designer Martin Szekely, who created the bottle and last but not least Marie Salamagne, the nose behind it.

Sandra_Bauknecht_Marie_SalamangneMarie Salamagne with me

For her it was an unusual encounter with a designer. Marie explains to me: “Once a month we met and discussed what was going to be the fragrance. Mr. Alaïa was were interested to interpret his childhood memories that he had of the smell of fresh water. He had this clear souvenir in mind of cold water running down the hot walls of his family house. Therefore he wanted the fragrance to show exactly this contrast, a mix of cool and warm notes at one.” He was very clear about his vision: “It is Alaïa or not Alaïa! If it is not, you cannot negotiate.

Sandra_Bauknecht_Smelling_alaiaExploring the new Alaïa scent

Marie Salamagne used very fresh airy top notes to give this watery feeling that is transparent and pure. The idea to use pink pepper to add more lightness came from Mr. Alaïa himself. The second impression is floral, but in an abstract and not invasive way, built on peony and freesia. The base notes are warm and all about bare skin created through animal notes and musk.


The bottle is all about the same contrasting elements. Built like a sculpture, it resembles the iconic perforated cut used for his leather pieces. It is opaque black but when you hold it into the light, it becomes see-through. The packaging itself plays with the famous nude color, the color of skin that Azzedine Alaïa loves to work with. Personally speaking, I had a clear idea in mind of how «Alaïa» would smell like and the new fragrance has totally surpassed all of my expectations. It is different like the house of Alaïa is, yet timeless and unexpected. The designer was very clear about his vision: “It is Alaïa or not Alaïa! If it is not, you cannot negotiate.

It was an amazing experience meeting Mr Alaïa himself. He is such a sweetheart!
Below are some more impressions of my time with him.

LoL, Sandra

Sandra_Bauknecht_AlaiaHeading to dinner in head to toe Alaïa

Moussy - Photos Andrea Aversa(7)Inside the Rue de Moussy store.

Rossy-De_palma_Sandra_BauknechtWith Alaïa’s muse, actress Rossy de Palma, at dinner.

IMG_3439The famous Alaïa kitchen

Hotel 3 Rooms - 5 Rue de Moussy- Photos Christoph Kicherer (1)One of the three hotel rooms

Rue-de-Moussy_Sandra_Bauknecht_alaiaTrying the amazing gown that I wore to my friend’s wedding in Capri.

Gift AlaiaA lovely gift from Mr Alaïa: the laser-cut leather clutch.icon

Marignan - Photos Ilvio Gallo (14)The stairs inside the Rue de Marignan store.

Marignan - Photos Ilvio Gallo (10)

Photos: Courtesy of Alaïa, © Sandra Bauknecht, © Paolo Roversi, © Jean-Baptiste Mondino and © Patrick Demarchelier

Dior VIII Grand Bal “Plissé soleil”

Dior Grand Bal Plissee Soleil

Dior_Plissee_Soleil_Grand_BalI have been in love with Dior‘s VIII Grand Bal watch collection since its launch in 2011. «A ball gown must be the one of your dreams, and must also make you a dream-like creature. In my opinion, it is just as important as a suit in a woman’s wardrobe. And so wonderful for morale...», said Christian Dior once.
As a result, in addition to the daytime and cocktail designs, the Dior VIII wardrobe also features evening designs with the “Dior Inversé” calibre, where the functional oscillating weight on the dial is reminiscent of the swirling of a ball gown.

This year, Dior VIII Grand Bal “Plissé soleil” dons new colors for this limited edition. Adorned with the color combination of deep blue sea of the dial with the sea-green of the oscillating weight, nicely contrasting the grey mother-of-pearl pleating, the 36mm model is a timepiece that’s equipped with an automatic movement that is exclusive to the House of Dior, the unique oscillating weight on the ball dial mirrors the hypnotic swirl of a classic Dior gown.

LoL, Sandra

Dior Gran Ball

dior-viii-grand-bal-plisse-soleil-movementPhotos: Courtesy of Dior

My Look: Fall Oversized Sweater


Oversized sweaters worn as dresses add a certain coolness to your look. I couldn’t resist Christopher Kane’s “Lovers’ lace” – entwining bodies in coral and cream lace, that are inspired by life drawing lessons. Worn on the F/W 2015 runway, this oversized style is woven from a luxurious blend of wool and cashmere guaranteed to keep me warm when the weather cools here in Zurich.

My look: Hooded camel-wool wrap coat with belt by Chloélace-paneled wool and cashmere-blend sweater dress by Christopher Kanefringed checked cashmere scarf by Burberry Prorsum, leopard-print Boston tote by CélineiconRockstud leather-trimmed knee boots by Valentinoicon and Linda round-frame acetate sunglasses by Tom Ford.

