Sandra‘s Closet

Yesterday, the ‘Schiaparelli & Prada: Impossible Conversations’ exhibition has been unveiled during a dedicated press conference at the Costume Institute’s The Metropolitan Museum of Art in New York.
The exhibition will be open to the public from May 10 to August 19, 2012.

The Met’s Spring 2012 Costume Institute exhibition explores the striking affinities between Elsa Schiaparelli and Miuccia Prada, two Italian designers from different eras. Inspired by Miguel Covarrubias’s “Impossible Interviews” for Vanity Fair in the 1930s, the exhibition features orchestrated conversations between these iconic women to suggest new readings of their most innovative work.

Iconic ensembles are presented with videos of simulated conversations between Schiaparelli and Prada directed by Baz Luhrmann, focusing on how both women explore similar themes in their work through very different approaches.

The exhibition showcases approximately ninety designs and thirty accessories by Schiaparelli (1890–1973) from the late 1920s to the early 1950s and by Prada from the late 1980s to the present. Drawn from The Costume Institute’s collection and the Prada Archive, as well as other institutions and private collections, signature objects by both designers are arranged in seven themed galleries: “Waist Up/Waist Down,” “Ugly Chic,” “Hard Chic,” “Naïf Chic,” “The Classical Body,” “The Exotic Body,” and “The Surreal Body.”

Schiaparelli, who worked in Paris from the 1920s until her house closed in 1954, was closely associated with the Surrealist movement and created such iconic pieces as the “Tear” dress, the “Shoe” hat, and the “Bug” necklace. Prada, who holds a degree in political science, took over her family’s Milan-based business in 1978, and focuses on fashion that reflects the eclectic nature of Postmodernism.

LoL, Sandra

Photos: Courtesy of the The Metropolitan Museum of Art and Prada

Frieze Art Fair is renowned for cutting edge art and a fashion-forward crowd. Established in London in 2003 by the infinitely stylish Matthew Slotover and his co-director Amanda Sharp, it has become one of the art world’s hottest tickets.

This month, London’s coolest art fair hits Manhattan for the first time with the launch of Frieze New York. The four-day event (May 4-7) will see over 1000 of the world’s leading artists gather alongside curators, gallerists and collectors all set against a cool waterside backdrop and with a hip lineup of pop-up restaurants, parties and people to spot. And fashion trendsetters such as Net-à-porter and Mulberry join forces with the art world:

Co-publishers of Frieze Matthew Slotover and Amanda Sharp at the Mulberry dinner

On Friday, May 4 Mulberry hosted an intimate dinner in celebration of the Frieze Art Fair’s New York debut and in honour of the artists of Frieze Projects, of which Mulberry is the sponsor.

Frieze Projects is a not-for-profit initiative featuring commissioned artworks around the outdoor space of Randall’s Island, which are accessible to all visitors to the area. The dinner was held at The Crown restaurant on New York’s Upper East Side (readers of my fashion column in the SI Style magazine know this place already).

The beautiful decorated entrance to The Crown Restaurant

The ambiance

Among the fashionable guests: Derek Blasberg and Alexa Chung

The Clarins-Courtin sisters

Lana Del Rey

American singer Lana Del Rey performed during the evening, wearing the three quarter blouse in flame heavy lace and the fitted pencil skirt in flame, both from the F/W 2012 Collection. Lana was Emma Hill’s inspiration for Mulberry’s newest bag, the Del Rey, which launches in stores and online in mid-May.
(Stay tuned as I will keep you inform you once it hits the shelves).

Mulberry’s Del Rey Bag

Last night, May 5 influencers from the worlds of fashion and art came together to join NET-A-PORTER for a cocktail party and dinner celebrating Frieze Art Fair’s Chelsea Gallery Night, a night where more than 20 of Chelsea’s finest galleries opened their doors for a neighborhood block party filled with exclusive gallery previews, live music and food.