LoL, Sandraicon















Photos: © Sandra Bauknecht

10 Years of Longchamp & Jeremy Scott

Sandra_bauknecht_Jeremy_ScottJeremy Scott with me

 Ten years of creative freedom. Ten years of explosive, ravishing humor. Happy Birthday to one of the most fun collaborations: Longchamp and Jeremy Scott celebrate their 10th anniversary.

Jeremy Scott 10 Years Longchamp10 years of pure creativity

His irreverence is applauded, his audacity hailed. Jeremy Scott is part of a closed circle of designers who have no fear. A lover of Pop prints and bold colors, he is known for shaking up the catwalk with his extravagant designs. It is with this “enfant terrible” of the fashion world that Longchamp chose to team up in 2006. The unusual alliance between the legendary French leather craftsman and the turbulent designer came as a surprise to more than a few. Yet the partnership is perfectly in line with the label’s style.

Jeremy Scott Longchamp 15Limited edition for the 10th anniversary “Greetings from Hollywood”

Scott was given the challenge to rework the legendary Le Pliage® bag. Every season, the designer takes inspiration from his favorite pattern in his ready-to-wear collection and adds it to the label’s flagship bag. I am so in love with his newest limited edition and of course his Barbie® collection for Moschino!

LoL, Sandra

Photos: Courtesy of Longchamp

Exclusive Collection – Moschino & Barbie®

Don’t miss the exclusive Moschino Barbie® and ready-to-wear capsule collection, launching today on Net-à-Portericon. For the Italian fashion house’s S/S 2015 show, creative director Jeremy Scott chose Barbie® as his stylish muse (for a previous post, click here please).

Barbie 1MOSCHINO + Barbie® doll

Barbie 2MOSCHINO + Barbie® doll

Only 700 versions of this iconic doll have been produced and each one comes boxed alongside a selection of accessories, including a quilted backpack, sunglasses and a logo tee. Use the accompanying presentation stand to fully showcase her outfit.


Along with this collector’s edition Barbie® doll comes an 8-piece RTW collection, which includes life-sized versions of some of the same pieces along with two Moschino Barbie® doll emblazoned t-shirts. I am loving it!


LoL, Sandra


Photos: Courtesy of Net-à-Porter

My Look: Indian Summer in Munich


This week, I flew to Munich and spent an amazing time in my old hometown. It was Indian summer in the city – a phenomenon of sunny and clear weather conditions that I experienced a lot when living in Chicago. There was no coat needed and I just enjoyed the colors of fall here at Lenbachplatz.

My look: Tulip-jacquard mini dress by Alexander McQueen, Rockstud leather-trimmed knee boots by Valentinoicon, 2Jours medium calf hair, mink and leather shopper iconand textured-leather and fox monster bag charm, both by Fendi, necklace by Chanel and Limelight Gala watch by Piaget.

LoL, Sandra













Photos: © Sandra Bauknecht (Thank you Maria from Loews for taking them!)

Karl Lagerfeld and artnet

Karl Lagerfeld:Artnet

To celebrate the launch of the KARL LAGERFELD global online women’s flagship store on, fashion icon Karl Lagerfeld and artnet are partnering for an exclusive auction of three one-of-a-kind handbags, each accompanied by its original sketch.

Designed by Karl Lagerfeld exclusively for the partnership, the unique bags have been expertly crafted by hand, while the rare sketches are coveted as pieces of art in and of themselves and are seldom made available for sale. These exclusive handbags and original sketches are currently live for bidding on artnet auctions through November 10, 2015.

Just click on the highlighted text to be transferred directly to the auction:
Kl Artnet
Karl Lagerfeld (German, b. 1933)
Lot ID: 111355
Handbag and original sketch
Overall Size: 8.3 x 11 x 1.2 in. (21.08 x 27.94 x 3.05 cm.)
Framed Size: 17.1 x 21.1 x 1 in. (43.43 x 53.59 x 2.54 cm.)
Signed on the sketch along the bottom of the sheet

City Butterfly

Karl Lagerfeld (German, b. 1933)
Lot ID: 111356
Handbag and original sketch
Overall Size: 9.8 x 13.8 x 4.3 in. (24.89 x 35.05 x 10.92 cm.)
Framed Size: 17.1 x 21.1 x 1 in. (43.43 x 53.59 x 2.54 cm.)
Signed on the sketch along the bottom of the sheet


Karl Lagerfeld (German, b. 1933)
Lot ID: 111357
Handbag and original sketch
Overall Size: 12.2 x 11.8 x 4.7 in. (30.99 x 29.97 x 11.94 cm.)
Framed Size: 17.1 x 21.1 x 1 in. (43.43 x 53.59 x 2.54 cm.)
Signed on the sketch along the bottom of the sheet

KL and ArtnetKarl Lagerfeld with Jacob Pabst, CEO of artnet.