The NET-A-PORTER-sponsored event at the Hôtel Americano kicked off with roof-top cocktails and music by London DJ, Bip Ling, and continued with a seated dinner.

The Big Frieze hits NYC, I love!

LoL, Sandra

Christopher Kane with Natalie Massanet in a lace dress by Alessandra Rich

Giovanna Battaglia in a black leather coat
(Don’t we love the floral lace A-line dress by Miu Miu to the left and the neon-orange with white lace dress by Christopher Kane to the right in the background?!)

Olympia Scarry in head to toe floral prints by Proenza Schouler.

Designers Jason Wu and Roland Mouret

Photos: Courtesy of Mulberry, ©Craig Barritt/WireImage, Courtesy of Net-à-Porter and Frieze New York

Last night, I went to the exhibition opening of the Gunter Sachs Collection at Sotheby’s.

The art collection of famous German multimillionaire Gunter Sachs, who committed suicide at his chalet in Gstaad, Switzerland, at the age of 78, last year and who was once married to style icon Brigitte Bardot, will be sold at a Sotheby’s auction in London on May 22 & 23, 2012.

The 300 items are ranging from Pop Art works to Art Deco furniture, including paintings by Andy Warhol, Yves Klein and Mel Ramos, to name a few.

Sachs, one of the last great “playboys” and famed for his jet-set lifestyle, was friends with many famous artists.

Andy Warhol - Brigitte Bardot
Acrylic and silkscreen ink on canvas, 120 by 120cm
Executed in 1974
Estimate £ 3,000,000 – 4,000,000

I love this Bardot painting!

Visit sotheby’s.com/sachs for further information, highlights and videos. For enquiries regarding the London auction, please call + 44 (0) 20 7293 5390.

LoL, Sandra

Photo: AFP, Getty Images, Reuters

Mary Katrantzou has designed a Teflon Easter Egg for the Fabergé Easter Egg Hunt in London. The giant floral-embellished egg, which is on display at the fashionable May Fair Hotel for 40 days and 40 nights, went for £12.000.- in the charity auction.

The egg features several “metal flowers, Swarovski crystals, bells and whistles, the May Fair’s vibrant three-colour tiered Egg is described as ‘Man Meets Machine Meets Mother Earth’”. Reminiscent of Mary Katrantzou’s beautiful S/S 2012 collection.

Happy Easter!

LoL, Sandra

Photos: Courtesy of Mary Katrantzou

After we had visited the Gucci manufacture, we went to the Gucci Museo in the center of Florence (Piazza della Signoria, 10), which had opened its doors in September 2011.
For photos of the opening party, please click here.

Now, I would like to walk you through the museum and give you some information on the brand’s iconic looks and signature pieces. Enjoy!

Ground floor: TRAVEL

History tells how, as a teenager, Guccio Gucci worked as a lift boy at the Savoy Hotel in London where he was fascinated by the elegance of the upper class guests at the turn of the 20th century. On his return to Italy, the young Guccio opened a workshop specializing in the production of travelware and accessories. The first cases and trunks to be produced in Florence bore the inscription: G. Gucci, Articles for Travel, Florence. Defining the brand in English highlighted its founder’s international vision, which was aimed from the outset at modern travelers of the time across the globe. Impeccably high quality crafted goods, then as now.

Travel set “Leonardo” print, 1950’s

Trunk, pigskin, 1930’s

Travelling in style:

1st floor: PRECIOUS

A selection of jewelry and items showcasing Gucci’s creativity in finding unique ways to combine practicality and beauty. Crystal-studded minaudières, powder compacts, buckles and all sorts of jewelry pieces are all tiny but timeless treasures.

„Tiger head“ necklace and bracelet, enamelled silver, early 1970’s

Brooch, enamelled gold, 1980’s
This piece reminds me a lot of my Bague Diorette, don’t you agree?!
But Gucci was obviously first…

1st floor: FLORA WORLD

The story began in Milan in 1966, when Prince Ranier of Monaco brought his wife to the Gucci boutique. Roldolfo Gucci insisted that Princess Grace choose a gift to accompany the bamboo bag she had purchased. The Princess requested a scarf. Rodolfo felt that the House lacked one sufficiently beautiful for the royal style icon and so he commissioned illustrator Vittorio Accornero to create the most beautiful print he could imagine. Accornero returned with his painting: the “Flora”, a sumptuos, multi-hued, flowered template destined to become a design classic.

When Giannini revived Flora on printed canvas bags in summer 2005, a new generation succumbed to its charms. In 2006, it appeared re-scaled, re-coloured and abstracted onto Forties-style print dresses, jewellery and evening bags.

I was over the moon to see that my own closet has got some museum pieces.
How cool is that?!

1st floor: HANDBAGS

Bags are Gucci’s signature and therefore the museum dedicated one part of the exhibition to the house’s rich creative heritage of various models. Continuously evolving over the years, with creation of iconic models such as the Bamboo Bag, the Jackie and those immediately recognizable by Gucci symbols including the horsebit and green-red-green web (Web is the name for the iconic Gucci stripes).

Leather, „riding crop“, shoulder strap in horn, early 1970’s

Short handle bags in raffia, leather, pigskin, late 1950’s and early 1960’s

1st floor: EVENING

Gucci’s evening wear is designed to be worn on the red carpet and the most exclusive events on the international stage, from Cannes to Los Angeles and New York to Paris. The house’s couture label is called Gucci Première.

Here you can see some of the distinguished moments in the history of fashion and haute couture, celebrated through gowns worn by Hilary Swank and Naomi Watts.

2nd floor: LOGOMANIA

The GG is the most significant symbol in Gucci’s long history. The initials of founder Guccio Gucci first featured on the clasps of his bags in the early 1960’s, finding new interpretations over the years: recreated in gold and silver, on precious leather, velvet and silk.

Shirt and skirt, jersey with „horsebit“ print, suede, early 1970’s
Dress, silk with „horsebit and horseshoe print, mid 1970’s

Shoulder bags and moccasin, „horsebit print fabric“, mid 1970’s

2nd floor: LIFESTYLE

From fashion to items dedicated to leisure and recreational activities, Gucci’s style is reflected in every moment of daily life. From the opening of the first store in Florence in 1921, Guccio Gucci offered his distinguished clients giftware and souvenirs, a creative progress which has continued through the years, transforming his products into cult items: thermos holders and picnic sets, parlor games, table lamps, and sets of glasses and, more recently, even an electric guitar. Home or away, these are the items which complete the Gucci lifestyle.

2nd floor: SPORT

From horseback riding to golf, Guccio Gucci always found inspiration in the various sporting disciplines practiced by his most sophisticated clientele. Gucci logos and symbols customized technically competitive sport items which all had their own original style. Golf club bags, tennis racket bags, surfboards, flippers and masks are some of the latest items in the range, which showcase Gucci’s craftsmanship applied to products that complement the wardrobes of sports professionals and sports fans alike. More recently, Guccissima Leather has been used to cover items from bicycle seats and snow sleds to saddles and a whole host of riding accessories, reflecting the sport’s continuing influence in the House’s collections.

On display is also the outfit from Gucci’s second equestrian collection designed exclusively for Charlotte Casiraghi by Creative Director Frida Giannini that the equestrian heiress wore throughout her participation in the 2011 Global Champions Tour.

I hope that you have enjoyed your museum’s tour.

LoL, Sandra

Photos: © Sandra Bauknecht, Celebrities: Courtesy of Gucci

You cannot be everywhere… The same day I flew to Paris for the amazing shoot with Dior, I was also invited to London for another special event.

La Mania – the Polish fashion house under the Honorary Patronage of Karl Lagerfeld - and Galerie Gmurzynska hosted a multimedia event, so-called “Fairy Tale Mania”, presenting La Mania’s F/W 2012 collection and exhibiting the new work of artist Marco Perego. You might recognize Perego’s work from last year’s post when I met him in Zurich.