LoL, Sandra

Photos: Courtesy of Karl Lagerfeld/Artnet
© Lisa Roze

My Look: #HMBalmaination


Last night, I attended the Balmain x H&M pre-shopping event in Zurich hosted by Friday Magazine. I was very honored to wear some of the best pieces of the designer collaboration as one of the first ones. The collection sold out in a minute…

My look: Garbadine jacket, green sequined dress, suede over-the-knee boots, suede bag, wide belt, statement necklace and cocktail ring, all by Balmain x H&M.

LoL, Sandra





closeup HMbalmaination



A huge thank you to the H&M team for another amazing experience!

Which ones were your favorite pieces of the collection. Drop me an e-mail to .

LoL, Sandra

Photos: © Sandra Bauknecht

Interview with Olivier Rousteing


At the age of 30, Olivier Rousteing, the creative director of Balmain, is H&M‘s latest designer collaborator. Since five years , he has been at the helmet of the French fashion house and is one of the youngest creative directors in the world. He has shot to fame in the succeeding thanks to his glamorous designs and also his groundbreaking sense for social media. His vision is to combine pop culture, music and fashion.

         Together with Ann‑Sofie Johansson, the creative advisor at H&M, he answered some questions regarding his upcoming collaboration with H&M that will hit the stores worldwide tomorrow, November 5, 2015.

H&M-BalmainOlivier Rousteing and Ann-Sofie Johansson

            Olivier, how did you feel when H&M called you and asked you to be their newest collaborator?

       OR: It was just something amazing like «Oh, my God, it’s happening to me..». It was a dream come true because I’m H&M generation boy. For me being part of the H&M story, it’s an honor, it’s a privilege, it’s something that celebrates a vision and aesthetic.

            10 years ago I was part of the Cavalli collaboration. I was an assistant and now 10 years later I’m with Balmain, the creative director, and am building that amazing story. When H&M calls to ask for your aesthetic and vision, it’s a big achievement for a designer. I’m very proud to be part of it.

         Ann-Sofie, why did H&M want to work with Balmain and Olivier?

            ASJOlivier is a fantastic designer, of course. He achieved so many great things at Balmain. WE at H&M have a wish list of designers we would like to collaborate with. Olivier was on it. We also get a lot of questions from our customers, demands really, who to collaborate with next. Olivier was also one of the top names there.

            We were super happy when Olivier and Balmain said yes. It’s also fun to have a collaboration that is opposite to what we did last year with Wang, that was really sporty and streety. This time, it is opulent, glamorous and sexy. 


            Olivier, we all know about the #BalmainArmy. The hashtag for this collaboration is #HMBalmaination. It is like a message of unity, something that is very important to you. Talk a little bit please about why is that so integral to Balmain and H&M.

            OR: I think I love fashion for two reasons. Because I love to do clothes and to deliver a vision of diversity and unity the same time. With H&M it was literally expressing the diversity.

            Also, why ‘nation’? In this nation I could have so many different people. First because obviously this line is more affordable than my own line. Building the Balmain Army means creating a nation that believes in my universe, the DNA of Balmain. With this collaboration, I can reach more people, different ages, also different continents because Balmain has not so many stores as H&M.

Kylie Jenner wearing H&M x Balmain

 Olivier, can you explain please why you decided to remake and sort of revise some of the greatest hits from your past four years?

OR: Because I still remember around 10 years ago when I was in the line to actually get the pieces from different collaborations for myself. I loved watching the runway shows and thought so many times, I wished I could afford this jacket or those pants. I remember my feeling of frustration.

            So now I can see with my Instagram, my followers, dreaming of some pearls, some different craftsmanship. Once in my life I want to make it up. Thanks to H&M, we can make it happen.

         Ann‑Sofie, like you said, this collection is very different than last year’s, which was Alexander Wang, really sporty. What was the process like for H&M? It obviously has a lot of lux detailing. Was that a new experience for everyone?

            ASJ: It was a challenge. Of course, there are different challenges with different collaborations. This time, it was the handcrafted details. We were I have to say a little bit scared if we were able to pull it off or not and now we’re super happy with the result. I know that Olivier is, as well. We work with really skilled suppliers that we’ve been working with for many, many years. They are also super proud of being part of this collaboration.


  Was there a specific piece that was the most challenging?

            ASJ: All the pieces, but definitely the black and white dress, which is fully beaded. 250,000 pearls are on that dress.

          Olivier, how about you, how did you experience the collaboration?