In case you haven’t heard of La Mania before, here are some facts. The label is the brainchild of Joanna Przetakiewicz, launched in 2010 with the one-of-a-kind blessing by her friend Karl Lagerfeld who has been offering guidance and inspiration to the Polish designer. Joanna is not only wearing her designs, she is also one of the rare Haute Couture clients in the world. The last time I saw her, was at the Stéphane Rolland show in Paris.

The exhibition “Fairy Tale Mania” is open to the public until the end of February at the Royal Opera Arcade Gallery, 5b Pall Mall, London SW1 (free entry). It represents Poland in the International Fashion Showcase project, organized by British Council and British Fashion Council as part of London Fashion Week.

Below you can see some photos of the event in London.

LoL, Sandra

Marco Perego
MY SOUL: Don’t leave me empty…
Painted metal, resin
2011

Isabelle Bscher, daughter of Krystyna Gmurzynska, and artist Marco Perego

Lapo Elkann, Zaha Hadid and Marco Perego

Joanna Przetakiewicz with models in her F/W 2012 collection

Joanna Przetakiewicz with her partner Jan Kulczyk, a prominent Polish business oligarch

Mathias Rastorfer, Zaha Hadid, Isabelle Bscher and Krystyna Gmurzynska
Photos: © Brauer

During New York Fashion Week, at the Lincoln Center, Barbie threw open the sparkly, pink doors of her Dream Closet.

It’s a special 9,000 square-foot installation with all kinds of looks to pick from and try on, a demonstration of what kids can do at home on their own computers if they visit BarbieWow.com and have webcams.

The real attraction were the Barbie “dressing rooms,” where you pose while your picture is snapped on a giant screen, then allowing you to “try on” some of your favorite B-doll costumes.

Stephanie Cota, Barbie’s senior vice president of marketing, has been active during Fashion Week for several years. There was a runway show in 2009 for the doll’s 50th anniversary, featuring outfits by 50 designers who included Vera Wang, Diane von Furstenberg and Calvin Klein.

In all, 75 couture designers have outfitted Barbie over the years. Cota and her Mattel crew were loaded with Barbie tidbits: There’s a “Barbie Pink” Pantone colour and more than 1 billion outfits produced for her since she first hit stores as a “teenage fashion model” in 1959 wearing a black-and-white zebra stripe swimsuit.

LoL, Sandra

Photos: © Sandra Bauknecht

The reason for my trip to Milan this week was the opening of “O’Clock – time design, design time” with Officine Panerai as the main partner. The exhibition is curated by Silvana Annicchiarico and Jan van Rossem, with a special exhibition design by Patricia Urquiola that analyses the relationship between the concept of time and design, on display at Milan Triennale from 11th October 2011 to 8th January 2012.

The works on show describe the way in which  some 80 international designers and artists have interpreted or represented one of the fundamental themes of our culture, that of time.

Patricia Urquiola has also created for Officine Panerai the installation “I mondi di Officine Panerai” (The worlds of Officine Panerai), presented here for the first time, in which eight watch models recount, as protagonists, the design of Panerai. The installation, positioned at the end of the exhibition, is open from 11th to 23rd October and consists of eight models in as many display cases, in which the watches are presented in a setting that skilfully blends humour and poetry and create the effect of a time tunnel which appears to possess a soul, that of time.

If the link between the concept of time and a brand of high-end timepieces is obvious and immediate, the same can be said of the connection between Panerai and the world of design. The Radiomir and Luminor, created in the 1930s and 1940s for the Italian Navy frogmen commandos, have become icons of fine watch-making since their launch in the 1990s.

Damien Hirst, Beautiful Sunflower Panerai Painting

On the occasion of the exhibition the famous British artist Damien Hirst is premiering two works, made using the spin painting technique and using dials from Panerai watches and household gloss on canvas: Beautiful Sunflower Panerai Painting and Beautiful Fractional Sunflower Panerai Painting.