OR: Drama (laughter). Working with H&M, it’s a big achievement because as a designer you push yourself so much more. You know the price range and it’s obvious that you can’t use some techniques, but you want to make sure it looks the best. I wanted to bring affordable couture and that’s why I’m really, really proud of the result.

Balmain HM Shop

            To see the collection on the racks over there, there is a mix of embellished pieces, but you put some simpler things, like the sweater that Ann‑Sofie is wearing.

            OR: I think it’s important. When H&M contacted me, I asked myself: what is the Balmain DNA, what do we want to bring to the store? I said there are two pillars, the couture, but also the tailoring. Even for the simplest pieces, the fit is amazing, the fabric is good. I think we managed to find a real good balance for this collection. You can get a dress to party all night long and be really glamourous or you can opt for a jacket with buttons which you can wear during daytime.

         That’s why I talked about diversity. I think it was important to reach different kind of women.

_73A9065Olivier’s three muses: Jourdan Dunn, Gigi Hadid and Kendall Jenner

            You are an Instagram star with 1.6 million followers now. I don’t think many other designers come close. Obviously your fans get a lot from you through social media. They learn about you and your life. What do you get as a designer and also what does Balmain and H&M get as brands from Instagram?

            OR: I think the most important part is that you get feedback from the people that love you and also from the ones that hate you. Social media today is a really nice way of advertising and showing who you are, what is your vision, what is your aesthetic.
 What is amazing with Instagram, if you want to know it, you can follow me. If you don’t want to, you can unfollow me. I think it’s a more honest way to actually share with people. You’re not really advertising, you’re just being yourself, taking selfies in the morning after showing what’s happening in your studio, showing the clothes, showing also how it could be hard work to make it up. I think people love to see the process.

  Personally speaking, it’s also a way to keep my feet on the ground because I find a way to keep contact with reality. I can read some comments, I can see how hard life can be for some people. It’s a good balance for my glamorous life.

     Let’s talk about the menswear, too as there’s a big selection. Did you approach that the same way with the idea of keeping the tailoring central but also the embellishments and embroideries?

            ORThis men’s collection is like an access to my closet. I love my double‑breasted jacket, I love my coats, my leather pants, my T‑shirts, my embroidered jackets. It’s like my personal wardrobe. Reminiscent of Instagram where I like to share, I wanted to give the exact same clothes to those who can’t afford what I’m doing. I’m really, really proud.

          Moreover, I am so happy that this menswear collection is something that a lot of women like and could actually wear. Balmain DNA is when a woman can also get the menswear jacket and everything. This is really interesting. I wouldn’t be surprised if a lot of women are going to go for the menswear line also.

          Androgyny is very of much in the current vogue. People are talking about it a lot in fashion. Considering that Balmain’s DNA is so opulent and glamorous, it seems like it perhaps doesn’t really fit with this new trend. Like you say, it actually does.

            OR: Completely. I think Balmain is not only flamboyant and rich, because it has 200,000 beads on a dress. It’s because you can wear a menswear jacket and feel really strong, confident, not  afraid. That’s what I’m building with my Balmain Army, the H&M Balmain Nation. You know who you are with a menswear jacket, with a really short beaded dress. It’s about confidence and about believing in yourself.

What will this collaboration do for Balmain as a brand?

            OR: I think as a brand, is going to open the doors to our stores because Balmain is not known in some countries. It’s a great access to understand the Balmain world better, that it’s not only about the embroidery dress, but more about the tailoring. And it’s a great way to give younger people an access to Balmain.

Alessandra Ambrosia wearing the must-have jacket on the runway.

       Speaking about the clothes, do you both have favorites, any predictions on what you think will be the top sellers?

            OR: Yes, I have my favorite, it’s the double‑breasted jacket with the pearls and velvet that Kendall was wearing at the Billboards when we announced the collaboration. I love the pearls because it’s part of my first season. It’s kind of emotional for me, but I’m really proud that this jacket is going to be in stores.

Sandra_Bauknecht_Jacket_HM_BalmainMe wearing the black jacket with gold buttons.

What are a the key pieces of this collection that you can recommend that you can start a great closet with?

            OR: The black jacket with gold buttons is a perfect start. You can wear it as a dress if you want to or you can wear it as a jacket. Thanks to Ann‑Sofie who made it slightly longer.

            This jacket in particular is really iconic for me because it’s really Balmain. It’s black, simple with six gold buttons. Wear it like a tuxedo jacket with pants, or as a dress with the high boots that we also sell. It’s a real statement jacket.

Thank you, Olivier and Ann-Sofie for this lovely interview!

Don’t forget tomorrow the Balmain x H&M collection will hit the shelves…

LoL, Sandra

Photos: Courtesy of H&M, Balmain and © Sandra Bauknecht