“I love Panerai”, declared the British artist. “The watches are timeless and I made this spin painting using black Panerai watch faces without hands in the pattern of the seeds in the head of a sunflower – I hope the painting makes you think, we are here for a good time, not a long time.”

Damien Hirst, Beautiful Fractional Sunflower Panerai Painting
© 2011 Damien Hirst and Science Ltd. All rights reserved DACS, 
Photos: by Prudence Cuming Associates

By the way, Damien Hirst has included Panerai watches on several occasions in the past in his works: a Panerai watch is painted on a table next to medicines and a skull in “Skull with Watch” from 2005 and is physically present in the installations “The Tranquility of Solitude (for George Dyer)” (2006), and “Killing Time” (2008).

Gomitolo Clock
Carlo e Benedetta Tamborini
Diamantini & Domeniconi, 2008
courtesy Diamantini & Domeniconi

A cotton-knit cover; almost as if to suggest a subtle link between the technique of measuring time and the art of weaving.

One of my favourite art works is the following, created with different pieces of furniture:

The bug – Time Machine
Patricia Urquiola
site-specific, 2011

Time has always been an obsession for humanity in that it is the least controllable and modifiable element. The strongest limit to be overcome and on which technology and progress can intervene least of all. Dealing with our being limited, with a deadline, which we can try to extend, but not avoid. Dealing with eternity and the impossibility of experiencing it. The curiosity of being able to foresee or read the future, the primary search of every civilization, which perpetuates itself in continuous unlikely and unfound attempts, based on foundations comparable to beliefs. Power linked to a supposed control of time, by means of forecasts, surveys, readings, premonitions, the study of cycles, the creation of systems, genetic analysis, preventative tests, séances, oracles, reading of cards, bones, animal guts, the hand, the stars. To be able to make money on the stock market, to know society’s moods, the opinions of the decision-makers, to create consensus, prevent, anticipate, control. The final solution? Invent a time machine just like the train, the car, the airplane and the spaceship were invented.
Further and further away, faster and faster, in less time, but always and only in the present and space.
The bug is a worm, an insect, something unforeseen, an error, an act of nature or something artificial, like a metaphor for the impossibilty of total control of time.

Patricia Urquiola

Patricia Urquiola in front of her time machine

Patricia Urquiola with me

Poster Plants
Oscar Diaz
2011
courtesy Oscar Diaz

A piece of white paper with a paper tree with branches and a vase filled with green paint. The special material used to make the poster causes the green paint to be absorbed at regular intervals by the branches, so that the plant can „grow“ in the space of a few months.

Domino
Albin Karlsson
2005
courtesy Albin Karlsson

Dominoes arranged into the symbol of infinity fall one after the other in a chain reaction, to then rise again as if controlled by an invisible hand, ad infinitum.

Clock
Christiaan Postma
2008 
courtesy Christiaan Postma

At 3:00 on the clock’s right side, the word THREE will appear, fading out as time passes; then, at about 3:30, the word FOUR will slowly begin to emerge.

Eternity
Alicia Eggert, Mike Fleming
2010
courtesy Alicia Eggert & Mike Fleming

30 clocks and 36 black hands for the hours and the minutes move so as to form the word Eternity every 12 hours and only for a few secons on a white acrylic panel.

Givenchy
Riccardo Tisci
2011
courtesy of Sandra Bauknecht

This one was a little joke…got you? But sometimes clothes are pieces of art.
My look for the exhibition opening: Black and white dress and ruffled jacket with zipper detail by Givenchy, suede pumps by Yves Saint Laurent, stay-ups “Bonny Dots” by Wolford and cocktail ring by Dior Haute Joaillerie.

“Life can only be understood backwards; but must be lived forwards” – Sören Kierkegaard

LoL, Sandra

Suryia Hill to the right with me, Photos: © Sandra Bauknecht

Last Friday, I went to the opening of Marco Perego’s first solo exhibition in Switzerland entitled “Secrets” curated by Isabelle Bscher at Galerie Gmurzynska. The exhibition features works from 2011 including 
3 sculptures, 40 drawings and 10 paintings and will be open until October 25, 2011.

The artist Marco Perego with me last Friday at the opening

Perego, born 1979 in Verona, Italy, is a very good-looking former soccer star who is now based in Los Angeles. He has presented solo shows worldwide, including a solo exhibition at the Museo Archeolgico Nazionale in Florence in 2008. In the same year, he unveiled one of his most controversial pieces, “The only good rockstar is a dead rock star”, a sculpture of a dead Amy Winehouse lying in a pool of blood, long before the soulful R’n’B songstress met an untimely end past July. In 2008 his painted works formed the background of Dolce & Gabbana’s advertising campaign. His animated film “Burn to Shine” will premiere next year at Sundance Film Festival.

Dolce & Gabbana’s S/S 2008 ad campaign with Marco Perego’s paintings in the back

Marco Perego with Isabelle Bscher*

Perego’s Portrait of Isabelle Bscher, Mixed media on paper, 2011

In 2007 Marco describes himself in an interview with the New York Observer like this: “I just believe in my dreams, the sun in the face, wind in the back, the rest take care from the destiny to dance with the stars.” He spent a year with Shamans in Argentina, after which he started his series „Secrets“. Perego who has taken inspiration from Freuds dream analysis, told Bscher: „These are drawings of the unconsious, of the inner demon within.“

The artist is known for his controversial paintings, often a fantasy that perverts images that we take for granted as innocent. For example, when the Evil Queen drops all pretensions of prude as well as her knickers in front of the Seven Dwarves.

Vladimir Restoin-Roitfeld with me

Vladimir Restoin-Roitfeld, Carine Roitfeld’s son, art dealer and curator himself, counts the artist amongst his closest friends. So no wonder, he came with an entourage of famous and close friends to the opening, among them Fiat scion Lapo Elkann and Starvos Niarchos.

From left to right: Mathias Rastorfer, Andrea Kracht, Marco Perego and Lapo Elkann*

Famous friends: Niclas Pol, Vladimir Restoin-Roitfeld, Starvos Niarchos, Andy Valmorbida with Marco Perego.*

About his life in the city and his friends he said once to the New York Observer: “It’s the same, because I never forget where I’m from. I am the same kid. I love to sit down and be like a voyeur. I love to watch people, and feel like a pirate. My friends are the best pirates in the world. I promise.”

Marco Perego, La terre et la lune, 2011, Gypsum, 158 x 140 x 140cm

I especially love the sculpture “La terre et la lune“.
You can count me definitely among Perego’s fans.

LoL, Sandra

My outfit last Friday: 
Baseball jacket, striped pants and top by Balmain, patent shoes by Stella McCartney and bag by Gucci.

Photos: © Sandra Bauknecht, Photos with* are courtesy of Galerie Gmurzynska

Last week in Milan, there was quite a party stress going on.
Across from the Gucci party on Via Montenapoleone, Louis Vuitton celebrated the re-opening of their shop on the famous street, followed by a dinner and later a party with cocktails and music to toast the exhibition “The Art of Fashion” curated by Katie Grand which is on show at La Triennale di Milano until October 9th, 2011.

The interior of the Louis Vuitton Via Montenapoleone store.

Gorgeous decoration.

Party people

Lots of celebrities were there.

Beautiful Isabeli Fontana (right) in a sequined dress from the Louis Vuitton Pre-fall 2011 collection.

Anna dello Russo in a head-to-toe look from the Louis Vuitton F/W 2011 runway

Enjoy those photos from the exhibition:

Photos: Courtesy of Louis Vuitton, © Sandra Bauknecht

LoL, Sandra